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@jackassmd
AU: Cameron comes back to PPTH for a conference and runs into House, he tells her that he loved her but he let her go because he believed everything that she said to him that night was true and he didn’t want to ‘ruin’ her as well.
How do you think you'll die?
—“There have been so many attempts on my life that I’m holding out for a surprise. Gunning for being kidnapped and forced to choose between a variety of gruesome and painful deaths.”
outofscotch: Which would leave Tony raising the question of Extremis because it’s something he’s been experimenting with. Unbeknownst to most, he has a collection of cadavers graciously giving to him by SHIELD to keep tests going as long as he promises not to inject himself. No one made him promise to not inject someone else. He’d probably try to tempt House with the idea of a new drug just to see what would happen. Because, let’s face it, Tony’s biggest punishment would be using the chemical that he blames for changing so much of his life to help someone else.
I…was actually going to suggest something like that. And inbetween blasts, he’s having to just kind of make sure nothing falls on him and gets irritated with the fact that the guy doesn’t even move. It kind of forces Tony to remember he’s supposed to protect people and not just pick them up and throw them out of the way while shouting at him when he flies by.
outofvicodin I'll...have to think about how House would feel about that. Like he's super familiar with experimental trails, but at the same time it was that sort of thing that ended with his entire leg almost getting amputated. He has enough trouble with the crutch, he doesn't want a wheelchair. It would probably come down to whether it was for sure a 'it works or you die' thing because then he'd do it. Like, that's the only way he'd risk it.
I think I'm digging that idea right about now. House would probably actually really want to get away too, which makes it funny. Like, he's just sitting there eating a sandwich or something, because he doesn't want to risk trying to limp away because he knows the more you move the more likely you are of getting hit by shrapnel, statistically. But he puts his guard up, doesn't look scared, makes it look on purpose. Like he's come to the jogging park alone or something again, and non of his staff, no one he knows is there. And while he can handle just about anything, physical exertion is just going too far. Like, he can't even actually walk without his cane, and using a cane on a battlefield is sort of implausible.
+ jackassmd
"I’m fine…" Bones insisted as she sat up on the white hospital room bed. Her fingers flexing and starting to push herself off of the bed while there were nurses and Angela urged her back into the bed. She found herself overwhelmed and didn’t want to harm them. "Angela, where’s my laptop?" She had been hurt while working on a case and they still weren’t done with the tests on her.
"Yeah, because every time I've woken up in the hospital, I've felt like going dancing." Having caught the tail end of the 'conversation', the Doctor was out with a snide comment even as he entered the room. "Let's do us both a favor--you be honest, I treat you, and you leave in a timely manner." In his opinion he had way better things to do. This case was neither unique or cryptic, and while the woman had an interesting profession, her status was all that warranted his time.
“We can not blame all the medical professionals.”
"How about most of them?"
“—not aloud.”
"--raises the subject that maybe medical professionals just plain don't appreciate witty banter."
outofscotch: And Tony’s starting to feel like his choices are being made for him and the only choice he’s had is to rebuild his suits and put the arc reactor back in because they remind him of who he is…broken and partial. Less than whole. Because he doesn’t see himself as a hero. He’ll never see himself as a hero. Because he can’t. After what he’s done, he just can’t see himself as the hero. He sees himself as trying to redeem himself and that’s all he’ll see through his eyes. And then you’ve got Tony who’d be angry about the bitterness because he doesn’t see the missing piece as that much of a good thing and he’d offer to build a leg for House just to get him to stop seeing it as a disability.
I think I need this interaction.
outofvicodin His first reaction would be that he wanted to keep as much of his leg as he could, as he's already lost a huge chunk. Like they removed a vital muscle. It's not so much the trouble walking but the constant intense pain. Like people forget that a muscle not working or not being there isn't like missing a finger. You're not just longing for it back, it's constantly reminding you.
Whatcha have in mind for the basis? We've got to think of something that would not only throw them together but get them talking about the deep stuff eventually. Like, he could hire House I guess...but I'm open to any other ideas. That one seems sort of cliche. The subject of plotting raises this image for me though of House being caught in the crossfire of one of Tony's battles and just like settling down on a bench. And everyone screaming 'Run' and House is just like, 'yeah, can't.'
“Good that you didn’t decide to go into literature. We like to use quotes.”
"---are they constantly threatening to fire you?"
“— Break a leg. Oh—wait.”
"Break? Good thing you didn't decide to go into medicine. Us real doctors like to differentiate."
jackassmd ;
Doctor Gregory House. I’ve heard a lot about you.
"--should I start running? Oh--wait."
thewoodenstranger:
jackassmd replied to your post: What if instead of Regina cursing everyone she…
[I’ve heard the same theory about Ed Edd and Eddy.]
omfg, really?!
Yeah. Dead kids. The theory proposes that all the children on the show are actually dead, and the neighborhood they live in is purgatory. But then again, they said the same thing about Lost and it turned out to be bullshit (mostly).
For one thing, some of these kids already look like they're dead: Pretty much everyone in this neighborhood has weird skin tones or odd-colored tongues, like corpses might have.
But then there's the fact that there are no adults in the show: They're mentioned, but never seen. You do see vague silhouettes of adults on a few occasions, but they never move (yeah, that's not creepy or anything). The closest thing to an adult we ever see is Eddy's older brother, whom they meet the only time in the entire show's history when they leave their neighborhood/purgatory. However, the guy turns out to be a complete piece of shit, meaning that it's totally feasible that they were simply visiting him in hell.
This would also explain why the setting of the show is so hard to pinpoint: In one episode, the kids are seen using a typewriter, despite having been shown using a computer in another, and they seem to know what a cassette tape is, unlike most teens of the 2000s. The theory holds that this is because each one came from a different period in American history:
Rolf, the weird kid with the inexplicable Eastern European accent, died in the early 1900s in a farming accident. Johnny, the one whose best friend is a plank, comes from the 1920s, when owning a piece of wood with a face painted on it made you the most popular kid on the block. Jimmy, the sickly kid with yellowish skin, died of leukemia in the 2000s, and so on.
The theory also alleges that there's one set of characters who aren't dead, but not alive either. The antagonistic Kanker sisters, who frequently abuse and berate all the other kids on the show, are actually demons placed in purgatory to torture them. Coincidentally, they are the only regular characters who have pink tongues ... just like non-dead people do.
