Opinons on Going Home Again
Just a heads up, this is a critique of a comic featuring both Maiko and Jinko interactions. It will be in support of both ships, but critical of the writing surrounding them.
Going Home Again was intended to bridge the gap between Crossroads of Destiny and The Awakening. It builds up to Zuko deciding to return to the Fire Nation, with a plot centered on establishing the Maiko relationship. Showing us Zuko and Mai's first date is a good premise, in my opinion, but unfortunately the execution was more irritating than heartwarming.
To get the continuity error out of the way: Azula calls Zuko "little brother" near the end. Depending on how easy it is for you to ignore things like this, it's a hit to the comic's canonicity.
Moving on, the inclusion of Jin and the Firelight Fountain as a plot event invites comparison between the Maiko and Jinko dates. "Comparison is the thief of joy," as they say, and in this case the thief of romance, but since the comic brought it up, let's take a look:
Jin asks Zuko (as "Lee") on a date. Iroh accepts on his behalf. >< Ty Lee and Azula set up a dinner date for Mai and Zuko and trick them into attending.
At dinner, Zuko makes awkward conversation and has to lie about his identity. >< Zuko and Mai are annoyed by the situation.
Jin wants to show Zuko part of the city that she loves, the Firelight Fountain. >< Mai and Zuko agree to leave the dinner together, as they're uncomfortable being spied on by Azula and Ty Lee. They somehow end up in a middle or lower ring marketplace next to the Firelight Fountain.
Jin is disappointed that the fountain's lanterns aren't lit. Zuko lights them for her. >< Mai says the food looks gross, while Zuko gives it a mild defense. They bump into Jin.
Zuko smiles at Jin's reaction and they enjoy the scene together. >< Mai is intrigued by Zuko's alias as he claims that Mai is also a circus performer. She plays along and demonstrates her knife throwing skills, even giving Jin a try, which knocks Zuko into the fountain. Mai says they're "even" now.
Jin makes a move and Zuko abruptly gifts her a teashop coupon. Jin thanks him and says she'd like to give him something as well. >< We cut to "seconds later" with Mai and Zuko fleeing the scene. They have a slight discussion of the past and their feelings.
Zuko pulls away and leaves Jin at the fountain with "it's complicated." He slams the screens on Iroh at first, but quietly tells him "it was nice." >< The next day, Zuko is still conflicted about returning to the Fire Nation. Azula baits him with the prospect that Iroh may not survive the trip and tells him to say goodbye to his "girlfriend." Zuko finally makes the decision to board the boat.
What stands out to me is that the Maiko date is intruded upon by other people more often than not. While Jin and Zuko's interactions weren't entirely private (Iroh, the restaurant staff and other patrons), the focus was mostly held between the two of them. Azula's plotting and the Jin cameo rob Mai and Zuko of time to strengthen their unique connection. The most romantic moment, when they are finally focused on each other alone, relies heavily on Zuko and Mai having a preexisting (pre-romantic) relationship.
Mai's crush is well-established, whether or not Zuko had one is vague, but the point I'm trying to make is that the comic didn't explore anything new, with the changes they've undergone only getting a brief mention. This date doesn't detract from their arc in the animation, but it sadly adds nothing as well. The greatest wasted opportunity is that it doesn't address what would've made the kiss in The Awakening feel less surprising: the development of Zuko's interest in Mai. We are never given the reasons why he becomes so close to her so quickly, not even basic teen melodrama ones, which is why it's doubly unfortunate that Zuko's experiences on the date came across as generally negative. In my opinion, Mai and Zuko not only deserved a beautiful and interesting first date that suited their dynamic, but also one that would convincingly make a continued relationship enticing to Zuko, since that is clearly part of the narrative here.
Meanwhile, The Tale of Zuko is robbed of any value or meaning. Jin isn't here to get some resolution for the date, or as a nod to what is going on for the average person in Ba Sing Se during the takeover. It's fine that the writer was disinterested in these things, but including Jin in this way turns her into a gag character akin to the Cabbage Merchant. Absurd humor was neither her main purpose, nor why The Tale of Zuko left an impression on viewers. With a generous reading, Jin's comic writing doesn't feel entirely devoid of character.
With a not-so-generous reading, her reactions and emotions are dictated by getting to the 'punchline' as quickly as possible, with no interest in crafting a meaningful interaction between her, Zuko, and/or Mai. Her role here revolves around the 'Lee is a circus performer' lie, and not the fact that she and Zuko went on a date with a bittersweet ending. The Firelight Fountain is no longer the site of a standalone, romantic moment where Zuko's warm heart is allowed to shine. It is turned into a joke at his expense. And if it wasn't clear that Jin's cameo was non-essential before, no effort is put into writing her out of the scene - it just cuts ahead to Mai and Zuko's moment alone. The Jinko date not being acknowledged at all would be preferable to this.
Maiko get a first date that does not make how quickly they got together feel more plausible. Jinko get a cameo that weakens Jin's first appearance and a fan favorite episode. The only positive I took away from this comic was more moments showing how deeply Zuko cares about Iroh, which was neither the point of the comic, nor something I needed addressed in spin-off material.