Collin Leitch - Sleeve Multiplication 5
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pixel skylines
ojovivo
Keni
RMH
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Cosmic Funnies
Cosimo Galluzzi
Lint Roller? I Barely Know Her
todays bird

romaâ
Interview Vampire Daily

Game Changer & Make Some Noise
Show & Tell
almost home
Sweet Seals For You, Always

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đ©” avery cochrane đ©”
Fai_Ryy
Cookie Run:Kingdom Official!
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@interiorfishbowl
Collin Leitch - Sleeve Multiplication 5
Collin Leitch - Firsthand Knowledge
Collin Leitch - The Small Back Room (Berkey Bomb)
Collin Leitch - The Reversions (Absolute Island)
Collin Leitch - Endeavor
Seth Price - Exploded Office
Alex Mackin Dolan -Â Korut Courtyard in Bad R.N.G. TWIN Cabinet, London Fog
Jacque Louis Vidal - Nothing Is Possible There Is No Future
Since this will be my first solo exhibit in about three years, and itâs coming up I have some things to say. The last time around I did a show in LA and I had to pretend a very central part of my project was of my own making, but that wasnât true. Since around 2012 I have been corresponding and collaborating with a number of different individuals who are incarcerated. One person in particular was a friend when I was younger and is now on Death Row in Huntsville, TX. He requested to remain only anonymously credited as a collaborator in this work, as his case is ongoing, so he will go by âJerry.â This is complicated by the fact that I have made work under the guise of another person before, but not here, this time there is just another person there, albeit anonymously.
Some explanation:
Jerry and I used to collaboratively write graffiti together in Houston, we were both arrested for the first time together when we were fourteen. I had long since fallen out of touch and when I started writing to him I proposed that we begin a new collaboration picking up where we left off, at least in part, with an alphabet we had invented. The idea of creating a coded language took on a completely different meaning when communicating between the inside and the outside, just the scale shift alone is enough to require a translator. Here we present the results, which only Jerry and I can understand as text, they will remain foreign languages to you. There are real words here, in at least a part of every work actually, but in zero of those cases does it say the word spelled out, everything has been reassigned. What began as a simple system of coding or encrypting words and messages has splintered off in several directions which Iâve presented here as a plumbing of pictext and objectext. Iâve used electrical conduit to map out the approximate dimensions of the i.n.s.i.d.e. Yes, the word NIGHTMARE is spelled out here.
âŠAnyways, I built a 3D printer from a kit, mostly because I bought into the expansive premise of the machine, I wanted the freedom its inventors promised. I tried to explain this to Jerry, about how in the future whenever we needed something we would just print it out, and how there was truly no limit to what you could make, to what was possible. His reply: âNothing is possible bro, there is no future.â He told me I should make drawings with it, and he told me what to include in the drawings, and what to write about it, all of that is included. I make on demand 3d prints for someone who may never see them. The Package size limit going into his unit is 1âł thick by 6âł by 8âł, we created some more invisible ideas which meet that criteria, Jerry gets the rubbings I keep the original.
Stay out of trouble everybody.
Jacques Louis Vidal - NOTHING IS POSSIBLE THERE IS NO FUTURE
Jacques Louis Vidal - FOR MY LOVE
Cecile B Evans - Test Card 1
Ed Atkins - Olde Food
Ed Steck - Two pieces from Pieces from Confetti/Remasquerade (Happy Halloween)
A title card projected onto a surface/how I felt like/a surface smattered/goopy and accidental Iâm corn syrup/This is my VHS copy of the 1982 monster movie, Basket Case, This is my DVD copy of the 1982 monster movie, Basket Case, This is my Blu-Ray copy of the 1982 monster movie, Basket Case /being onerific/how
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Iâm a title card/revolting block of flesh grimly carved/represent: deformed human head â a sculpture of immeasurable façade, how do you move a face when it remains still?/In a traveled wicker basket, a post-surgery host body controls (telepathically) a symbiotic representative need: a project against separation, a sidekick, a copy
Iâm watching spaghetti death/Director: Mario Bava/I spent $30 on a Wizard Video big box VHS copy of Lucio Fulciâs âZombieâ/I make $9.00 an hour at the Carnegie Library for the Blind and Physically Handicapped/Today is Monday, September 23, 2013/Iâm exiting the horror convention/Director: Dario Argento
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A mask is worn on the face/whatever I did when I wore it was not myself/engaged with masking â to obscure (the face) erasure and order/when I wore it I was no longer myself engaging with the idea of not myself/I wrote The History of the Mask down as âmonstering of identityâ/A knife is projected on a screen
Nikita Gale - Big Bad Pick Up
Nicolas Lamas
Nicolas Lamas - Archaeology of Darkness
Nicolas Lamas
Impermanence
In extenso, Clermont-Ferrand, France
2020
Nicolas Lamas - Impermanence
O earth, O earth, Return!Â
Violet Dennison was born in Bridgeport, CT in 1989. Follow her artistic journey on her Instagram.
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posted by Courtney