Seoul, Korea Friday, October 18, 2014 - Jess
PUT YOUR BEARD IN MY MOUTH
Lint Roller? I Barely Know Her
Not today Justin
Jules of Nature
will byers stan first human second
Three Goblin Art

titsay
Peter Solarz
hello vonnie
Aqua Utopia|海の底で記憶を紡ぐ
One Nice Bug Per Day
i don't do bad sauce passes
todays bird
Claire Keane
TVSTRANGERTHINGS
2025 on Tumblr: Trends That Defined the Year
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DEAR READER
KIROKAZE
Cosimo Galluzzi

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@japrse
Seoul, Korea Friday, October 18, 2014 - Jess
Camp Casey, Korea Tuesday, October 15, 2014 - Last day of camp, school, the army
Camp Casey, Korea Tuesday, October 14, 2014 - What packing is
Camp Casey, Korea Sunday, October 12, 2014 - Brunch
Camp Casey, Korea Wednesday, October 8, 2014 - Mr. Major, Staff Sergeant Major; he does exist.
Camp Casey, Korea Tuesday, October 7, 2014 - This hoopty lasted more than a year. Cheers.
US Army Garrison Yongsan, Korea Monday, October 6, 2014 - At Camp Casey, we live with cinderblock, mold, and beating fluroescent lights; the other half lives with mowed lawns
Tsim Sha Tsui, Kowloon Sunday, August 31, 2014 - Ales are abundant in HK; much more than in Korea
Central, Hong Kong Saturday, August 30, 2014 - James across from The Globe
Camp Casey, Korea Friday, August 29, 2014 - Self portrait
Camp Casey, Korea Thursday, August 21, 2014 - My desk wall
Tokyo, Japan Saturday, August 9, 2014 - The classic sleep over, Japanese style
Tokyo, Japan Friday, August 8, 2014 - We meet again in Shun's apartment
Busan, Korea Friday, July 4, 2014 - A typical Peter scene
Camp Casey, Korea Saturday, January 11, 2014 - Ashley's view
A Photo a Day Keeps Forgetfulness at Bay turned 5 yesterday.
I'm moving into the next step in life; time to start again.
We usually take a subject’s speech, with all its inconsistencies, as an expression of his/her inner turmoils, ambiguous emotions, etc. This holds even for a literary work of art: the task of psychoanalytic reading is supposed to be to unearth the inner psychic turmoils that found their coded expression in the work of art. Something is missing in such a classic account: speech does not only register or express a traumatic psychic life; the entry into speech is in itself a traumatic fact. What this means is that we should include into the list of traumas speech tries to cope with the traumatic impact of speech itself. The relationship between psychic turmoil and its expression in speech should thus also be turned around: speech does not simply express/articulate psychic turmoils; at a certain key point, psychic turmoils themselves are a reaction to the trauma of dwelling in the “torture-house of language.” This is also why, in order to get the truth to speak, it is not enough to suspend the subject’s active intervention and let language itself speak — as Elfriede Jelinek put it with extraordinary clarity: “Language should be tortured to tell the truth.” It should be twisted, denaturalized, extended, condensed, cut, and reunited, made to work against itself. Language as the “big Other” is not an agent of wisdom to whose message we should attune ourselves, but a place of cruel indifference and stupidity. The most elementary form of torturing one’s language is called poetry.