Cabinet of Wonders: Manifesto
- Look twice / suspension of disbelief
- Come away with a story You Learned - something to write home about
- Make a connection - have the "this reminds me of that book" (or article or theory or film or other piece of artwork or thing that you are working on)…
- Space to question what you see and its description - wonder more, delve deeper (the tiny library/nook at the Guggenheim allows you to read through beautiful books about the current exhibition)
- As a beautiful library entrance and its reading rooms elicit a feeling of awe, of inspiration to be a scholar, as a beautiful religious building might elicit feelings of devotion, so should my Museum elicit feelings of awe, inspiration, maybe devotion, as well as excitement and curiosity
- But the above (library, church) also allow for simple contemplation. And my museum will have places for this in and among the exhibits (for example, the Frick's courtyard, the Met's Astor wing / round room on the dinosaur floor, sea creatures hall with the parquet flooring where the kids sprint around and the grown ups lie down if they want to).
- For discovery: take MOMA's giant suspended helicopter as an example of how to play with the space, bring in objects that are specific to a museum (not everyone gets to stare at a helicopter close up - unless you go to MOMA!), display them in a surprising way that make people think twice, look twice at the objects around them.
- Natural light: again, MOMA's use of windows into the city from high up, making you feel as if you are still in a bigger environment (the city) rather than entirely separated from the outside and outside life...
- Comfortable couches, and many of them. Some right in front of a piece of art.
- Nook / reading rooms in the exhibit space itself rather than separate hall or floor - these allow for deeper delves into the subject matter and supplement simple captions and exhibit introductions on the wall.
- Nook / cafes on each hall or floor.
- Speaking of floors, the museum will have four exhibit rooms, a cafe and a restaurant. Plenty of natural light. Garden courtyard in the middle. Each room is clean (white paint, nothing else than the art, couches, nooks built in to room) - rather than richly decorated (like the Frick) unless the exhibition is about interior decoration.
- Friendly, warm security guards and overall staff - curious and interested in provoking discussion on the current exhibit.
- If an exhibit needs, it can close the curtains over the big windows / add japanese-like screens to change the space - the "four big rooms" can be altered. The idea behind "four big rooms" is "not too big!"
- This museum will be a place to go with a friend, to stop by, to put your feet up when you have an hour and are in the neighborhood.
- Therefore, hours will be until 9 two nights a week (thursday, friday) (to accommodate post-work people).
- There will be concerts in the courtyard when the weather permits.
- There will be film screenings at night according to the exhibit theme.
- There will be workshops where artists teach a craft that has to do with that theme (for example, if the exhibit is about "The Progress of Love" and one of the pieces in the exhibit is a hand-woven basket that wives made for husbands in 1792 to show their love (making this up), then there will be workshops about how to make those baskets.
- The website will be simple - hours, directions, and a tab to some web-specific specialties - whether this is audio or video or more photographs or an interesting collections browser, slideshows (top ten outfits curated by a Fashion Magazine Editor for the exhibit on women's fashion during WWII, for example).