Help Doug and Aperture fund this book.
Fai_Ryy

Kiana Khansmith

tannertan36
Cosimo Galluzzi
Color Me Curious
The Bowery Presents

No title available

Discoholic 🪩

if i look back, i am lost
Noah Kahan
untitled
Show & Tell

No title available

shark vs the universe

#extradirty

Origami Around
h

blake kathryn
almost home

Game Changer & Make Some Noise
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@isomagazine-blog
Help Doug and Aperture fund this book.
ISO Magazine seeks work related to the theme PRECIPICE:
Our contemporary moment is one of both unparalleled potential and unimaginable risk. Irrevocable shifts are materializing: changes in our climate, changes in the way we relate and communicate, changes in our understanding of what it means to be human. We are on the cusp, nearing a breaking point, a boundary between the world we have known and a new one that we try desperately to imagine and futilely to control. We are teetering on the precipice. We are interested in the idea of the precipice in contexts both public and private; social and personal; not merely the fact of it but its psychology as well.
***In addition to photographs, we are also accepting submissions of poetry, short stories, and essays***
•SUBMISSION INSTRUCTIONS•
All submissions should be sent to [email protected]
Note: If your submission is too large to attach to an email, send via WeTransfer or similar service
Please include the following information in all submission emails:
Name
School you attend + expected graduation year
City in which you are based
Preferred email address
URL(s) for website, blog, etc.
Guidelines for photography submissions:
1-10 images
Submissions may be “single” images or a body of work
Image specs:
TIFF format
Resolution: 300dpi
Dimensions: AT LEAST 2400 pixels on the shortest side
Color Space: Adobe RGB 1998
••• SUBMISSION DEADLINE EXTENDED TO DECEMBER 3 •••
ISO Magazine seeks work related to the theme PRECIPICE:
Our contemporary moment is one of both unparalleled potential and unimaginable risk. Irrevocable shifts are materializing: changes in our climate, changes in the way we relate and communicate, changes in our understanding of what it means to be human. We are on the cusp, nearing a breaking point, a boundary between the world we have known and a new one that we try desperately to imagine and futilely to control. We are teetering on the precipice. We are interested in the idea of the precipice in contexts both public and private; social and personal; not merely the fact of it but its psychology as well.
***In addition to photographs, we are also accepting submissions of poetry, short stories, and essays***
•SUBMISSION INSTRUCTIONS•
All submissions should be sent to [email protected]
Note: If your submission is too large to attach to an email, send via WeTransfer or similar service
Please include the following information in all submission emails:
Name
School you attend + expected graduation year
City in which you are based
Preferred email address
URL(s) for website, blog, etc.
Guidelines for photography submissions:
1-10 images
Submissions may be “single” images or a body of work
Image specs:
TIFF format
Resolution: 300dpi
Dimensions: AT LEAST 2400 pixels on the shortest side
Color Space: Adobe RGB 1998
•••2 DAYS LEFT TO SUBMIT•••
current mood: beige
try it yourself
ISO Magazine seeks work related to the theme PRECIPICE:
Our contemporary moment is one of both unparalleled potential and unimaginable risk. Irrevocable shifts are materializing: changes in our climate, changes in the way we relate and communicate, changes in our understanding of what it means to be human. We are on the cusp, nearing a breaking point, a boundary between the world we have known and a new one that we try desperately to imagine and futilely to control. We are teetering on the precipice. We are interested in the idea of the precipice in contexts both public and private; social and personal; not merely the fact of it but its psychology as well.
***In addition to photographs, we are also accepting submissions of poetry, short stories, and essays***
•SUBMISSION INSTRUCTIONS•
All submissions should be sent to [email protected]
Note: If your submission is too large to attach to an email, send via WeTransfer or similar service
Please include the following information in all submission emails:
Name
School you attend + expected graduation year
City in which you are based
Preferred email address
URL(s) for website, blog, etc.
Guidelines for photography submissions:
1-10 images
Submissions may be “single” images or a body of work
Image specs:
TIFF format
Resolution: 300dpi
Dimensions: AT LEAST 2400 pixels on the shortest side
Color Space: Adobe RGB 1998
Crowdfunding my project about Coal in Pennsylvania
Hello friends and followers,
I’m currently finishing up a photo project about Pennsylvania’s Anthracite coal mining region. I’m hoping to raise $500 on Indiegogo to offset transportation, film, printing, and framing costs. Please contribute if you can! There are awesome perks, including zines and fine art prints.
Click Here to donate on Indiegogo
Caleb is a great photographer, a friend of the magazine, and also one of the sweetest, most stoked to be alive and making pictures people I know. Support him if you can!
Selektor Magazine just posted the first 100 photographers that they have featured. It really bummed me out to see only 8 or so women on there. Everyone can have their personal taste and I don’t mean any neg to Loic or the magazine, but there is still systematic sexism at work in the photo world. Men still get more gallery shows/features because they get more press for it and then they get more press because they get more gallery shows/features, etc etc. I’ve been slowly making wikipedia pages for notable woman photographers and it has been really eye-opening on what wikipedia considers credible resources and how few are available online for undeniably notable women.
I’ve seen great strides in equity for women and people with diverse backgrounds in publications like VICE and most places on Tumblr. With power shifting out from the typical places there has been so much cool stuff happening- tons of amazing self published books, pop-up galleries, collectives, and more. I love Tumblr because people can use it to express themselves in whatever manner they choose and it is easy to find true friends and inspiration here.
I quickly made a list of awesome women photographers on tumblr if you are looking for some fine people to follow. (And sorry if I missed someone I love in my haste to make a list.) And feel free to message me with people you think I’d love!
Proud to present @isomagazine #12: TRACES
Join us on Wednesday 9/17 at 6:00pm for •FREE• magazines, snacks, etc. And at 7:00pm, an artist talk by Will Steacy. 721 Broadway, 1st Fl. New York, NY 10003
Facebook event: here
Mario Pucic
“A young father braves the highways of sprawling Spring, Texas, north of Houston, to reach a homeless shelter and a free meal. The suburbs have become a new home for the hungry. The rates of poverty and of food stamp use are so high that advocates and legislators coined the phrase “the SUV poor.”” Photo by Kitra Cahana From National Geographic’s The New Face of Hunger
Niagara Falls, 2014
Outside The Standard Hotel nyc
Photo By Tracy Bailey Jr
Waves of Color
"A five year examination of the Philadelphia Inquirer newsroom reveals the challenges and harsh realities facing the newspaper industry."
Go support Will Steacy's latest publication, Deadline!
An epic journey along the Danube River by nine female documentary photographers retracing the footsteps of an industry pioneer.
strangely. still contemporary.
welcome back, The 90s.
bijork by Mike Diver
If you don't already follow Emily Keegin ( imaphotoeditor ), you should probably start following her. As her username suggests, she is a photo editor. She does cool things at Bloomberg Businessweek and she's always sharing good stuff on here!
Brilliant portraits by John Myers. (Thanks for the tip, Tim Carpenter via Darren Campion.)