TVSTRANGERTHINGS
occasionally subtle

shark vs the universe
Peter Solarz

★

Discoholic 🪩

roma★
🪼
KIROKAZE
trying on a metaphor

if i look back, i am lost
DEAR READER

tannertan36
taylor price
PUT YOUR BEARD IN MY MOUTH

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$LAYYYTER
Cosimo Galluzzi
noise dept.
ojovivo
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@jean-paul944
I‘m in 🍑
Thoughtcrimes
A Story
Once upon a time, a studious schoolboy with a busy mind read a book about Love, and Power, and Truth.
Our minds evolved long before literature. Stories are a mighty magic, capable of hijacking the cognitive machinery through which we understand the world. Hence the uncanny feeling that every novel is a true account of real people, experiencing events that actually happened.
We sat side by side on the scruffy sofa that occupied much of the remaining floor of my cramped student bedsit. In our hands, we each held a tatty copy of the same hallowed book.
For this special occasion we’d dressed almost identically in matching drab boiler suits. Cheap cotton outfits I’d bought online, discounted for a pair. They were intended for decorators, throwaway garments to keep off the paint and the grime, but to us they were more erotic than the laciest lingerie.
The only difference between our proletarian uniforms was she wore a bright scarlet sash around her waist. She resembled a gift haphazardly wrapped, even though the girdling fabric was really a symbolic chastity belt. She had gathered her hair into a short ponytail that was intentionally functional rather than styled to be pretty. Her utilitarian outfit concealed her femininity, but I still found her androgynous tomboy look achingly alluring.
“Chapter 3, page one-nineteen?” I asked.
It was agreed with a silent mutual nod. We read this section regularly. It was our favourite part of this particular love story. We had highlighted the passages we would speak, in places alternating rapidly between sentences, the narrative pinging between us like returns in a tennis rally.
“Julia was twenty-six years old. She lived in a hostel with thirty other girls…” I began, as if introducing a new speaker to the stage.
A short swish from a lurid yellow highlighter pen marked my cue on the page. The line beneath was unembellished in my copy, but highlighted in her favourite fluorescent green in hers.
"Always in the stink of women! How I hate women!” she interjected, uttering her complaint with just the right level of petty exasperation.
I loved hearing her say that, imagining her lying in her bunk, annoyed by the ambient tittering whilst longing to sniff the masculine musk of muscular men. But I couldn’t daydream, my cue followed immediately, which I hit without missing a beat: “... and she worked, as he had guessed, on the novel-writing machines in the Fiction Department.”
When I first read this paragraph, computers were slow and dumb, and the thought of machines writing books seemed fanciful nonsense. Now it seemed eerily prescient. Dystopia truly would be dawning when human beings began to relinquish the creation of art.
It was her turn to continue: “She enjoyed her work, which consisted chiefly in running and servicing a powerful but tricky electric motor. She was ‘not clever’, but was fond of using her hands and felt at home with machinery.”
“She could describe the whole process of composing a novel,” I continued, “from the general directive issued by the Planning Committee down to the final touching-up by the Rewrite Squad. But she wasn’t interested in the finished product.”
"I don't much care for reading," she chipped in, with a sigh.
“Books were just a commodity that had to be produced, like jam or bootlaces,” I added.
She began her own biography: “She had no memories of anything before the early Sixties, and the only person she had ever known who talked frequently of the days before the Revolution was a grandfather who had disappeared when she was eight.”
And I continued it: “At school she had been captain of the hockey team and had won the gymnastics trophy two years running. She had been a troop leader in the Spies and a branch secretary in the Youth League before joining the Junior Anti-Sex League.”
Then back to her: “She had always borne an excellent character. She had even (an infallible mark of good reputation) been picked out to work in Pornosec, the sub-section of the Fiction Department which turned out cheap pornography for distribution among the proles. It was nicknamed Muck House by the people who worked in it.”
“There she had remained for a year, helping to produce booklets in sealed packets with titles like Spanking Stories or One Night in a Girls' School, to be bought furtively by proletarian youths who were under the impression that they were buying something illegal.”
This was not just highlighted in my book, but carefully underlined too. It was a landmark passage. I’d first picked up this book as an impressionable schoolboy, expecting a cautionary tale of totalitarian fascism, only in that sentence to discover the existence of spanking pornography instead. Everything I thought I knew about literature changed in the space of a paragraph. It was the most mind-blowing book I had ever encountered.
I’d often lie awake, imagining what lurid tales might exist within those publications. In my mind, “Spanking Stories” published cautionary parables of mischief and punishment. Naughty girls and boys thinking they were oh so clever, as they embarked on their silly conspiratorial schemes. They’d always be caught, of course, and the third act of the story would be their well-deserved bottom smacking, and the chastely described aftermath as they sat on their soreness writing earnest confessions. There would be no mention of the arousing sensations the spankings produced, readers would imagine that themselves.
My young naive mind would wonder why the Party permitted titillating stories about spanking in particular. It wasn’t until I was more experienced that I realised those in charge were likely inherently sadomasochistic, and such a rigidly controlled society would be bound to eroticise naughtiness.
Besides, a publication about fucking sounded much too bourgeois. Accounts of making love were the kind of erotica intellectualist pseuds would read. Spanking Stories would be full of tales of strict rules, transgression, and punishment. What better way to glorify submission than make it the sole sexual outlet of the masses? Carefully crafted disciplinary stories would train the libido of the proles to yearn for the sting of the cane.
I came to see One Night in a Girls' School as an allegory. The school represented the novel’s repressive society in microcosm. Everything was a metaphor: the fences and the gates, the inescapable location, the regimented timetable, and the reams of rules and regulations that existed for “your own good”. I pictured the young women as dissidents, vivacious free spirits the Party was determined to tame, alongside those banished for refusing the salacious advances of the Party elite.
The published stories would place these rebels in a pressure vessel of arbitrary restrictions, subject to strict inspections of not just their uniforms but intimate abstinence too. Rote learning was taught here, not original thought. All spankings took place in public, with bottoms bared in front of watching classmates. Discipline was enforced by the wooden ruler, the leather strap, and the rattan cane. By the time lights were snuffed out every evening, every girl would be in bed with marks on her bottom, or thinking about them.
As the title suggested, night time was when the naughtiest misdemeanours occurred. Masturbation was of course forbidden, as was fornication with fellow pupils. So a common narrative was for the protagonists to try to sneak out of view, desperate for just enough privacy to explore their own bodies, or those of one another.
Melissa Benoist
Which movie?
Getting You Into Trouble
I've so many scenes I'd love to roleplay. I've even got a list of them, I've been meaning to turn it into a series of posts, it's already several pages long.
As I've played the role of stern disciplinarian countless times, there's an allure to playing something entirely different. When I compiling my list, it was clear there are more archetypes to inhabit than just naughty subs and strict punishing doms.
What if I was to play the part of a naughty boy who wrote an outrageously filthy spanking story? What if I gave said story to my girlfriend, and when she was bored, she took out what I'd written and started reading it in class?
Those filthy words would get her all flustered, and she'd inevitably be caught red-fingered. The outcome is she's sent to the strict headmistress to be deal with - and told to bring the pages of my story along to show her.
Out of a sense of noble responsibility, I accompany my classroom crush to the disciplinarian's office, and to my surprise, I'm permited to stay. Naturally, Miss makes my girlfriend read aloud the story I wrote, commenting and critiquing as she listens.
I can see Miss suppress the expressions that would show what she was really feeling, but it's clear she's enjoying my naughty story every bit as much as the girl I gifted it to. Eventually she finishes reading, and it's time for her to get the bare bottom spanking she deserves.
Miss permits me to stay, but on condition I prepare my own girlfriend for her spanking! She has to put her hands on her head as I untie her laces and slip off her shoes, and keep them there as I unbutton and remove her skirt.
A blush turns her whole face pink as I kneel in front of her crotch. She knows the inevitability of what will happen, screwing her eyes shut in embarrassment as my fingers enter the elastic at her waist. I tug her panties down her thighs slowly, almost reverently, encouraging her to step out of them when I guide them over her feet.
Miss hands me a tissue and tells me to wipe my girlfriend and report her wetness. I do as I'm told, standing behind her, reaching around her hips to place the tissue on her mound. I slowly slide it between her legs, all the way to her bottom hole. I report back that she's soaking wet, but her bum seems to be clean. I am commended for my thoroughness.
Now Miss tells my girlfriend to sit on her desk, her feet dangling just off the floor. My task is to lift her feet upwards, until they're level with her hips, then keep raising them until she leans backwards. Eventually, she's lying on her back on the desk, and I'm holding her feet in the air, looking down upon her glistening slit.
I'm told to move around the desk, so I'm standing behind her head, and guide her feet backwards so her shins are resting on my shoulders. Now her upturned bum can receive the attention of the wooden ruler Miss keeps especially for naughty girls.
I watch her spanking between her raised legs, looking downwards into her wide sparkling eyes. I'm sure I can decipher the message she's sending me: look at trouble you've got me into. I am indeed looking, extremely closely, I wouldn't want to miss a moment.
My gazes flicks between her sticky slit, her reddening bum, and the continuingly changing expressions on her pretty face. Sometimes I see her face contort in pain, other times I recognise the delirious detached expression of bliss. It's fortunate I still have my trousers on, otherwise my erection would be poking through her hair, trapped between the top of one ear and the side of her head.
Technically, I haven't done anything wrong, it's not against school rules to exercise one's imagination, so my own bottom should be safe. But strict headmistresses can be capricious, and this one might find an excuse.
Perhaps my indignant girlfriend might let slip the naughtiness I get up to. Or maybe Miss will spot the obscene bulge at my crotch, with my hands occupied holding up legs, I'd have no way to conceal my own naughty secret.
Putting on this costume would be quite a different character to who I usually am. Normally I'm in control, not anyone else. It would be exciting to facilitate a spanking - to witness it, rather than deliver it. There'd be a different dynamic to roleplaying a scene with three different minds, an opportunity to see where our collective improvisation might take us all. The greatest fun happens when we give ourselves the chance to be delightfully surprised.
Sorry for getting you into so much trouble.
Revealed.
Sir, I was wondering what your thoughts were about a girl masturbating with a mirror in front of her pussy, seeing her dripping slit and wet hole. Using a rabbit vibrator, edging herself, enjoying the wetness dripping out, her shaking lips, her horny clit. Should she be punished, should she be rewarded?
Rewarded. I think playing with legs spread in front of a mirror is absolutely the right way for a girl to masturbate.
Naughty girls masturbate under the covers, as if they've got something to hide. Or with their faces buried in their pillows, as if they're already concealing their guilty blushing faces. Or naughtiest of all, whilst staring at a screen, masturbating to the sight of other girls' pussies rather than her own.
Good girls know they have nothing to hide. Even if she's playing alone, watching herself in a mirror feels like practicing for a future moment when she'll perform in front of someone else.
Good girls know their pleasure is incidental to obeying their instructions, and putting on a good show. It is important for a girl to know how her body responds to stimulation - and with the faintest touches too. She should be able to come without a vibe, training herself to reach the brink by barely touching herself at all.
She might be told: "I want you to play in front of me, and climax in exactly ten minutes. Then I'm going to spank you."
Or maybe she'll be told to spread herself for inspection, then given exactly ten minutes to come just after she's received a smacked bottom. That's when all that practice in front of the mirror pays off.
A good girl should play to train herself rather than chasing the transient rush of orgasms. In doing so she'll develop the sexual confidence to expose herself unashamedly, and put on a seductive performance that will set her audience's lust ablaze.
So I hope those reading will keep this post in mind the next time they feel the urge to satisfy the throbbing between their legs.
Best possible answer
Why our fantasies are more than naughty stories in our heads
What do others fantasise about?
Just thinking about the possibilities is strangely fascinating, isn't it? Part of us longs to peer into the most intimate corners of others’ minds, whilst another wants to be reassured that we’re not quite as weird as we’ve always secretly feared.
According to a survey by a prominent sex researcher, the seven most popular categories of sexual fantasies are as follows:
Intimacy with or in front of strangers
BDSM / Power play (domination and submission, spanking, rough sex)
Novelty, adventure, and variety (sex toys, new locations, role-playing)
Taboo and transgressive sex (e.g. voyeurism, exhibitionism, promiscuity)
Passion, romance, and intimacy (feeling wanted, attention, love and lust)
Non-monogamy and partner sharing
Erotic flexibility (going beyond expected roles, e.g. cross-dressing, switching)
I wanted to explore why some fantasies resonate with us far more than others — and also answer the question: why do we actually fantasise at all? I hope you'll find the resulting essay interesting, reassuring, and inspiring.
Wonderful!
We perfectionists should be kinder to ourselves
An excerpt from a new essay about strictness and perfectionism:
Even if kink isn’t their thing, an individual with a strict mind is likely to be self-disciplined, rule-oriented, and control-focused. They’ll want to impose structure on themselves and value it in their environments. They yearn for clear boundaries, and clear thresholds of what’s good enough. They thrive on consistency, and see strictness as a virtue.
So it’s not difficult to see how such a mindset could influence an individual’s needs for intimacy, where their affinity for strictness is manifested as a fascination with power, discipline, and erotic rituals.
In perfectionists, strictness is directed inwards, it’s like being subject to a relentless inner taskmaster. But this chronic self-imposed pressure needs a safety valve. Even if ambitions are channelled into accomplishments, the tension still builds, as our strict internal demands do not come with an off switch.
Perhaps that’s why taking charge - or letting others take charge - is so erotic for so many. During intimacy we yearn to turn the volume of our brain down, to get relief from having to make complicated decisions, the ones that leave us wondering if we've chosen the right thing, or just made others cringe. It's hot to be able to say to someone: take my hand, and don't worry about a thing.
Eroticising our inner strictness, either by taking control of a consenting partner, or submitting to somebody we trust, gets us out of our own heads. It transmutes a source of potentially hazardous stress into a powerful erotic energy within a consensual game. This act of subversion gives us ownership over what would otherwise intimidate us.
My pet theory is those who love spanking like to eroticise failure or flouting expectations, it’s just we call it ‘being naughty’.
A sexually dominant person can find considerable satisfaction in enforcing rules and being strict with someone other than themselves. The rituals of spanking appeals to their love of order, turning discipline into an act of sensual expression. They enjoy the theatre and choreography that comes from playing with power and control.
Likewise a sexually submissive person might yearn for someone else to take charge, and liberate them from the oppressive pressure of their own strict mind. They enjoy the bliss of being able to turn off their busy brains for a while, and enjoy the physical sensations of their own bodies instead. For such folk, a spanking is far more than slaps on the bum, it’s a catharsis.
Oh my goodness, the full essay is absolutely phantastic!!!
Do you think you forget how much spankings actually hurt if you don't experience them yourself?
I'd say no, because inflicting agony has never been my thing. I'm not a sadist, I personally don't think a spanking has to be excruciating to be satisfying. I'd much prefer to give a spanking that was thrilling than one that truly hurt, that wouldn't turn me on at all.
So I've never spanked anyone more than they were comfortable. To stay on the right side of that line requires open communication and continuing consent. I'll often ask: how does that feel? And I love telling partners to beg me for more.
I can't imagine a spanking being conducted where the only sound is that of the smacks. Spanking should be a two-way dialogue, so it remains enjoyable and satisfying for all involved.
The joy of sex is being able to vicariously experience intimate things up close, that we may not personally experience ourselves. I don't have a vagina, but know exactly how to pleasure one in a wide variety of ways. The only way to establish sexual expertise is from candid feedback: by doing, and talking, then doing it better next time.
So I think I've a pretty good understanding of just how sore a spanking can be, because everyone I've ever spanked has told me exactly, and I just love to hear all the exquisite details.
Reflections
I discovered something quite unexpected when I began writing. I realised that it became so much easier to understand myself, and my own desires, when I extracted them from inside my head, and expressed them in words.
I'd been fantasising about kinky scenarios from an early age, but it was only decades later, after I began writing them down, that I realised spanking was my sexuality, and not just some whimsical interest.
Some people think they can look inside and understand themselves purely by thinking, but I think they just end up deceiving themselves. Clarity only comes through words, when we see what we've written unambiguously in front of us - because only then do we have the necessary cognitive distance to walk around it, and critique it.
Meta-thinking - or thinking about thinking - requires a change of perspective. We benefit from fixing transient thoughts into something more permanent, so time can pass and we can look back upon them with fresh eyes.
I realised I can't introspect into my own mind directly, I need to convert thoughts and emotions into words first. Recently a friend sent me a quote by CS Lewis that expresses this notion perfectly:
"I do not sit down at my desk to put into verse something that is already clear in my mind. If it were clear in my mind, I should have no incentive or need to write about it. We do not write in order to be understood; we write in order to understand."
I think that's excellent advice, for anyone struggling to understand any subject, from how the world works, to explaining peculiar aspects of ourselves.
So if you feel confused about the nature of your own desires, you should write about them. You do not need to publish them, just get them out of your head, and onto a page or screen in front of your eyes. You may be surprised.
When we think of writing, we think of storytelling, because that's how we first encounter it. Stories are how we consume most of the words we read. Yet writing is also a mental mirror, and in our words we can finally see and appreciate the complexities of our own reflection.
Taming the Wasteland - A Fallout 4 Adventure
Book 2 in the Companion Series
Boston 2287. Two hundred years after a nuclear war destroyed mainland USA, and the civilisation that had emerged from the rubble was anything but civilised. The Commonwealth, post nuclear apocalypse, was a wild and unruly place to live. Many armed and dangerous bands operated with almost complete impunity within the state of Massachusetts. Law and order was non-existent. Some claimed a higher cause, others were in it just for the gain, but the one thing all these roaming groups had in common was that they were unhinged, ruthless and fanatical. In order for most normal folk to survive, people had to take up arms of one sort or another and death was a regular and everyday threat for most inhabitants of Boston and the outlying areas.
For Nate, Curie, Cait and Piper, the answer to this everyday threat was to form into a tight knit, well trained military unit. Helping out wherever they could, they soon gained a reputation as a team able to get jobs done. What began as a few errands to earn desperately needed currency in order to survive in this chaotic wasteland, soon became broader quests for the greater good.
Chapter List:
Chapter 1 - Deployment
Chapter 2 - Harem
Chapter 3 - Room Mates
Chapter 4 - Where is Home?
Chapter 5 - Olivia
Chapter 6 - Sanctuary
Chapter 7 - Rubbing Shoulders
Chapter 8 - The Benefit of Science
Chapter 9 - Taking your Medicine
Chapter 10 - The Brotherhood Reimagined
Chapter 11 - The Secret Synth
Chapter 12 - Benevolence Squared
Chapter 13 - From Top to Bottom
Chapter 14 - Different Strokes
Chapter 15 - Heather
Chapter 16 - Laying it Bare
Chapter 17 - Asking Nicely
Chapter 18 - It's Complicated
Chapter 19 - Panic!
Chapter 20 - Forewarmed
Chapter 21 - A Little Bit Hazy
Chapter 22 - Black and Blue
Chapter One - Deployment begins below