INTRO. STATS. CONNECTIONS.
Lint Roller? I Barely Know Her
One Nice Bug Per Day
Today's Document
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@iraxevans
INTRO. STATS. CONNECTIONS.
Where: Souls of Millions of Lightyears Away room, The Tate. When: Close to 10:30pm. Who: Open.
It did not take a lot to render Ira silent. Not in moments like these where the event was bustling and the soft chatter of conversation he cared little to listen in on consistently buzzed around him. Solace was sought in each of the rooms in an attempt to lose himself in the art itself. But this kind of silence was not the same as the social anxieties that made his hands shake in slight ---this was in awe. Each of the lights and mirrors erected in such a way the felt both like a cityscape and outer space, where Ira could easily close his eyes and imagine floating in the blissful nothingness worlds beyond ... there was a sense of peace, here.
“ You cannot look up at the night sky on Planet Earth and not wonder what it’s like to be up there amongst the stars. ” He breathed the quote softly, his own eyes glittering as if he were a child fresh home from their Halloween candy catch ---as if he belonged in this room of the exhibit as well. “ I’ve never seen anything so beautiful. I didn’t expect to be this impressed by the exhibit. Especially not coming from the mushroom room. ” Candid ---it took a lot for him to speak to a potential stranger, never mind to spark conversation out of the blue. But the wonder in his features made him bolder.
thomas-yamada:
“ You and me both,” he let himself rest his back against the wall, eventually lowering his figure until he was sitting on the ground. “The kitchens here aren’t…” He didn’t want to bad mouth his employer for the night, but frankly, how could he be positive about it. “Let’s just say it’s a good thing we’re organized and we can work quietly.” Even though this was true, the kitchens were too small and too loud and anyone who knew him a little knew that he didn’t like working in a loud environment. He’d tried ear plugs, but even that didn’t do the trick.
“I’m afraid I’m gonna pollute some of that fresh air,” he tapped his cigarette’s ash to the floor and offered a smile of apology to the man standing there. “Ugh. My girlfriend’s obsessed with candles. I just don’t get the thrill of those. Your room is supposed to smell like room, not like Morning walk on the beach or Fresh strawberry jam.” Although it did smell like the latter every summer when he prepared jam for the year. “
-
Eyes followed the figure of his company as they slid down onto the ground, as if it were the most comfortable seat in the world instead of the only option on the balcony. He understood dog tired. There were more than a few instances of cat napping in the forensic labs at the station, though Ira would be remiss to admit that aloud. Their secret was safe with him ---he wouldn’t repeat what he witnessed now. “ I can imagine how insane it is on your side of things. The illusion of a smooth evening out front is only as successful as the chaos below, from all sides of staffing. ” Which wasn’t to say that Ira attended a lot of these down-your-nose events. Only that he’d been on the other side of it in some capacity at least once.
“ Do what you have to do. ” Less permission and more understanding. If he were feeling it socially he’d ask for one himself, but his stress level hadn’t reached the threshold of wanting a cigarette just to take his mind off of how tiring it all was. “ My former fianceé was really big into candles to set an atmosphere. I didn’t have the heart to tell her it gave me a massive headache, depending on the scent. Anything meant to smell sweet turned my stomach. Still does. ” He chuckled softly at the memory, but a slow shake of his head dismissed it silently. “ She went through an incense phase, too. Though I can’t complain on that one, she turned me onto the smell of sandalwood with it. ”
criminvls:
OPEN STARTER LOCATION : THE TATE MODERN An exhibition wasn’t normally her speed, but as Kiraz had received the ticket as a gift from a client she felt she had to attend. More so because she was certain the client was also attending and if she didn’t make an appearance it would seem rude. Whilst she had spent the first part of the evening slowly making her way around, taking it all in; the mirrors, the lights, even the elite taking the opportunity to network, Kiraz had kept to herself.
“I’m not sure I’ve ever truly understood art. At least not exhibitions like this one. Is it just something pretty to look at, to distract us from the mundane, or is it supposed to mean something? Does it have a hidden meaning or a rich story behind it?” the question was out there as she looked from the lights around the mirrored room to the other standing beside her.
-
“ I think it’s just supposed to be something nice to look at. ” He was fond of the illusions, at least. The room with the mushrooms was less appealing than the cityscape. All of the lights cast the illusion of stars to him and Ira had been remiss to move onto the next room. He wasn’t sorry that he’d attended the event, merely that he had been exposed to so many people initially. Rubbing elbows was something he was only good at when it happened for work. In his own personal social life? Not quite so much. “ I mean, I’m sure it means something to someone. But I think art, as a whole, is supposed to be open to interpretation. ”
He could understand the meaning of simple things. There was an artistry to using one’s hands for fixing up everyday household objects, but even then his appreciation came with the skill itself. Music was more where Ira’s knowhow lay ---while he wasn’t some professional he certainly had enough personal skill invested (with the piano at least) to make useful commentary. Here he was floundering, left only to admire something that he himself would have never been able to make or even conceive. His mind simply was not set up for this. “ It’s pretty, at least. ”
OPEN STARTER
location: The Tate Modern - a balcony
timing: 9.30pm
“You know I’m pretty sure you’re not supposed to be here,” he was on a short break. Perks of having bad habits. Thomas always wondered how this was even considered fair by anyone. Then, he never picked the worst of times to go a smoking break, and being considerate went a long way anywhere.
Thomas exhaled slowly, watching the smoke float up one last time before he turned toward his company. “How is it ? The exhibit?” Just because he was here didn’t mean he had the time to visit it. He wondered if they’d allow the caterers to take a look at all once their shifts were over as a thank you. It seemed only fair, but he knew how the elite considered them sometimes. They might have been able to craft works of arts with ingredients, they were not given the same consideration as those who created with paint or clay.
-
“ I ... just need a minute. ” He liked art. There was something peaceful about visiting exhibits, museum’s an hour before they closed where the crowd was significantly less, as if it were a step away from being a liminal space. Ira preferred the quiet, where there was less of a chance of needing to socialize with people and more the opportunity to study the work, to appreciate it as it was presented. He’d juggled a long while in his head on attending. Tickets weren’t easy to come by and he was, by no means, in the upper crust of the London Elite to warrant one otherwise. The debate had lasted the week before the actual event and the list of pros outweighed the cons enough for him to attend. So here he was, suit and tie, to admire the work.
But all of those justifications did not prepare him for the cluster of individuals. Even if he didn’t know them they wanted to talk a little ---small conversation, about the work, or self-indulgent commentary (the upper crust simply could not resist their own narcissism) and while all Ira had to do was nod along and let them go, even that was tiring. He often imagined a battery gauge lit above his head in these moments, and right now his was at the low power mode activated point. So he’d escaped out onto a balcony, where he agreed he was not meant to be, but hoped that this stranger could forgive it just this once. “ Just need a second to catch some fresh air. Away from the amalgam of expensive perfumes mixing together and reminiscent of a Yankee Candle. ” It wasn’t the best lie, but perhaps that could slide, too.
[insp.]
ira evans attire for the infinity mirrored room showing at the tate modern.
Alice Oseman, Radio Silence
HEADCANONS 01 || body language.
bold what applies!
DEFENSIVENESS. arms crossed on chest // crossing legs // fist-like gestures // pointing index finger // karate chops // stiffening of shoulders // tense posture // curling of lip // baring of teeth
REFLECTIVE. hand-to-face gestures // head tilted // stroking chin // peering over glasses // taking glasses off — cleaning // putting earpiece of glasses in mouth // pipe smoker gestures // putting hand to bridge of nose // pursed lips, knitted brows
SUSPICION. arms crossed // sideways glance // touching or rubbing nose // rubbing eyes // hands resting on weapon // brows raising // lips pressing into a thin line // strict, unwavering eye contact // wrinkling of nose
OPENNESS & COOPERATION. open hands // upper body in sprinters position // sitting on edge of chair // hand-to-face gestures // unbuttoned coat // tilted head // slacked shoulders, droopy posture // feet pointed outward // palms flat and facing outward
CONFIDENCE. hands behind back // hands on lapels of coat // hands on waist // steepled hands // baring teeth in a grin // rolling shoulders // tipping head back but maintaining eye contact //chest puffed up // shoulders back // arms folded just above navel
INSECURITY & ANXIETY. chewing pen or pencil // rubbing thumb over opposite thumb // biting fingernails // hands in pockets // elbow bent // closed gestures // clearing throat // “whew” sound // picking or pinching flesh // fidgeting in chair // hand covering mouth whilst speaking // poor eye contact // tugging at pants whilst seated // jingling money in pockets // tugging at ear // perspiring hands // playing with hair // swaying // playing with marker // smacking licking lips // sighing // rocking on balls of feet // flexing fingers sporadically
FRUSTRATION. short breaths // “tsk” sounds // tightly-clenched hands // fist-like gestures // pointing index finger // running hand through hair // rubbing back of neck // snarling // revealing teeth/grimacing // sharp-eyed glowers with notable tension in brow // shoulders back, head up — defensive posturing // clenching of jaw // grinding teeth // nostrils flaring // heavy exhales
Ira Evans ♦ Cis Man (He/Him) ♦ 40 ♦ Law Enforcement ♦ Medical Examiner
“You know why I prefer a decedent to a real-life human being? Because they know when to shut the fuck up. Ponder on that.”
A life tied to law enforcement was always in the cards for Ira Evans. Try as he might to escape the destiny cast in his stars, it simply was not meant to be. Born October 2, 1982 to Jakob and Lisa Evans, Ira was the eldest of two sons to come and round out an honest family. The son of a police officer, Ira heard many stories about the types of criminal his father ran into on a daily basis. It bled into their lives, colored them a vicious red. From a young age it was always his interest to fall into the field of forensic science, something that his mother needed to convince him to continue pursuing later in life.
The first fourteen years of his life were spent as a shield. Frustrations of work were turned into expectations on his father’s behalf —Ira did his best to keep his younger brother, Levi, away from the shouting and degrading. He wasn’t allowed to have his own likes, his own personality. The expectation was that he’d follow in his father’s footsteps, like his grandfather before him all the way down the line … something Ira hated. Punishments were strict, on several occasions Ira was locked in a small closet to “think about what he’d done”. The resentment pooled, and the bitter taste was left in his mouth too strong to argue. By the time his mother’s tolerance broke and the divorce papers were served Ira was certain he’d never be a police officer. The family tradition would break with him.
From The Netherlands he and his mother moved, to England. At fourteen his life began - Ira started to flourish without the constant negativity his father seemed to seep. His mother quickly found another partner - a nice man who was the exact opposite of Ira’s father, and they settled in as one small, awkward family. It took time for Ira to open himself up - to have friends that weren’t consistently scrutinized by an overbearing parent, to have support in his interests, as strange as they may have been. When he was close to graduating he informed his mother that he was at a loss for career —vehemently against the route his father had always wanted for him.
It was through some soft poking and prodding that Ira was guided toward forensic science. Initially he steered away from the route involving anything similar to his father, but varying conversations throughout his senior year of high school dawned upon him the realization that he could be a forensic scientist without being anything like the man he’d grown to resent. With decisions set in stone he went off to Cambridge, with the monetary assistance of his step-father. Ira graduated top of his class, to no one’s surprise, and shifted easily into a position first with the County of Derbyshire before being scooped into the Metropolitan Police as their lead medical examiner. It’s a position he’d held for quite a few years by this point —preferring the company of the bodies he sees to those of his coworkers, even. His one regret is losing touch with his brother - leaving Levi to the cruel mannerisms of his father, so many years ago.
+ / - calm, disciplined, organized, thorough, aloof, disconnected, nihilistic, tense.
Very good with his hands, be it fixing things or making them or tinkering in general. He prefers to do most housework himself. Sink broken? He can fix it in an afternoon. Wall need sheetrocking? He can do it. Car need fixing? He’ll do that, too. It comes with being a self-appointed loner, honestly.
He was in a relatively serious relationship with a woman he’d met through work for about five years. They lived together, and he’d planned on proposing to her, but it didn’t quite work out. They barely spoke thereafter, but were mostly amicable when they did. Since then he’s been more of a one night stand kind of man, with little interest in opening himself up again.
He has a cat he took from home with him : a little black cat named Nyx.
He wears glasses when he’s home, otherwise always has contacts in. You won’t ever see him with his glasses on unless you drop in unexpectedly on him.
He plays piano, and favors jazz. he picked it up in middle school and has stuck with it ever since. An avid music fan, he has a small baby grand piano in his flat inherited from his father upon his passing.
FC: Michiel Huisman
Hill house week.
Day 5: A scene or scenes that made you cry.
——inheritance, (insp).
Michiel Huisman by Inga Powilleit.
tell me the tale of the lost boys with hollow eyes and aching hearts who went astray so long ago they no longer remember what home is
cursed to forever wander through a lonely world | r.h. (via jeremysknox)
I don’t think there’s anything sadder than when two people are meant to be together and something intervenes.
Walter Bishop (via quotemadness)
“I wasn’t showing what I really felt. Real grief is ugly and uncomfortable. People look away from grief the same way they look away from severed limbs or gaping wounds. What they want is pain like death on a stage: beautiful, bloodless, presented for their entertainment”
— Sarah Rees Brennan, Tell the Wind and Fire