so move me, baby

dark they were, and golden-eyed. girl / 24

[wongkarawai]

Chungking Express (1994) dir. Wong Kar-wai

[peachpitgirl]

[sickfuture]

[fotoroom]

© Aso Mohammadi

[aso-mohammadi]

@asomohammadi

http://asomohammadi.ch

[unreadable]

[metamrophose]

https://www.instagram.com/p/BaTbhiLlg8G/

[lunasea]

卷毛甜筒 on weibo

[soo-deactivated20220919]

[bugboy111]

[videoclubs]

FALLEN ANGELS (1995) dir. Wong Kar-wai

[memoryslandscape-deactivated202]

“One of our deepest needs is for a sense of identity and belonging. A common denominator in this is human attachment to landscape and how we find identity in landscape and place. Landscape therefore is not simply what we see, but a way of seeing: we see it with our eye but interpret it with our mind and ascribe values to landscape for intangible–spiritual–reasons. Landscape can therefore be seen as a cultural construct in which our sense of place and memories inhere.”

— Ken Taylor, from the abstract to “Landscape and Memory: Cultural Landscapes, Intangible Values and Some Thoughts on Asia,” 16th ICOMOS General Assembly and International Symposium: “Finding the spirit of place – between the tangible and the intangible,” 29 September – 4 October 2008

[mydarkfluffblog]

This is all I ever wanted for you.

[ritsual]

Peter van Agtmael, CHINA. Three Gorges. 2003. View of the Three Gorges at Dawn from a passenger ship.

[997]

[namasteybollywood]

Fitoor (2016)

[blurry-focus]

Maggie Cheung, as Su Li-zhen - Mrs. Chan

In the Mood for Love (2000) / Fa yeung nin wah (original title), by Wong Kar-Wai

© Wing Shya

[markgraysn]

blue paintings + solitude

rick humphrey / aron wiesenfeld / charlotte ager / holly warburton / devin leonardi / richard cartwright