Carroll Borland as Luna.
Mark of the Vampire, 1935.

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Carroll Borland as Luna.
Mark of the Vampire, 1935.
eric lodwick, 2008
You can’t have it all - Barbara Ras
But you can have the fig tree and its fat leaves like clown hands gloved with green. You can have the touch of a single eleven-year-old finger on your cheek, waking you at one a.m. to say the hamster is back. You can have the purr of the cat and the soulful look of the black dog, the look that says, If I could I would bite every sorrow until it fled, and when it is August, you can have it August and abundantly so. You can have love, though often it will be mysterious, like the white foam that bubbles up at the top of the bean pot over the red kidneys until you realize foam’s twin is blood. You can have the skin at the center between a man’s legs, so solid, so doll-like. You can have the life of the mind, glowing occasionally in priestly vestments, never admitting pettiness, never stooping to bribe the sullen guard who’ll tell you all roads narrow at the border. You can speak a foreign language, sometimes, and it can mean something. You can visit the marker on the grave where your father wept openly. You can’t bring back the dead, but you can have the words forgive and forget hold hands as if they meant to spend a lifetime together. And you can be grateful for makeup, the way it kisses your face, half spice, half amnesia, grateful for Mozart, his many notes racing one another towards joy, for towels sucking up the drops on your clean skin, and for deeper thirsts, for passion fruit, for saliva. You can have the dream, the dream of Egypt, the horses of Egypt and you riding in the hot sand. You can have your grandfather sitting on the side of your bed, at least for a while, you can have clouds and letters, the leaping of distances, and Indian food with yellow sauce like sunrise. You can’t count on grace to pick you out of a crowd but here is your friend to teach you how to high jump, how to throw yourself over the bar, backwards, until you learn about love, about sweet surrender, and here are periwinkles, buses that kneel, farms in the mind as real as Africa. And when adulthood fails you, you can still summon the memory of the black swan on the pond of your childhood, the rye bread with peanut butter and bananas your grandmother gave you while the rest of the family slept. There is the voice you can still summon at will, like your mother’s, it will always whisper, you can’t have it all, but there is this.
My Cat, Keiko Hiratsuka Moore.
𝐓𝐡𝐞𝐫𝐞 𝐚𝐢𝐧'𝐭 𝐧𝐨𝐭𝐡𝐢𝐧𝐠 𝐈 𝐜𝐚𝐧 𝐝𝐨, 𝐧𝐨𝐭𝐡𝐢𝐧𝐠 𝐈 𝐜𝐚𝐧 𝐬𝐚𝐲 𝐓𝐡𝐚𝐭 𝐟𝐨𝐥𝐤𝐬 𝐝𝐨𝐧'𝐭 𝐜𝐫𝐢𝐭𝐢𝐜𝐢𝐳𝐞 𝐦𝐞 𝐁𝐮𝐭 𝐈'𝐦 𝐠𝐨𝐢𝐧' 𝐭𝐨 𝐝𝐨 𝐣𝐮𝐬𝐭 𝐰𝐡𝐚𝐭 𝐈 𝐰𝐚𝐧𝐭 𝐭𝐨 𝐚𝐧𝐲𝐰𝐚𝐲 𝐀𝐧𝐝 𝐈 𝐝𝐨𝐧'𝐭 𝐜𝐚𝐫𝐞 𝐣𝐮𝐬𝐭 𝐰𝐡𝐚𝐭 𝐩𝐞𝐨𝐩𝐥𝐞 𝐬𝐚𝐲. 𝐈𝐟 𝐈 𝐠𝐨 𝐭𝐨 𝐜𝐡𝐮𝐫𝐜𝐡 𝐨𝐧 𝐒𝐮𝐧𝐝𝐚𝐲 𝐓𝐡𝐞𝐧 𝐬𝐭𝐚𝐲 𝐨𝐮𝐭 𝐬𝐰𝐢𝐧𝐠𝐢𝐧' 𝐚𝐥𝐥 𝐧𝐢𝐠𝐡𝐭 𝐌𝐨𝐧𝐝𝐚𝐲 𝐀𝐢𝐧'𝐭 𝐧𝐨𝐛𝐨𝐝𝐲'𝐬 𝐛𝐮𝐬𝐢𝐧𝐞𝐬𝐬 𝐢𝐟 𝐈 𝐝𝐨. 𝐌𝐲 𝐦𝐚𝐧 𝐬𝐚𝐲 𝐡𝐞 𝐚𝐢𝐧'𝐭 𝐠𝐨𝐭 𝐧𝐨 𝐦𝐨𝐧𝐞𝐲 𝐀𝐧𝐝 𝐈 𝐬𝐚𝐲 𝐡𝐞𝐫𝐞, 𝐭𝐚𝐤𝐞 𝐚𝐥𝐥 𝐦𝐢𝐧𝐞, 𝐡𝐨𝐧𝐞𝐲 𝐀𝐢𝐧'𝐭 𝐧𝐨𝐛𝐨𝐝𝐲'𝐬 𝐛𝐮𝐬𝐢𝐧𝐞𝐬𝐬 𝐢𝐟 𝐈 𝐝𝐨. 𝐖𝐞𝐥𝐥, 𝐦𝐲 𝐝𝐚𝐫𝐥𝐢𝐧𝐠, 𝐭𝐡𝐞 𝐰𝐚𝐲 𝐭𝐨 𝐝𝐨 𝐈𝐬 𝐝𝐨 𝐣𝐮𝐬𝐭 𝐚𝐬 𝐲𝐨𝐮 𝐩𝐥𝐞𝐚𝐬𝐞 𝐀𝐧𝐝 𝐦𝐨𝐬𝐭 𝐭𝐢𝐦𝐞𝐬 𝐭𝐡𝐞 𝐨𝐧𝐞𝐬 𝐭𝐡𝐚𝐭 𝐬𝐪𝐮𝐚𝐰𝐤 𝐖𝐞𝐥𝐥, 𝐭𝐡𝐞𝐲'𝐥𝐥 𝐠𝐞𝐭 𝐝𝐨𝐰𝐧 𝐨𝐧 𝐭𝐡𝐞𝐢𝐫 𝐤𝐧𝐞𝐞𝐬.
Cher wears costumes through the ages, from Eve with her apple to disco era Cher, while performing the song Ain't Nobody's Business (If I Do) on the television special Cher...and Other Fantasies, originally broadcast by NBC on March 7th, 1979. This four minute number featured nineteen costumes, all designed by Bob Mackie.
Cher does fashion history
Why do I get some of my best work done in bars
Dresses
Issey Miyake, 1997
The Kyoto Costume Institute
was looking up 50s fashion for writing reasons and i CANNOT get over the outfits these girls are rocking
- This is bobby soxer fashion that originated in the 1940s, not 50s. Specifically, this 2016 Tumblr post attributes this photo to Life magazine in 1947
- The style was not considered masculine in its time (for commenters remarking on crossdressing laws); pants had been mainstream women’s fashion since the 30s and especially during WWII due to women in factory work. This was an extremely popular style associated with fans of popular music performers like Frank Sinatra. It was a teenage style in particular; the 40s saw the number of girls attending secondary school rise substantially, as did the number of teens with disposable incomes.
It’s fascinating to me that people under 30 are looking at very trendy look today and seeing gender nonconformity. It says more about what we consider “feminine” clothing to be today (Revealing? Low necklines? Translucent? Form-fitting? Curve-enhancing?) than the image itself.
Sibui Nazarenko with architecture in “Stile Brit” for Grazia Italy, October 2018. Photograph by Sven Bänziger.
“Giacca in cotone spigato (Freddy, € 139) su kilt in cammello, stola in cammello su base di seta (tutto Max Mara).”
Bert Hardy. A young couple hold hands outside the Granada Cinema, 1st April 1957.
Christopher Lee in “Dracula has risen from the grave” (1968) directed by Freddie Francis for Hammer Films (with Veronica Carlson in the background)
Kate Bush, 1980′s
How does anyone become anything. I just don't see it other than through platitudes such as "practice each day" or "be patient." The moment will pass, or has already, when you think you have a shot at becoming. And then what will I be?
Photo by Stephen Shore, 1969
Stephen Shore, Self Portrait, 1976
Whyn Lewis.