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Robert Rauschenberg
des hommes Javier Marín
From small shells and Amazonian beads, Brazilian-Mexican artist Fefe Talavera strings together elaborate masks that fuse ancient mythologies and contemporary urban culture…
https://www.thisiscolossal.com/2021/09/fefe-talavera-masks/
Work by Robert Rauschenberg, 1925-2008.
https://brooklynrail.org/2021/09/artseen/Robert-Rauschenberg-Channel-Surfing
Antony Gormley
Circe Invidiosa by John William Waterhouse (1892)
Ana Mendieta, Silueta, 1973-78
Ana Mendieta
Kehinde Wiley (American, b. 1977), Femme Piquée par un Serpent (Mamadou Gueye), 2022. Oil on canvas, 335 x 762 cm
Francis Bacon (Irish-English,1909–1992), Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967. Oil on canvas 198 x 147.5 cm © The Estate of Francis Bacon. Staatliche Museen zu Berlin, Nationalgalerie
Seamless 1999 Sarah Sze
The work includes functional, human objects, such as ladders and buckets. Other handmade elements, such as a small bridge made of matchsticks, used by Sarah Sze include inexpensive, everyday objects that connect the work to contemporary consumer culture. Its structure and shape relate to constructivist, abstract art that reflects the modern industrial world. Using proportions associated with fictional miniature worlds, the spiral structures also suggest the microscopic scale of molecular science. They resemble the double helix shape of DNA, the molecule that determines the growth and reproduction of all living things.
Sarah Sze uses almost worthless things - common, mass-produced, easily accessible, easily replaceable - and puts them in a position to make and juxtapose them in ways that they seem valuable, which gives them a strong translation.
What I also make in my own work is essentially creating everyday objects, such as tables and chairs, miniature models made using inexpensive wood panels, elements that have relevance to the everyday objects, miniature worlds, etc. in Sarah Sze's work. But my work is more realistic and I am trying to generalize them better and learn to use a more abstract approach.
Eduardo Chillida
Neva Hosking crafts biographical drawings on scraps and unexpected surfaces, mapping what she calls a “Personal Geography.” See more on HiFructose.com.
“Devil’s Ivy II” by Neva Hosking
Kiki Kogelnik, Siempre Por Tio, 1964