Aquiles

25, fagdog werewolf lover tenko shimura apologist terfs fuck right off <3 // he/him, they/it, zie/zir/zis

[kinavu]

"My head hurts so BAD when will it STOP" i cry out as i scroll harder down the headhurter9000 rectangle in my hands

[fuckyeahchinesefashion]

OP: We never found another phone this interesting after that. Let me show you the last glow of the millennium. (cr ETO数码)

When Chinese netizens talk about the millennium era, there’s always a lot of wistful reflection. In China, the so-called millennial generation (千禧一代qian xi yi dai)mostly refers to people born between 1985 and 1995. Their life experience differs greatly from Western Millennials, because China underwent lightning-fast leaps in society and technology while they were growing up. The shift hit them far harder on a personal level.

Specifically, their sense of time sets them apart from generations before and after. They spent their childhood fully immersed in the analog age—the kind of offline, street-side daily life you see in shows like Neighbour Ma Dajie. Back then, most families didn’t own computers or broadband. The urban-rural divide was massive. You waited for cartoons to air on fixed TV schedules, or bought DVDs if you didn’t want to wait. Music came from cassette tapes, CDs and MP3 players. Newspaper and magazines were the main sources of information. Waiting for things was simply normal.

Yet through their teens and young adulthood, they watched the digital explosion unfold right in front of them: the arrival of QQ, the rise of internet cafes, early blogs, campus forums and countless Flash mini-games. This shift didn’t creep up slowly; it was an abrupt jump. Their lifetimes span the full migration path of modern information civilization: physical books - television - desktop computers - the internet - smartphones - AI or LLM.

Within just over a decade, the world raced forward to mobile payments, global social platforms and e-commerce. Their formative years straddled two entirely separate worlds, two opposing rhythms of life, ways of socializing and accessing information. Both realities are etched into their memories, leaving them with two distinct ways of perceiving time.

Media describes them as the last generation of Chinese people to have a pre-internet childhood, and the first generation to fully embrace the online world as adults. They are like a living bridge between eras.

[fuckyeahchinesefashion]

OP: We never found another phone this interesting after that. Let me show you the last glow of the millennium. (cr ETO数码)

When Chinese netizens talk about the millennium era, there’s always a lot of wistful reflection. In China, the so-called millennial generation (千禧一代qian xi yi dai)mostly refers to people born between 1985 and 1995. Their life experience differs greatly from Western Millennials, because China underwent lightning-fast leaps in society and technology while they were growing up. The shift hit them far harder on a personal level.

Specifically, their sense of time sets them apart from generations before and after. They spent their childhood fully immersed in the analog age—the kind of offline, street-side daily life you see in shows like Neighbour Ma Dajie. Back then, most families didn’t own computers or broadband. The urban-rural divide was massive. You waited for cartoons to air on fixed TV schedules, or bought DVDs if you didn’t want to wait. Music came from cassette tapes, CDs and MP3 players. Newspaper and magazines were the main sources of information. Waiting for things was simply normal.

Yet through their teens and young adulthood, they watched the digital explosion unfold right in front of them: the arrival of QQ, the rise of internet cafes, early blogs, campus forums and countless Flash mini-games. This shift didn’t creep up slowly; it was an abrupt jump. Their lifetimes span the full migration path of modern information civilization: physical books - television - desktop computers - the internet - smartphones - AI or LLM.

Within just over a decade, the world raced forward to mobile payments, global social platforms and e-commerce. Their formative years straddled two entirely separate worlds, two opposing rhythms of life, ways of socializing and accessing information. Both realities are etched into their memories, leaving them with two distinct ways of perceiving time.

Media describes them as the last generation of Chinese people to have a pre-internet childhood, and the first generation to fully embrace the online world as adults. They are like a living bridge between eras.

[fuckyeahchinesefashion]

OP: We never found another phone this interesting after that. Let me show you the last glow of the millennium. (cr ETO数码)

When Chinese netizens talk about the millennium era, there’s always a lot of wistful reflection. In China, the so-called millennial generation (千禧一代qian xi yi dai)mostly refers to people born between 1985 and 1995. Their life experience differs greatly from Western Millennials, because China underwent lightning-fast leaps in society and technology while they were growing up. The shift hit them far harder on a personal level.

Specifically, their sense of time sets them apart from generations before and after. They spent their childhood fully immersed in the analog age—the kind of offline, street-side daily life you see in shows like Neighbour Ma Dajie. Back then, most families didn’t own computers or broadband. The urban-rural divide was massive. You waited for cartoons to air on fixed TV schedules, or bought DVDs if you didn’t want to wait. Music came from cassette tapes, CDs and MP3 players. Newspaper and magazines were the main sources of information. Waiting for things was simply normal.

Yet through their teens and young adulthood, they watched the digital explosion unfold right in front of them: the arrival of QQ, the rise of internet cafes, early blogs, campus forums and countless Flash mini-games. This shift didn’t creep up slowly; it was an abrupt jump. Their lifetimes span the full migration path of modern information civilization: physical books - television - desktop computers - the internet - smartphones - AI or LLM.

Within just over a decade, the world raced forward to mobile payments, global social platforms and e-commerce. Their formative years straddled two entirely separate worlds, two opposing rhythms of life, ways of socializing and accessing information. Both realities are etched into their memories, leaving them with two distinct ways of perceiving time.

Media describes them as the last generation of Chinese people to have a pre-internet childhood, and the first generation to fully embrace the online world as adults. They are like a living bridge between eras.

[fuckyeahchinesefashion]

OP: We never found another phone this interesting after that. Let me show you the last glow of the millennium. (cr ETO数码)

When Chinese netizens talk about the millennium era, there’s always a lot of wistful reflection. In China, the so-called millennial generation (千禧一代qian xi yi dai)mostly refers to people born between 1985 and 1995. Their life experience differs greatly from Western Millennials, because China underwent lightning-fast leaps in society and technology while they were growing up. The shift hit them far harder on a personal level.

Specifically, their sense of time sets them apart from generations before and after. They spent their childhood fully immersed in the analog age—the kind of offline, street-side daily life you see in shows like Neighbour Ma Dajie. Back then, most families didn’t own computers or broadband. The urban-rural divide was massive. You waited for cartoons to air on fixed TV schedules, or bought DVDs if you didn’t want to wait. Music came from cassette tapes, CDs and MP3 players. Newspaper and magazines were the main sources of information. Waiting for things was simply normal.

Yet through their teens and young adulthood, they watched the digital explosion unfold right in front of them: the arrival of QQ, the rise of internet cafes, early blogs, campus forums and countless Flash mini-games. This shift didn’t creep up slowly; it was an abrupt jump. Their lifetimes span the full migration path of modern information civilization: physical books - television - desktop computers - the internet - smartphones - AI or LLM.

Within just over a decade, the world raced forward to mobile payments, global social platforms and e-commerce. Their formative years straddled two entirely separate worlds, two opposing rhythms of life, ways of socializing and accessing information. Both realities are etched into their memories, leaving them with two distinct ways of perceiving time.

Media describes them as the last generation of Chinese people to have a pre-internet childhood, and the first generation to fully embrace the online world as adults. They are like a living bridge between eras.

[fuckyeahchinesefashion]

OP: We never found another phone this interesting after that. Let me show you the last glow of the millennium. (cr ETO数码)

When Chinese netizens talk about the millennium era, there’s always a lot of wistful reflection. In China, the so-called millennial generation (千禧一代qian xi yi dai)mostly refers to people born between 1985 and 1995. Their life experience differs greatly from Western Millennials, because China underwent lightning-fast leaps in society and technology while they were growing up. The shift hit them far harder on a personal level.

Specifically, their sense of time sets them apart from generations before and after. They spent their childhood fully immersed in the analog age—the kind of offline, street-side daily life you see in shows like Neighbour Ma Dajie. Back then, most families didn’t own computers or broadband. The urban-rural divide was massive. You waited for cartoons to air on fixed TV schedules, or bought DVDs if you didn’t want to wait. Music came from cassette tapes, CDs and MP3 players. Newspaper and magazines were the main sources of information. Waiting for things was simply normal.

Yet through their teens and young adulthood, they watched the digital explosion unfold right in front of them: the arrival of QQ, the rise of internet cafes, early blogs, campus forums and countless Flash mini-games. This shift didn’t creep up slowly; it was an abrupt jump. Their lifetimes span the full migration path of modern information civilization: physical books - television - desktop computers - the internet - smartphones - AI or LLM.

Within just over a decade, the world raced forward to mobile payments, global social platforms and e-commerce. Their formative years straddled two entirely separate worlds, two opposing rhythms of life, ways of socializing and accessing information. Both realities are etched into their memories, leaving them with two distinct ways of perceiving time.

Media describes them as the last generation of Chinese people to have a pre-internet childhood, and the first generation to fully embrace the online world as adults. They are like a living bridge between eras.

[ranticore]

my river monster through several life stages :> it's so long that i couldn't keep it all on the canvas but you get the idea. it is patterned like one of our most vulnerable native fish species the humble arctic char, which are only in ireland because they got trapped in glacial lakes at the end of the last ice age. unlike their international conspecifics, our arctic char cannot return to the sea (trapped) (in a lake)

so the idea for this one is an ice age monster who, through human intervention in diverting water from the lake and into a canal system, is finally able to escape the ancient lake...

here's a lil close up of the last portrait because it got squished into the corner lol:

[ranticore]

my river monster through several life stages :> it's so long that i couldn't keep it all on the canvas but you get the idea. it is patterned like one of our most vulnerable native fish species the humble arctic char, which are only in ireland because they got trapped in glacial lakes at the end of the last ice age. unlike their international conspecifics, our arctic char cannot return to the sea (trapped) (in a lake)

so the idea for this one is an ice age monster who, through human intervention in diverting water from the lake and into a canal system, is finally able to escape the ancient lake...

here's a lil close up of the last portrait because it got squished into the corner lol:

[ranticore]

my river monster through several life stages :> it's so long that i couldn't keep it all on the canvas but you get the idea. it is patterned like one of our most vulnerable native fish species the humble arctic char, which are only in ireland because they got trapped in glacial lakes at the end of the last ice age. unlike their international conspecifics, our arctic char cannot return to the sea (trapped) (in a lake)

so the idea for this one is an ice age monster who, through human intervention in diverting water from the lake and into a canal system, is finally able to escape the ancient lake...

here's a lil close up of the last portrait because it got squished into the corner lol:

[ranticore]

my river monster through several life stages :> it's so long that i couldn't keep it all on the canvas but you get the idea. it is patterned like one of our most vulnerable native fish species the humble arctic char, which are only in ireland because they got trapped in glacial lakes at the end of the last ice age. unlike their international conspecifics, our arctic char cannot return to the sea (trapped) (in a lake)

so the idea for this one is an ice age monster who, through human intervention in diverting water from the lake and into a canal system, is finally able to escape the ancient lake...

here's a lil close up of the last portrait because it got squished into the corner lol:

[ranticore]

cuddles so sneetly

[jewishbarbies]

so christopher nolan drilled into an active historical site to rig a scene, dumped a bunch of plastic skeletons into the ocean with no plan to fish them out, and ruined an actual Viking ship on loan from sweden and refuses to pay for damages. all for that garbage movie.

[jewishbarbies]

Owner of Viking ship used in The Odyssey says studio has not paid bill for damage

Swedish nonprofit alleges cost to repair replica was $6,000 but Universal – which made $264m on film’s opening weekend – has not stumped up

Concerns about prop disposal as filming on new Nolan film comes to a close | www.italianinsider.it

looking for a news outlet to pick up the archeologist drama over this but you can google the practical effects used for the cyclops and find the pictures pretty easily

[jewishbarbies]

Nolan’s "The Odyssey" Has a Colonialism Problem

Despite Morocco’s hopes that its film industry would reap rewards, the blockbuster’s success will be tainted by controversy surrounding film

and it gets even worse

[jewishbarbies]

so christopher nolan drilled into an active historical site to rig a scene, dumped a bunch of plastic skeletons into the ocean with no plan to fish them out, and ruined an actual Viking ship on loan from sweden and refuses to pay for damages. all for that garbage movie.

[jewishbarbies]

Owner of Viking ship used in The Odyssey says studio has not paid bill for damage

Swedish nonprofit alleges cost to repair replica was $6,000 but Universal – which made $264m on film’s opening weekend – has not stumped up

Concerns about prop disposal as filming on new Nolan film comes to a close | www.italianinsider.it

looking for a news outlet to pick up the archeologist drama over this but you can google the practical effects used for the cyclops and find the pictures pretty easily

[jewishbarbies]

Nolan’s "The Odyssey" Has a Colonialism Problem

Despite Morocco’s hopes that its film industry would reap rewards, the blockbuster’s success will be tainted by controversy surrounding film

and it gets even worse

[jewishbarbies]

so christopher nolan drilled into an active historical site to rig a scene, dumped a bunch of plastic skeletons into the ocean with no plan to fish them out, and ruined an actual Viking ship on loan from sweden and refuses to pay for damages. all for that garbage movie.

[jewishbarbies]

Owner of Viking ship used in The Odyssey says studio has not paid bill for damage

Swedish nonprofit alleges cost to repair replica was $6,000 but Universal – which made $264m on film’s opening weekend – has not stumped up

Concerns about prop disposal as filming on new Nolan film comes to a close | www.italianinsider.it

looking for a news outlet to pick up the archeologist drama over this but you can google the practical effects used for the cyclops and find the pictures pretty easily

[jewishbarbies]

Nolan’s "The Odyssey" Has a Colonialism Problem

Despite Morocco’s hopes that its film industry would reap rewards, the blockbuster’s success will be tainted by controversy surrounding film

and it gets even worse

[jewishbarbies]

so christopher nolan drilled into an active historical site to rig a scene, dumped a bunch of plastic skeletons into the ocean with no plan to fish them out, and ruined an actual Viking ship on loan from sweden and refuses to pay for damages. all for that garbage movie.

[jewishbarbies]

Owner of Viking ship used in The Odyssey says studio has not paid bill for damage

Swedish nonprofit alleges cost to repair replica was $6,000 but Universal – which made $264m on film’s opening weekend – has not stumped up

Concerns about prop disposal as filming on new Nolan film comes to a close | www.italianinsider.it

looking for a news outlet to pick up the archeologist drama over this but you can google the practical effects used for the cyclops and find the pictures pretty easily

[jewishbarbies]

Nolan’s "The Odyssey" Has a Colonialism Problem

Despite Morocco’s hopes that its film industry would reap rewards, the blockbuster’s success will be tainted by controversy surrounding film

and it gets even worse

[elexecution]

hi y'all! im trying to sell my ticket for mcr queens. asking 300 (paid 325)

i am worried about the heat (last time i nearly passed out, so i will be waiting until october hahaha)

[crowquett]

I didnt really know what interactive introverts was about until like a week ago but a vision came to me