Jakob Mayr Work in Progress

Graphic Design Vienna ( A ) / Bolzano ( I ) Contact: [email protected] instagram.com/m___ja____

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Christmas Greeting Animation for  A G A  Andreas Gruber Architekten.  Design: © Jakob Mayr (@m___ja____) and Kilian Wittmann (@kilianwittmann)

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Signage for TREWIT Furniture Producer exhibition at Vienna Design Week. Design: © Jakob Mayr (@m___ja____) and Kilian Wittmann (@kilianwittmann)

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type experiments © Jakob Mayr (@m___ja____)

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Folded programme poster for ‘Amopera‘, a collaboration between @klangforum_wien and @needcompanyarts . Amopera is a dystopic ballad that revolves around the idea of ‘meta-opera’. It aims to explore the role and meaning of art, making use of techniques such as deconstruction, collage and accumulation. ‘Amopera‘ is bad Latin for ‘I love opera’; in which case it is about love. It can also be bad English for ‘I am opera’; in which case art is a self-portrait of the viewer. 🙊 Premiere: 5th of November, 2022 at @tirolerfestspieleerl Design with @mitzi.gugg and @lboro using a drawing by #JanLauwers 🐒💙🐒💦 Photos: @mitzi.gugg #needcompany #klangforumwien #graphicdesign#typography #poster #folder #love #opera #meta #tirolerfestspiele

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© Jakob Mayr (@m___ja____)

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Concert Cycle 2022/23 folder for Klangforum Wien. Design by Jakob Mayr (@m___ja____) Mitzi Gugg (@mitzi.gugg) and Liza Borovskaya-Brodskaya (@lboro)

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Concert Cycle 2022/23 folder for Klangforum Wien. Design by Jakob Mayr (@m___ja____) Mitzi Gugg (@mitzi.gugg) and Liza Borovskaya-Brodskaya (@lboro)

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(C) Jakob Mayr

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Signet drafts for Georgian Winemaker Gurian Wines.  Design by Jakob Mayr ( @m___ja____) and Liza Borovskaya-Brodskaya (@lboro)

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Filippo Brunelleschi’s mirror experiment attempted to prove that his paintings by the use of central perspective could depict reality so accurately, that they would blend into the setting of the depicted buildings. His aesthetic operation was meant to establish a relation between the picture and the depicted, perception and reality or even art and science. By reenacting his experiment in the setting of the renaissance town Urbino, to examine this constructed relation between picture and reality in the context of tourism and photography.

Made at the ISIA / Werkplaats Typografie Summerschool 2017 Design by Jakob Mayr ( @m___ja____)

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Filippo Brunelleschi’s mirror experiment attempted to prove that his paintings by the use of central perspective could depict reality so accurately, that they would blend into the setting of the depicted buildings. His aesthetic operation was meant to establish a relation between the picture and the depicted, perception and reality or even art and science. By reenacting his experiment in the setting of the renaissance town Urbino, to examine this constructed relation between picture and reality in the context of tourism and photography. 

Made at the ISIA / Werkplaats Typografie Summerschool 2017 Design by Jakob Mayr ( @m___ja____)

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Visual Identity for Visual Culture Unit (Institute of Art & Design, TU Wien) and Centre for Global Architecture (London / Vienna). Design in Collaboration with Bueronardin Vienna, Art Direction: Christof Nardin. 

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Typographic interpretation of the essay “The New Art of Making Books” by mexican conceptual artist Ulises Carrión. In the text, Carrión postulates a new form of the book, the “bookwork”, that offers new ways of artistic expression. My interpretation tries to grasp this aspects and hides the text inside a folded poster manifesto that reads: “A BOOK = A BOOK ≠ A BOOK” Design by Jakob Mayr ( @m___ja____)

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Typographic Topography. Leporello folder mapping all written information (street signs, shop sign advertising,...) found in my home street in Vienna. The focus lays on the lists found on doorbell plates and shop signs that communicate a range of services.

Design by Jakob Mayr ( @m___ja____) in a workshop with Enrico Bravi.

#graphicdesign #typography

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Catalog for 100 best Posters  17 D A CH award and exhibition (2018). Design: Jakob Mayr ( @m___ja____),  Kilian Wittmann. Typeface: Grimm by Paul Katterl. Photo: Verlag Kettler.

#graphicdesign #typography #100besteplakate #100 beste plakate #100bestposters #grimm #grimm typeface #paul katterl #poster #competition #kilianwittmann

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Catalog for 100 best Posters  17 D A CH award and exhibition (2018). Design: Jakob Mayr ( @m___ja____),  Kilian Wittmann. Typeface: Grimm by Paul Katterl. Photo: Verlag Kettler.

#graphicdesign #typography #100besteplakate #100 beste plakate #100bestposters #grimm #grimm typeface #paul katterl #poster #competition #kilianwittmann