"who am I to judge" well actually they call me to work the Pearly Gates when St Peter wants a day off so
Sade Olutola

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roma★
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❣ Chile in a Photography ❣
2025 on Tumblr: Trends That Defined the Year
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The Bowery Presents
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Misplaced Lens Cap
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he wasn't even looking at me and he found me
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@indooi
"who am I to judge" well actually they call me to work the Pearly Gates when St Peter wants a day off so
cooking some leg studies ❤️~
DIMENSION 20: A STARSTRUCK ODYSSEY
Your successful missions, saving a galaxy that perhaps didn't even know they were getting saved. And perhaps they still don't. Perhaps each and every malton unit, they are getting saved in impossible, countless, myriad ways that we will never know or see. But the point is this. Adventure awaits out amongst the stars.
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thedragonwoodconservancy on ig
laser gun gator boys
oh my god i didn’t realize this video had audio
Okay as adorable as this looks, I’m pretty sure that’s a distress sound? A “mommy help me I’m scared come save me!” sound?
@why-animals-do-the-thing
This video is from Dragonwood Wildlife Conservancy, and they are yearling (last year’s babies) Cuban crocodiles. Good news for you, this isn’t actually a distress call! According to @kaijutegu (and her giant bookshelf full of reptile resources), the laser sounds are an affiliative social call that young Cuban crocodiles use to communicate with their parents. They normally stop making the noise at around two years old, which is approximately when they start dispersing from the family group.
See, Cuban crocodiles are a super social species - and one of the few where the fathers stick around and provide paternal care for the babies! In the wild, babies would regularly interact with both parents, including when they provide food. This call is basically the type of vocalization that the babies use to communicated with their parents.
These crocodiles are being hand-raised as part of a private-sector breeding and reintroduction program (because the parents are so protective of their offspring that if you left them the babies to raise, you’d never be able to safely get close to them), and so they’re responding to the guy in the video the same way because he’s constant known safe individual and also the provider of food. He’s not a threat - his presence is a good thing, and he’s worth interacting with because it normally means food. You can also tell from their behavior and body language that they’re not stressed: some of the crocodiles are actively climbing on him and interaction of their own volition, but the ones that aren’t don’t show any indicators of hyper-vigilance. If that were a distress call, every crocodile that heard it would be alert and on edge looking for the threat. Distress calls tend to only happen once or twice, because in the wild continuing to make noise makes a baby more vulnerable: so these crocodiles wouldn’t be continually vocalizing if they felt threatened. There’s no snapping or gaping or freezing, all of which would be behavioral indicators of distress or discomfort. (Here’s a video of a baby nile crocodile being harassed by photographers which will give you a visual reference for both freezing and gaping.)
So, hey, this is certifiably cute - and good for conservation!
ETHICALLY SOURCED LASER NOISES
“PEW PEW PEW PEW PEW!” - Translation: “FOOD BRINGER! BELOVED HUMAN! FOOD? FOOD? FOOD BRINGER BRINGS FOOD?”
Asking "any questions?" to a group of 3-9 year olds is showing me that there is a wide range of when kids figure out what a question is.
To be fair, adults at both academic conferences and fan conventions also have trouble identifying the difference between a story/comment and a question the moment they have access to a mic.
Beetlejuice (1988) dir. Tim Burton
background for red salem
Day 8: Glow
For @montereybayaquarium ‘s Deep Sea December
[texts back three years later] haha not much what about you
BLADE [1998] | Directed by Stephen Norrington
Cosmos
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Carl Bengtsson, Kim Noorda for ELLE Germany, December 2015
This is my favorite window I’ve taken a picture of
𝙷𝚎𝚒𝚗𝚛𝚒𝚌𝚑 𝙷𝚎𝚒𝚗𝚎, 𝚇𝚇𝙸. 𝙵𝚛𝚊𝚞 𝙼𝚎𝚝𝚝𝚎, 𝚂𝚎𝚕𝚎𝚌𝚝𝚒𝚘𝚗𝚜 𝚏𝚛𝚘𝚖 𝚝𝚑𝚎 𝙿𝚘𝚎𝚝𝚒𝚌𝚊𝚕 𝚆𝚘𝚛𝚔𝚜 𝚘𝚏 𝙷𝚎𝚒𝚗𝚛𝚒𝚌𝚑 𝙷𝚎𝚒𝚗𝚎 (𝟷𝟾𝟽𝟾)