[notinlove]

lwexdz on ig

[jeronimcalavera]

“Philosophy” Gustav Klimt

[sloppjockey]

chirophage. gouache watercolor

[bakankorr]

[2001hz]

Etsuko Miura: 'violin rabbit' (2013)

[2001hz]

Jean Paul Gaultier fall/winter (1994)

a continuation of Gaultier’s 'les tatouages' s/s 94' collection which björk made a surprise appearance on the runway, bewildering references that included men in skirts, hip-hop denim volumes, joan of arc–style armor, tattoo trompe l’oeil tops and yes, even corsets. a very controversial and bold approach to indian and african tribal nods played a significant role in this fierce outing of models.

[fymodernflapper]

Alice Eis in “Vampire Dance” 1910-13

[zegalba]

Maison Martin Margiela: Black Oxblood Leather Tabi Pumps (1999)

[hndrxzx]

Archive Image of Maison Martin Margiela SS1994 Collection

[crowdsurfingonariot]

Broken doll development for Margiela SS24 by Simon Carle

[malheurs]

[elysiumaze]

I don’t miss it, because I have my childhood more now than when it was happening...

Clarice Lispector in, Near to the Wild Heart.

[bebemoon]

a t-shirt that says "written by angela carter"

[violentwavesofemotion]

“You have to create your own space which has a lot of silence in it and a lot of books.”

— Susan Sontag, from an interview conducted c. October 1979 (via violentwavesofemotion)

[luxe-pauvre]

“Why are some people drawn to minimalist architecture and others to Baroque? Why are some people excited by bare concrete walls and others by William Morris’s floral patterns? Our tastes will depend on what spectrum of our emotional make-up lies in shadow and is hence in need of stimulation and emphasis. Every work of art is imbued with a particular psychological and moral atmosphere: a painting may be either serene or restless, bourgeois or aristocratic, and our preferences for one kind over another reflect our varied psychological gaps. We hunger for artworks that will compensate for our inner fragilities and help return us to a viable mean. We call a work ‘beautiful’ when it supplies the virtues we are missing, and we dismiss as ‘ugly’ one that forces on us moods or motifs that we feel either threatened or already overwhelmed by. Art holds out the promise of inner wholeness.”

— Alain de Botton & John Armstong, Art as Therapy

[bienenkiste]

Mazelle Spring 2023 backstage

Ph. Victor Edeh

[roserosette]

Tenebre, 1982, Dario Argento