part two of Grace knitting on the Hail Mary. This time, he's crochet his besties.

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@inthishousewestanspiderpunk
part two of Grace knitting on the Hail Mary. This time, he's crochet his besties.
Rest in peace, legend ๐
I really appreciate Encanto's transition from "Grandma has really rigid standards and this family is falling apart under the weight of her expectations"
to
"Grandma is a refugee whose neighborhood burned down during mass violence and who watched her husband be murdered by soldiers. PTSD and survivor's guilt have dominated her life for fifty years. The survival mechanisms she developed in an attempt to feel less helpless are no longer helping her. She taught her family these same survival mechanisms and now all of them are falling apart trying to keep living through a tragedy that took place decades before most of them were born"
The Matriarch Isnโt the Villain. Sheโs the Mirror
I often hear a discourse where Celine in K-pop Demon Hunters, Alma in Encanto and Ming in Turning Red are seen as vilains. Theyโre the ones who restricted the younger generation, hurt them, and are ultimately responsible for their pain, trauma and self-doubt. Theyโre framed as the real villains of the story. But Iโd like to differ.
These are stories of intergenerational trauma. They are women who survived, repressed, and tried to protect their families the only way they knew how: through control, perfectionism, and emotional suppression.
And yet, when the next generation begins to reclaim joy, freedom, softness โ they become the obstacle. Not because theyโre bad people, but because theyโre scarred. Their minds cling to survival strategies, unable to recognize that the environment has changed.
Alma is still stuck fleeing the colonizers.
Ming is still afraid of her true self.
Celine believes that fear and mistakes must be hidden.
Itโs not about hating these characters. Itโs about how unprocessed trauma twists love into control. How survival, unexamined, turns into rigidity. These women were never given space to process their own pain and they project it onto their daughters and granddaughters.
And hereโs something we rarely say enough: intergenerational trauma can create toxic patterns but that doesnโt always mean there was abuse or conscious harm. Even when their love becomes suffocating or controlling, these women are not necessarily โabusive parents.โ They are daughters of silence, fear, and sacrifice. And they were never taught another way. Itโs important to make that distinction, especially in a world that often pushes a binary, punitive reading of family dynamics.
Theyโre the product of a generation that was told to endure. But endurance without healing becomes its own kind of violence.
Whatโs powerful in these stories is that they donโt end in vengeance. They end in confrontation and transformation. The confrontation is necessary: the younger generation refuses the silence. Refuses the shame. Refuses to carry a burden that wasnโt theirs to begin with.
The house is destroyed in Encanto.
Mei accepts her full self.
So does Rumi.
And in the best cases, this confrontation allows the elder to soften too. Alma opens up. Ming listens. And Iโm hoping in the sequel, Celine will open too.
Maybe thatโs also why these stories speak so deeply to POC audiences. These arenโt stories about cutting ties. Theyโre stories about how hard it is to transform them, to protect ancestral bonds while refusing to perpetuate inherited pain. In many racialized families, collectivity, loyalty, and intergenerational duty are sacred... even when they come at the cost of personal boundaries.
And sometimes, Western individualist frameworks read these tensions as dysfunction or villainy. But for us, theyโre just the difficult truth of growing up and trying to do better.
These women arenโt villains. That would be too easy. They embody the fragile, necessary work of bringing change without breaking the thread. These stories are about refusing to inherit their pain without reflection. Because love, without accountability, is not enough.
These stories show us that each generation has something to learn from the next. And the new generation must also break free from the chains they inherited while preserving what is meaningfull.
But itโs not just their story.
One day, weโll be the older generation.
And weโll need to be humble enough to learn from the ones after us.
So donโt be a fool.
We may be Mei, Rumi, or Mirabel today.
But tomorrow, we could be Ming, Celine, or Alma.
And when that time comes, weโll realize how hard it is to unlearn what once kept us safe.
So letโs have compassion for all these characters.
Because these stories show us not just how the cycle of generations works, but how it can make us better, stronger, and more connected... if weโre all willing to go through the change.
โโโงโโโโโโโงโโโโโโโงโโ
If youโre curious, Iโve written more on K-pop Demon Hunters:
A post on the mental health themes woven through the songs โ right here.
A breakdown of Celine-Rumi in comparaison to GothelโRapunzel dynamic โ here.
An analysis about Rumi, Jinu, and the danger of sinking together โ here.
Some book recs for each of the K-pop Demon Hunters characters โ here.
โโโงโโโโโโโงโโโโโโโงโโ
edit (07/08/25): Thanks to several kind Colombian commenters and reblogs, Iโve learned that the historical context shown in Encanto is more likely tied to the Thousand Daysโ War, a brutal civil war rather than direct colonial violence. I initially framed Abuelaโs trauma through the lens of colonialism, which was a mistake. The real context is deeply rooted in internal ideological conflict. As a South asian viewer, Iโm very grateful to those who shared insights ! I encourage readers to check the comments and reblogs for more historical nuance and brilliant perspectives ๐งก
And thank you to everyone who shared, commented and interacted on this post !
Overheated
Date Everything Fanfic (OCxCanon)
Characters: Hector Valentino Airnesto Condicionado x Carmen Angelica Flores (OC)
Rating: Teen 17 and up
Zoey: okay so what are we going to do about all of these songs about killing demons
Rumi: what do you mean?
Mira: well we can't sing them anymore, obviously
Rumi: why not? They're good songs. I mean yeah, "Takedown" went a little hard, but the lyrics and composition are still pretty incredible. It's fine.
M/Z:
M/Z: no
Rumi: I don't follow
Zoey: Mira hold me back or I'm going to bite her with my human teeth
Mira: only if I don't throw up first
Rumi: guys it's fine! I've spent years separating that part from our music. I'm practically a pro. Don't worry about me.
Mira: okay but that's worse. you see how that's worse right.
Rumi: look, if I could pull the demon out I would do the same thing? I just...can't.
Zoey: and that's because....?
Rumi: it's fused to me :)
Rumi: why are you both looking at me like that.
Rumi: guys?
Mira: I'll get the blanket. You hold her down.
Zoey: way ahead of you
Rumi: what? The blanket is for big conversations. This is just a simple f- Zoey!?!? Get off!
Zoey: get purrito'd idiot
some more kdh thumbnails
Great job everyone
So...I started watching KPDH...
Chibis,,,,,!!!! These are simpler since I wanted some stickers : )
[OC]The Lady and the Mermaid ๐๐
Incorrect K-pop demon hunters quotes part 15
More incorrect quotes
My Neighbor Demon-Tiger
The BIRD has its OWN UMBRELLA
Everyone on Earth needs to see this. It's vital.
this is absolutely how it happened, I'm sure of it. lolol
Gotta be my fav ship dynamic fr fr sksksk โค๏ธโจ
Original ref below ๐๐ป
Artist : https://x.com/chzs_m
Imagine a KPop Demon Hunters sequel using Disney's seperation "logic".
Rumi "discovering" she actually always hated being a KPop Star, choosing to move to the demon realm permanently, because "it's her calling/destiny" (or even "better", out of nowhere lore that has nothing to do with what was set up in the original) and no matter how much she backstabs and shuts out Zoey and Mira, it doesn't matter, because "they did this together uvu" and it's "realistic" for friends to go their own ways, so the bond they had in the original means absolute shit!! OVO
If KPDH was a Disney movie I'd be genuinely scared, but luckily that's not the case (I can't believe I've reached a point where I can say "luckily" to a movie not being from Disney... they've hit such a low).