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Sweet Seals For You, Always
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Kaledo Art
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I'd rather be in outer space 🛸
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$LAYYYTER
JBB: An Artblog!
One Nice Bug Per Day
Janaina Medeiros
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seen from Angola
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@ipcny
#StudentImpressions IV: Ash Armenta (@ash_mt_awesome) is an #ApprenticePrinter, studying under #masterprinter Valpuri Remling (@valpurilitho). Learn more about #tamarindinstitute’s educational programs at tamarind.unm.edu. (at Tamarind Institute)
Working in the studio tonight using the cutting edge technology from both 1642 and 2016. What a strange place this is… ⚔️🤖 #printmaking #mezzotint #3dprinting #print #lulzbot #printstudio #artistsofinstagram #metalwork #3dprint
We’ll be sad to see Innervisions: New Prints 2016/Summer leave! For one last chance to see this amazing collection of work juried by Dan Walsh, stop by IPCNY today and tomorrow 11-6 on the 5th floor of 508 W 26th st, New York. Cecily Brooke Howell Reflection 2016 Screenprint. Edition: 15 27.75 x 20 inches Printed and published by the artist.
Finished! Sometimes I enjoy very bright colors.
Color Reduction Woodcut (29”x41”)
Varied Edition of 12, two to four colors, on Rives B.F.K. and Arches.
Gotta love these colors.
#jeusansregles a game without rules at #Kayrock #nyabf #nyabf16 #nyabf2016 booth F03 (at MoMA PS1)
This deceptive print by Dennis Peterson is part of our exhibition Innervisions which will only be on view through the end of the week! If you want to catch this print and many more, stop by 11-6 through September 24th.
Dennis Peterson Over And Over/Again 2016 Aquatint, drypoint and acrylic mounted on wood; found post and hardware. Edition: Unique 88 x 24 x 3 inches Printed and published by the artist.
#nyabf2016 #nyabf #openforbusiness booth F03 on the first floor #kayrock #kayrockscreenprinting (at MoMA PS1)
One of many killer booths at the NY Art Book Fair this weekend!
Printing one of Mary Judge’s new etchings. #mannekenpress #maryjudge #jonathanhiggins #etching #art #aquatint (at Manneken Press)
Artist Elizabeth Catlett, who said the purpose of her art was to “present black people in their beauty and dignity for ourselves and others to understand and enjoy,” was born on this day in 1915.
[Elizabeth Catlett. Sharecropper. 1952, published 1968-70. The Museum of Modern Art, New York. © 2016 José Sanchez / Artists Rights Society (ARS), New York / VEGAP, Spain]
Artist and Innervisions Juror Dan Walsh discusses painting, process, and his embrace of the printmaking medium while collaborating with Pace Prints.
His newest works will be on view at Pace Prints opening tomorrow, September 15th and remain on view through October 22nd in Dan Walsh: Prints & Multiples
Margaret Burroughs - Black Venus (1957)
“Burroughs had a vision of doing more to preserve black heritage. With her husband, Burroughs converted the ground floor of their old Chicago mansion into a small museum in which they could display a variety of artifacts. More than 500 people toured the museum during its first year. Heartened by the public’s interest, Burroughs devoted herself to raising funds for the museum. She firmly believed that this museum would enrich lives, especially those of young black people. “A museum …shows kids they can be somebody,” Burroughs stated in Black Enterprise.
By emphasizing the cultural and racial roots of black people, Burroughs hoped to teach young people that not only could they be somebody but that they came from a proud and strong black heritage. Besides serving as a repository for black art, papers, artifacts, and memorabilia, the museum also met the needs of its visitors with youth activities, essay contests, art festivals, and poetry festivals. By 1970, museum attendance was more than 30,000 annually.” [Source]
Konen Uehara
Early 20th c. Japanese woodblock prints
Izzy Liberti
This animation, made with monotypes and cut out lettering, I made as a title sequence for a show or movie that doesn’t exist, but that I would love to see happen. The intention was to portray a dramatic, lonely, resigned, existential, yet energetic feeling about a right-before-the-end-of-the-world setting, without showing any human characters. /I was satisfied with the visuals that multiplane monotype cutouts had to offer, and used it on my next project.
This reminds us of IPCNY’s show earlier this year Suspended Animation: Moving Images in Print, we love to see new ways of presenting prints!
My latest print. Start to finish.
“A Dozen Split The Fifth Column”
7 color lithograph
15in x 15in
2014
www.aaroncolemanprintmaking.com
We love to see the process behind a print!
It’s always nice to see the work of our online community artists in person.
Nice show BETH FEIN, ANDREW KOZLOWSKI AND TOM NORULAK!
Thank you, @thepostdigitalprintmaker! Innervisions will be on view at IPCNY, 508 W 26th st New York, through Saturday, September 24th.
They’re here! Really excited about the release of these new brand new prints. We’ve worked with invited artist Stephanie Rohlfs to produce our first artist collaboration pieces. Available now through the store. 😍😍 @srohlfs #screenprint #limitededition #affordableart #decoratewithart #indoorplants #plantlife #prints #printspotters (at Providence, Rhode Island)
Finally getting to use my big roller today #Linocut #Editioning #printing #printmaking #printmaker #colourblind #colourblend #splitfountain #inkroller #spindleroller
beautiful blend roll!
