invimonster

[sexhaver]

musk is going to die in a Tesla explosion in 6 months after sticking his nose where it doesn't belong and we will never get a conclusive answer on whether it was a CIA car bomb or just a normal Tesla malfunction

[fernthefanciful]

Like to charge, reblog to cast

[pieklo]

Reblog daily for health and prosperity

[alltimewriter-deactivated201604]

Just some of the reasons I spend half my life on the computer.

[tacofri52-blog-deactivated20160]

This is why I hate the stereotype of the Internet and people on the Internet. This is exactly why I love the Internet. Society needs to realize this.

[kachhan-deactivated20201223]

I fucking love youtubers, they really make the world go round. 

[themissarcana]

I couldn’t have seen this at a better time… <3

[goodbyedearfriends-deactivated2]

Latin phrases to use as incantations.

This is gonna be a long list.

ab intra - from within

ab origine - from the source

absit iniuria - “let insult be absent”

absit invidia - “let envy be absent”

absit omen - “let omens be absent”

ab uno disce omnes - from one, learn all.

abyssus abyssum invocat - deep calleth unto deep

a capite ad calcem - from head to heel

acta non verba - actions not words

ad altiora tendo - “I strive to higher things”

ad astra - to the stars

ad fontes - to the sources

ad meliora - towards better things

ad oculos - to the eyes

ad undas - to the waves

ad victoriam - to victory

adsum - I am here

a fortiori - from the stronger/from strength

a mari usque ad mare - from sea to sea

audeamus - let us dare

audentes fortuna iuvat - fortune favors the bold

audi, vide, tace - hear, see, be silent

beatae memoriae - of blessed memory

bona fide - in good faith

bono malum superate - overcome evil with good

capax infiniti - holding the infinite

carpe diem - seize the day

carpe noctem - seize the night

cave - beware

ceteris paribus - all other things being equal

circa - around

citius, altius, fortius - faster, higher, stronger

clavis aurea - golden key

cogito ergo sum - I think, therefor I am

compos mentis - in control of the mind

concilio et labore - by wisdom and effort

concordia cum veritate - in harmony with truth

concordia salus - well-being through harmony

coniunctis viribus - with connected strength

consummatum est - it is complete

corruptus in extremis - corrupt to the extreme

crescit eundo - it grows as it goes

de novo - from the new

de profundis - from the depths

dies irae - day of wrath

dona nobis pacem - give us peace

ego te provoco - I challenge you

esse est percipi - to be is to be perceived  

esse quam videri - to be, rather than to seem

esto quod es - be what you are

ex animo - from the soul

ex luna scientia - from the moon, knowledge

ex scientia tridens - from knowledge, sea power

ex silentio - from silence

ex undis - from the waves of the sea

experientia docet - experience teaches

fac et spera - do and hope

fac fortia et patere - do brave deed and endure

faciam quodlibet quod necesse est - I’ll do whatever it takes

faciam ut mei memineris - I’ll make you remember me

facta, non verba - deeds, not words

fortis et liber - strong and free

fortis in arduis - strong in difficulties

gloriosus et liber - glorious and free

hic abundant leones - here lions abound

hic et nunc - here and now

hic sunt dracones - here there are dragons

hinc illae lacrimae - hence those tears

hinc itur ad astra - from here the way leads to the stars

igni ferroque - with fire and iron

in memoriam - into the memory

in nocte consilium - advice comes over night

libra - balance

littera scripta manet - the written words endure

locus standi - a right to stand

luceo non uro - I shine, not burn

luctor et emergo - I struggle and emerge

mare liberum - free sea

memento vivere - remember to live

more ferarum - like beasts

natura non contristatur - nature is not saddened

nec spe, nec metu - without hope, without fear

noli me tangere - do not touch me

ophidia in herba - a snake in the grass

pro se - for oneself

propria manu - by one’s own hand

quaere - to seek

quod abundat non obstat - what is abundant does not hinder

resurgam - I shall arise

semper ad meliora - always towards better things

semper anticus - always forward

semper apertus - always open

semper fortis - always brave

semper liber - always free

stet - let it stand

tuebor - I will protect

vera causa - true cause

[trasemc]

NASA has released new images of Jupiter, taken by the Juno Spacecraft.

[chaotic-best]

God I wish Vincent van Gogh was alive to see this

[pagesofpaigess]

That sentiment is so sweet and pure.

[boredpanda]

Perfect Handwriting Examples That’ll Give You An Eyegasm

[lchupanibre]

that fuckin alien ass mystique handwriting stealing demon kinda terrifies me

[blossomandglow]

Yeah they just kind of buried that in there like whatever

[godblessthishome]

[alanspazzaliartist-deactivated2]

FRÉDÉRIQUE LONGRÉEIt’s typical of the nature of time to present itself in every situation under many aspects, since time is not just an argument but a background in eternal movement and expedient of the whole and complex photographic work.What man knows is that time is, a great and terrible ocean and that even though it seems to be wide and infinity, it seems to know well - even if you love to deceive itself of the opposite - that it has an end; and that end is us. Yet man, as he is rich in the awareness of the finiteness of which his nature is composed, lives his days in the useless struggle to stop the progress of the years.And yet it would be enough; it would be enough to read a single verse of Yeats to understand how it is in vain “to stop the great black oxen that God, the Shepherd, pushes from behind”. The passing of time, corruption as a poisonous gift to the banquet of life and the struggle of man in order to deceive him are the themes that fascinate the collagist photographer Frédérique Longrée from crossing its entire artistic production.In her work is contained a literary vein that transmigrates in every image: in every single shot, everything naturally gravitates towards a final, as a warning pushed by an irrepressible current that brings us closer to the feeling of the inexpressible, which is the way with whom we live in time.Frédérique Longrée explores every single and changing nuance as if she would tell us that time overwhelms us and that it passes on us like a swallow that nests on the eaves: it goes out, enters, comes and goes, but always under our eyes. In the beautiful and delicate series “Faces” we see female faces that sometimes observe us other cultured in a modest repose, as absorbed in a placid and nocturnal torment and from whose eyes comes out a thoughtfulness lightened by the subtle plot of a past that seems to pose everywhere the his dusty load of memories.We can, if we are prey of momentary curiosity, ask ourselves to whom belong these portraits and what is hidden behind the unnatural dismay; we would be entitled to it but it would be an effort nullified in the bud by the overwhelming and evocative effectiveness of the shots. An unstoppable consumption in which the anxiety of becoming is effectively told - in spite of the title - is the heart of “Le temps n'est pas l'ennemi”.Thin cracks, dense chaps depart from the faces like a ferocious design warped by a ‘craquelure’ stubborn as ruthless and determined to spoil the appearance, so the skin flaps seem to leave the cheeks still young of the subjects as “exfoliated from a primigenial beauty, as flower petals torn ”.We are, as we have seen, the becoming of corruption. Time gives and time takes. And what we do not recognize in the time assigned to us is recognized when it is too late. And the case of the series “Passengers” is this, a story of what we don’t know, the images of ourselves that we can not see - and this, we learned from Richard Avedon and Aldo Palazzolo, is the most magnificent gifts from photography.Here, in this specific episode of her creativity, Frédérique Longrée photographs mummies, bodies from whose conservation we learn how tenacious is the attempt of the man to “steal from time how much time he has stolen from us”. Where memories are not enough, man tries to give himself an eternity released from his cycle; so if memory itself yields under the blows of time - again time is the adversary of man - man provides to preserve his wrapping, the now empty container of a memory transmigrated everywhere and, perhaps, dispersed.Roland Barthes assigned to photography an “evident deadly capacity of rare ruthlessness” precisely because it is not of the time in its complexity that photography is nourished (this is the prerogative of moving images) but of a selective decomposition, a kind of temporal surgery. The “Loved ones” series is part of this ‘mori’ moment, but first we can remember it.The little bodies we see, although arranged in the studio by a photographer accustomed to this kind of photography very popular in the late nineteenth century, and that Frédérique Longrée incorporates embellishing immortal stillness with rich filigree plots, tell of a crisis that no discipline with the exception of photography and literature, he would be able to solve and develop in the dissolution of the cognitive experience of time.The accessibility denied to the premature deceased to the flow of time, the impossibility of being witnesses of a time that does not know how to wait, and therefore forces man to construct, albeit a fake, a “short past, enough” as a character of Shakespeare said “because from now on you have mercy on those who neither the sweetness of love nor the bitterness of disenchantment has known”. A trick, therefore, but whose effectiveness lies within the very nature of photography. Frédérique Longrée proves skilled in the exploration, her research is tenacious and well directed in describing the most dramatic experience of the life of every man.

[triptihosmrti]

[70sscifiart]

Gino D'Achille cover art for 1973 Ballantine editions of Edgar Rice Burroughs’ John Carter of Mars books

[triptihosmrti]

Baba Pusta (=desolate grandma), an abandoned castle in a forest in Bačka that some say is haunted. The first Ginkgo in this part of Europe was planted here more than a hundred years ago as well as many other exotic and rare plant species from all continents.  The interior was once enriched with various materials such as marble, glass, chandeliers and a fireplace which were destroyed and the furniture stolen. What stayed was the unusual and with special attention designed small family chapel, reached by a painted entrance hall. Despite everything else on the walls being completely peeled off and destroyed, the images of saints and angels can still be seen.

[tkkatherineblog]

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