'The Fall of Atlantis' by Andey Avinoff, 1938
Xuebing Du
KIROKAZE
taylor price

Janaina Medeiros
Lint Roller? I Barely Know Her
wallacepolsom

祝日 / Permanent Vacation

blake kathryn

No title available
NASA

⁂

Kiana Khansmith

titsay
Jules of Nature
he wasn't even looking at me and he found me

★
cherry valley forever
"I'm Dorothy Gale from Kansas"
occasionally subtle

#extradirty
seen from United States
seen from United States
seen from Algeria

seen from United States
seen from United States
seen from United States
seen from Malaysia
seen from Germany

seen from United States

seen from Brazil
seen from Argentina
seen from United States

seen from United States

seen from United States
seen from Peru

seen from Colombia
seen from United States

seen from United States
seen from France

seen from United Kingdom
@inlibros
'The Fall of Atlantis' by Andey Avinoff, 1938
From Paul Christian's “Histoire de la Magie” - “Melusine” illustrated by Emile Bayard , 1870
Conservation presentation
Bodleian Library conservators Nicole Gilbert and Andrew Honey are today presenting at the Icon Book and Paper Group Conference, being held here in Oxford at the wonderful Pitt Rivers museum.
Their presentation this morning detailed Andrew’s conservation of Jane Austen’s Volume the First. The treatment carried out on this book focused on the repair of the damaged and broken spine folds of the manuscript, as well as the broken sewing and collapsed spine, without the need for dis-binding the manuscript.
All repairs were carried out in-situ and the original structure was disturbed as little as possible during treatment. The photographs with this post (one at the head, five below) show the work in progress, as well as the final result.
Volume the First is now housed in a maroon cloth-box that was created just for this purpose, alongside fragments of the original covering leather from the damaged spine.
Papillons et poissons - Félix Bracquemond - 1866 - via The British Museum
Twitter I Instagram
Geneviève Daël
pollyflorence
Winslow Homer (1836 - 1910) - The New Novel, 1877, watercolor on paper.
HW Fincham. A bookshop in Bloomsbury, London. 1920s
The Eternal Chimera, c.1895 by Armand Point (French, 1861–1932)
Nadine Pau
Source.
bookshelves at St. Paul’s Cathedral