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I'm interested in too many things. As a result, I don't get much done.

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Mark Gonzales, skateboarding OG, innovator, and artist.

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Neil Blender and Adam Burns

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Lance Mountain

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Arash Marandi as Arash and Sheila Vand as The Girl

A Girl Walks Home at Night (دختری در شب تنها به خانه می‌رود‎‎ ) dir. Ana Lily Amirpour

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"Ma, sooner or later, there comes a point in a man's life when he's gotta face some facts. And one fact I gotta face is that, whatever it is that women like, I ain't got it."

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Meiko Kaji as Yuki Kashima

Lady Snowblood (修羅雪姫 Shurayuki-hime) dir. Toshiya Fujita

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Restoring the Apu Trilogy would take a “painstaking process including lab work, digital wizardry and world-spanning detective work, resulting in one of cinema’s greatest resurrection stories. That’s where the Criterion Collection came in.”

“A Classic Film Trilogy From India Rises From the Ashes,” on The Wall Street Journal 

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Ishtar X Tussilago

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Jahnavi Harrison - Like A River

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Megan Rapinoe: 'Being yourself is the most important thing'

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While it is usually seen as a fixed art form, calligraphy is very much about mastering space, movement and speed. As filmmakers, it seemed only natural to use video as a way to reveal the beauty of strokes and colors appearing on paper. Michel D'anastasio’s work is equally abstract, lyrical and modern, and it is the inspiration behind this art film.

Art figé par essence, la calligraphie repose pourtant sur la maîtrise du mouvement, la gestion de l'espace et la vitesse d'exécution. En tant que réalisateurs, le mariage avec l'image filmée nous a semblé évident pour apprivoiser le geste de l'artiste et restituer la poésie des traits et des couleurs se révélant sur le papier. La calligraphie de Michel D'anastasio, à la fois abstraite, lyrique et contemporaine, nous a inspiré cette collaboration sous forme de vidéo artistique.

Michel D’anastasio - Jewish calligrapher : http://www.script-sign.com Art Film by Noir Electrique : http://www.noirelectrique.com

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Margaret Kilgallen courtesy of Deanna Templeton

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Visit Original Link

Satyajit Ray on progress and modernity.

What I most strongly regret, is the fact of man losing his opportunity for contemplation.

(Interview with Gideon Bachmann - Berlin, July 2, 1966)

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Madhabi Mukherjee as Charulata in Satyajit Ray's Charulata.

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Charulata (চারুলতা Cārulatā) - dir. by Satyajit Ray