A Dumb Art Blog

Hi! This is mostly just reference stuff and oc related posts. 

[theprofessional-amateur]

Every day I get a little closer to saying fuck it and becoming an apprentice in some at risk heritage craft or profession.

[theprofessional-amateur]

"let's have AI-"

I'm gonna go learn the art of hand engraving or thatched roofing. Maybe hand make clogs.

[trickstertime]

As a professional hand engraver, when it comes to old crafts like these, its way more accessible to get started with the basics than you'd expect. Back in the day good steel was expensive so trying something like hand engraving was expensive and difficult to justify. But now you can can just buy a good quality handpush graver online for less than a fancy coffee. Just think, for under a hundred quid you could get all the kit you need to get started with fucking up coins and stabbing yourself repeatedly!!!

Don't threaten to do it, go research it, and actually give it a go!!! Most of the books for old crafts are out of copyright. Even if you don't get a job at whatever you try, or hell, even of you don't become in any way good at it, just learning and trying something new is good for you, and it gives you a greater understanding and appreciation for things.

Fuck AI? Good. I agree. Now fucking do something about it. Return to doing human hand crafted things as an act of rebellion! Start knitting, start wood carving, start engraving, whatever the fuck. But most importantly, remember you don't need to be making money doing it to make it worth doing.

[naga-noia]

THERES MORE TO WHITEWASHING THAN JUST SKIN COLOR THERES MORE TO WHITEWASHING THAN JUST SKIN COLOR THERES MORE TO WHITEWASHING THAN JUST SKIN COLOR THERES MORE TO WHITEWASHING THAN JUST SKIN COLORRRRRRRRRR

[galaxyedgeviolet]

[digitalkiddo]

If you're writing anything involving cons, scams, heists, or morally questionable characters who are very good at lying, here are some free resources I've been using for research. Saving you the "why is this in my search history" anxiety.

1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.

2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.

3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.

4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.

5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.

Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.

Reblog to save for later. Your WIP will thank you.

[duckbunny]

fun fact about character development by the way. you can make them develop worse.

[duckbunny]

like I mean this very seriously as writing advice. the character should experience events and make decisions that make them different at the end of the story. they should be changed. they do not have to be improved.

they can get worse. they can make decisions of an increasingly terrible nature. they can stop taking risks on kindness. they can discover how much they can get away with. they can find religion, or abandon it, with negative effects on their moral creed. the character has to develop. the character does not have to grow.

[tlbodine]

For the last goddamn time...

"Kill your darlings" means "if something is holding you back, get rid of it, even if it sounds pretty."

That's it! That's all it means! It means if you're stuck and stalled out on your story and you could fix the whole block by removing something but you're avoiding removing that thing because it's good, you remove that thing. That's the darling.

It does NOT mean

That you have to get rid of your self-indulgent writing

That you should delete something just because you like it (?wtf?)

That you need to kill off characters (??? what)

That you have to pare your story down to the absolute bare bones

That you have to delete anything whatsoever if you don't want to

The POINT is that you STOP FEELING GUILTY for throwing out good writing that isn't SERVING THE STORY.

The POINT is that you don't get so HUNG UP on the details that you lose sight of the BIG PICTURE.

Good grief....

[prof-grace-aspen]

Also, you don't have to like, delete it from existence. Keep a second document full of the Darlings. You never know when you'll need it later.

[earhartsease]

yes, your killed darlings are ripe for rebirth

[eldritchsandwich]

compost your darlings

recycle your darlings

Darlings who don't fit this narrative go into the use later folder

[breelandwalker]

If you are unsatisfied with the fruits of your writing, put them aside and let them ferment. When you come back to them later, you'll either find gigglejuice or good compost. Both are helpful for future projects.

[drawing-prompt-s]

Swords get so much attention. Do some medieval/fantasy art, but without swords

[saszor]

[ID in alt text]

"Tutorial" on how to draw an OC with dwarfism (well, some of it).

Boring tired disclaimer: Keep in mind that this is an introductory "drawing" "tutorial" and has some generalizations in it, so not every “X is Z” statement will be true for Actual People. Which happens to be true for everything in general.

You are heavily encouraged to do your own research because this does not contain everything you should know before making a character with any type of dwarfism.

Consider supporting me on ko-fi if you find this to be helpful.

If (when) you repost this on pinterest at least put a link to the original post somewhere..

[a-little-revolution]

This is such an excellent resource for anyone looking to draw people with dwarfism!!

@saszor does a great job at laying out the different forms (there are actually over 500 types!) of dwarfism and and their specific characteristics!

[theodysseyofhomer]

odysseus absolutely does present a threat to penelope if he perceives her as at all unfaithful, and i feel the unfairness of this, and i think people tend to undersell how much tension at least potentially exists between odysseus and penelope. but i'm also like. his reaction, all speculation aside, his actual reaction in the odyssey to her flirting with the suitors is delight, because he immediately ascertains that she is running a con. sorry that they're so in-sync in spite of the forces that try to drive a wedge between them, including their own misgiving hearts. sorry that they invented homophrosyne ¯\_(ツ)_/¯

[strinak]

oh, you meant they literally did, ok

[theodysseyofhomer]

would i, tumblr user thee odysseyofhomer, lie to you?

[polyphemusthecylcops]

...

[theodysseyofhomer]

this is the only funny addition to this post

[sturionic]

"Learn the fundamentals first" seems like really sound universal advice, and as a former classical musician, I can vouch for it. You will have a more solid foundation for increasing complexity if you put in the time to study in a structured way. If you don't, you'll have a lot of shit to fix later.

As a former music teacher, I can also say that "learn the fundamentals first" is the death knell for a vast percentage of beginners, especially adult learners.

I've run into this with drawing several times, where some well-meaning artist has lectured me on needing to study anatomy properly or not use shortcuts like CSP brushes. And oh, believe me, I know. I know exactly how to learn an artistic discipline in a structured way. I just...don't want to!

The thing is, I'm not aiming to be a professional artist. I want to draw my gay little anime guys. I would undoubtedly improve at art much faster if I approached every gay little anime guy drawing as a study exercise. But I would also have quit drawing a decade ago if I couldn't just let myself enjoy drawing imperfect fucked-up little guys with whatever shortcuts I needed to body myself across the finish line.

With my adult piano students, my approach was always "What's your goal?" If their goal was to learn exactly one Elton John songbook to play at parties, then...that's what we did. We'd put tape on the keys to label the notes, and just fuckin go for it. Learning exactly one Elton John songbook is a good and noble musical goal, full stop.

Some of my students needed and enjoyed a more structured approach to learning; if they wanted to be able to play classical music, then yes, scales were going to have to enter the equation at some point. And yet others would learn the Elton John songbook, catch their white whale, and realize they wanted to explore more of the ocean. The scales were still there for them to learn!

Often the choice isn't between "learn art well" and "learn art imperfectly" - the choice is between "learn art imperfectly" and "don't do art at all." To which I say, learn imperfectly! Or, what the hell, don't 'learn' art. Just do, and enjoy the doing of it.

You have official permission from your local pretentious classical music snob: fuck the fundamentals. You can always unfuck them later (but only if you want to).

[entryn17]

drawing is all sbout becoming good at illustrating one character at 3/4 angle and nothing else no backgrounds no props no furniture no money no job no future

[crabussy]

when you get crazy enough about The Character you'd think the situations you imagine them in would get more elaborate and lore intensive. but no. imagining my wizard pacing around huffily being slightly peeved at a mild inconvenience. I don’t even know what the inconvenience IS. and it's giving me enough joy to power a city for a month

[crabussy]

you understand this post more than anyone else

[werewolf-transgenderism]

basically my favorite thing to do is imagine The Character in some sort of situation of terrible emotional turmoil. it’s like enrichment for me

[doomedyuri]

can’t stop thinking about my ocs. listening to music? thinking about my ocs. doing shit around the house? thinking about my ocs. driving somewhere?  thinking about my ocs. workin on something? thinking about my ocs.

[doomedyuri]

[prawnlegs]

I'm always seeing this sentiment of "I have got to make my art weirder" or people begging for weirder art but here's the thing, Weird is not a brand. You cannot rack your brains trying to figure out the "Weird" formula. You don't get weird art by artificially forcing whatever you think is "weird." You get weird art (and I think "weird" is sometimes people groping for a way of saying non-corporatized) by figuring out what you like, deep down, even (especially) if you think it's embarrassing and wallowing in it like a pig

[berryinnit]

t-shirt with the words “high-functioning corpse” printed on it

[character-association-game]

whos the blorbo you have the most merch of? it can be handmade or official or unofficial or ANYTHING just. merch

[drawyourblankas]

Draw your characters like this