Possibly my favorite living poet. First heard him read at Writers in Paradise workshop in 2005.
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@jcolussy-estes
Possibly my favorite living poet. First heard him read at Writers in Paradise workshop in 2005.
Lynd Ward illustrations for the 1934 edition of Mary Shelley’s Frankenstein.
This was my first time doing inktober, and I managed to finish the whole month on time. These are some of my favs. You can see all 33 days (yes, I did a few extra) on my website
From Joey Alison Sayers.
Made me laugh!
One of the distinctive features of Old Norse poetry is the use of kenning: a circumlocutory device in which a straightforward noun is replaced with an allusive phrase.
For example, a ship might be referred to as a “wave’s horse”; a sword, a “wound-serpent”; a shield, “the shame of swords”, and so forth. Sometimes, kennings could be embedded in other kennings - thus, one might have “feeder of war-gulls” = “feeder of ravens” = “warrior”; this is known as a doubled or extended kenning.
Though many conventions of English literature can be traced back to Old Norse roots, kenning isn’t much encountered these days - at least, not in most genres. There’s one particular genre where the art of kenning is alive and well, though.
I’m speaking, of course, of erotic fanfic.
Whether you’re referring to a penis as a “pork-truncheon” or a vagina as a “squish-pocket” (both examples I’ve seen employed in all apparent seriousness, incidentally), that perfectly fits the form and function of a kenning. Indeed, these examples even adhere to the idiosyncratic grammatical structure of many Old Norse kennings, with the base word being modified by an uninflected noun determinant inserted as a compound prefix.
Euphemisms for sex acts, meanwhile, can be even more baroque, forming multi-level allusions in the manner of doubled/extended kennings. “To ride the baloney pony”, for example, employs the act of riding a horse as an allusion to penetrative sexual intercourse - but the contained phrase “baloney pony” is, itself, a kenning of the simple type, with “pony” as the base word and “baloney” as the determinant, making the whole phrase a doubled kenning.
There are practical reasons for this sort of practice, of course; e.g., complex euphemisms can help sexually explicit works sneak through content filters. Still, it’s kind of fascinating that smutty fanfic has managed to preserve - in virtually unaltered state - a poetic form that’s otherwise been largely extinct in English literature for the better part of a thousand years.
Panels from The Oven by Sophie Goldstein.
Today's the day above all others to look up from the screen :)
Thank you, Lynda Barry!
playing around with the triolet form
Confession: I went to grad school with Jennifer (hooray for UNCG). But her book The Blue Hour is a fierce revelation, and I cannot recommend it highly enough
Got Fast recently. Lovely. I hope to revisit several of the poems in it this week.
Discovered him through New York Review of Books poets series' Cat Town volume.
Cup of Rage is relentless, phenomenal writing. Another author sketch- -although, Nassar's face isn't that long. It's a bit rounder.
Morning sketch. Foscolo is Italy’s second most famous port. I discovered him in Florence, his home town, a few years ago. What a great face!
First four pages of another comic based on poetic form. This time, the Terrance Hayes creation Golden Shovel, only playing a bit with word placement and formalizing panel structure and pacing. I guess this will be a true golden shovel, as I’m using every word from the Gwendolyn Brooks poem. This should end up ten pages in all.
Comic built around the poetic Triolet form (short ballad form of 8 lines, with the first line repeating at lines 4 and 7, and the second line repeating at line 8, with a rhyme scheme of abaaabab). I’ve had an artificial lens in my right eye for awhile now, and sometimes, when you talk to me, if the light’s just right, it glitters.
Based on my 11yo’s character concepts. From an evening doodle with him