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John Powell reveals how classic Hollywood inspired his exuberant score for “Minions & Monsters.”

Avatar: The Last Airbender Season 2 takes Netflix's live-action adaptation in a darker, more mature direction while staying true to what mad

Web: imdb.com/name/nm11125087Most recent: I Love Boosters One of Cheryl Wang’s most significant moments as a music supervisor, she says, was

Avatar: The Last Airbender Season 2 takes Netflix's live-action adaptation in a darker, more mature direction while staying true to what mad

We chat with composer Takeshi Furukawa on how he is elevating the score and crafting the distinct sounds of the Earth Kingdom for 'Avatar: T

Production designer Cabot McMullen has spent more than three decades collaborating with producer Bill Lawrence, helping shape the visual wor

Editor's note: More than two decades after audiences first met the characters of the Scary Movie franchise, costume designer Ariyela Wald-Co

Learn how to to work and edit around talent based on point of view.

Into the award-winning edit room of one of the most celebrated series of the past decade...

Sara Barone discusses composing Netflix's The Beast in Me, crafting suspense via music, and her creative process behind the haunting score.

Emmy Award-nominated visual effects supervisor Kevin Lingenfelser discusses his work on the action-packed Netflix series "Man on Fire."

Bringing a noir-inspired project to the modern world, the two editors discuss the behind-the-scenes work that went into the new Nicolas Cage

Editor Lauren Connelly, ACE, on the delicate balance of tension, tone, and a whole new kind of drama in BEEF Season 2.

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