#49: Obsession (2025, dir. by Curry Barker)
almost home

titsay
EXPECTATIONS
Sweet Seals For You, Always
Stranger Things
𓃗
NASA

Product Placement
art blog(derogatory)
cherry valley forever
Game of Thrones Daily
Jules of Nature
Monterey Bay Aquarium
RMH

izzy's playlists!
Cosimo Galluzzi
Aqua Utopia|海の底で記憶を紡ぐ

★
I'd rather be in outer space 🛸
hello vonnie
seen from Brazil

seen from South Africa

seen from Germany

seen from Singapore

seen from United States

seen from United States
seen from Japan
seen from Netherlands

seen from France
seen from United States

seen from Italy

seen from Argentina
seen from Poland

seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
@jerichopalms
#49: Obsession (2025, dir. by Curry Barker)
#48: Backrooms (2026, dir. by Kane Parsons)
RYAN GOSLING as DRIVER and RYLAND GRACE DRIVE (2011) // PROJECT HAIL MARY (2026)
#47: Death of a Unicorn (2025, dir. by Alex Scharfman)
*The Twilight Saga: Breaking Dawn - Part 2 (2012, dir. by Bill Condon)
Snow White and the Huntsman (2012, dir. by Rupert Sanders)
*The Twilight Saga: Breaking Dawn - Part 1 (2011, dir. by Bill Condon)
*The Twilight Saga: Eclipse (2010, dir. by David Slade)
*Project Hail Mary (2026, dir. by Phil Lord & Christopher Miller)
*Centurion (2010, dir. by Neil Marshall)
*True Lies (1994, dir. by James Cameron)
*Beverly Hills Cop (1984, dir. by Martin Brest)
*The Fugitive (1992, dir. by Andrew Davis)
Once upon a time there were three very different little girls who grew up to be three very different women with three things in common: they're brilliant, they're beautiful, and they work for me. My name is Charlie.
Lucy Liu, Cameron Diaz, and Drew Barrymore as: CHARLIE'S ANGELS (2000)
"CLUELESS" 1995, dir. Amy Heckerling
Ocean, don't be afraid. The end of the road is so far ahead it is already behind us. Don't worry. Your father is only your father until one of you forgets. Like how the spine won't remember its wings no matter how many times our knees kiss the pavement. Ocean, are you listening? The most beautiful part of your body is wherever your mother's shadow falls. HEre's the hosue with childhood whittled down to a single red trip wire. Don't worry. Just call it horizon & you'll never reach it. Here's today. Jump. I promise it's not a lifeboat. Here's the man whose arms are wide enough to gather your leaving. & here the moment, just after the lights go out, when you can still see the faint torch between his legs. How you use it again & again to find your own hands. You asked for a second chance & are given a mouth to empty out of. Don't be afraid, the gunfire is only the sound of people trying to live a little longer & failing. Ocean. Ocean— get up. The most beautiful part of your body is where it's headed. & remember, loneliness is still time spent with the world. Here's the room with everyone in it. Your dead friends passing through you like wind through a wind chime. Here's a desk with the gimp leg & a brick to make it last. Yes, here's a room so warm & blood-close, I swear, you will wake— & mistake these walls for skin.
"Someday I'll Love Ocean Vuong" by Ocean Vuong from Ink Knows No Borders: Poems of the Immigrant and Refugee Experience
Below the willows while they wept, the sun swept its faceless face down the edge of the river. Ducklings tailed the twilight light, vanishing quickly, toward the horizon where, it seemed, even truth and beauty vanished. Below the darkness darkening, quickly still, the bees mistook for forsythia and tulips the lips of paper cups trembling, nearly toppling in the evening wind, half-filled with wine from the cliffs of a country faraway where the monks, having day after day tasted the soil and the rain, insisted the grapes contained, in each form, each body and mind willfully, though rarely willingly, revised and, night after night, devised from an idea, the seed of it. We, to that end, could taste and experience everything everything had been and been through. Did you? I've begun to believe the present, like the shadows on the water, twisting, doesn't have to be a form the past took. The past has taken so much. Must there be more to give, to give back, to get on, or away, from this? My memory moored me. Lifting, now, my cup to yours, my eyes to yours in the light cast by the dark, I don't know if I can be known like that. Fresh snow. Clouds of smoke. Flight without wings. Tower. Kings demanding another story. Another dawn, sleepless, donning another little death. Hooves of death I couldn't stop for running through me until I was run through, laid like a feather- blade, raw and bloodied. Blade made sharp by a throat. From that eternity I found my way here less because and more in spite of, to spite the land and the hands I'd been dealt. Soil and rain and wind, blazing and billowing, like the cloak a saint wore to put out a candle in a cathedral that will burn: my spirit persisted despite resistance. How could I let the past be fused, perpetually, inside me? Perhaps it's true, and I'm too selfish, wanting all the credit, to savor the beauty of not having saved myself entirely by myself. Will you look at that? Our cups are empty. Here. Let me. Let's see.
"Terroir" by Paul Train from You Are Here: Poetry in the Natural World edited by Ada Limón