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“Hell and Heaven” released in Bangladesh as “Poramon 2” is a spiritual sequel to the 2013 romantic drama film “Poramon”. “Hell and Heaven” released to critical acclaim for a commercial film in Bangladesh. Then went on to become one of the highest grossing films to come out of Bangladesh.
Talking about issues of corruption, inefficient system, exploitation and hardships of lower caste and uneducated people, especially women furthermore touching upon environmental issues, the first film in Kurmali language, "Death Certificate" is an absolutely important film even though it can’t be called a very well crafted film.
An average and easily forgettable affair with plenty of better versions of the story already existing in Malayalam film Industry.
As a supporting actor, Dinesh Prabhakar has always been someone who can mirror the talent he acts against with. It is evident here in his first main role where his performance is considerably better with experienced actors rather than with amateur actors appearing in the village who are not convincing enough. Being the casting director himself, he should have been aware of his own strength and limits during the casting process.
We speak with Nila Madhab Panda about his latest film, "Dark Wind" (Kadvi Hawa), climate change and its consequences, Sanajy Mishra, and other topics.
We speak with Nila Madhab Panda about his latest film, 'Dark Wind' (Kadvi Hawa), climate change and its consequences, Sanjay Mishra, and other topics.
A compelling and darkly comical drama about climate change.
As a film about climate change, “Dark Wind” doesn’t give long expositions on the subject matter, but the atmosphere and the unravelling of the story show the problems. The only time it is actually mentioned is when a boy in school tells the teacher how he has only seen two seasons, the hot and cold ones rather than the four seasons that are being taught. Later Hedu agrees with the boy, noting that there was a time when there were four seasons.
While for most of the Indians this documentary may feel like a common depiction of the life in India, for someone uninitiated with the culture, this may look like a horror comedy.
While for most of the Indians this documentary may feel like a common depiction of the life in India, for someone uninitiated with the culture, this may look like a horror comedy. Though the directors have never looked upon it in a judgmental light, they have portrayed it as objectively as possible. The documentary never relies on anyone specific but rather presents many of the everyday chores, allowing the thoughts of the people involved to flow organically. While the objectivity helps towards an extent, the lack of such a focus occasionally feels like a futile exercise.
The best movies of 2017 from the various movie industries of India.
The best movies of 2017 from the various movie industries of India.
Changing Gender Discrimination in the Movie Industry | Rima Kallingal | ...
A multifaceted romantic thriller that paints a realistic and poetic tale of love among urban Malayalee youth.
The nights of Kochi have never been so beautiful in any other films before. Jayesh Mohan's cinematography captures the beauty and pathos of the lives of the protagonists juxtaposed through the backgrounds. The walks along the roads under the Kochi metro are hypnotically romantic. "Mayaanadhi" ("Mystic River") is a multifaceted romantic thriller that paints a realistic and poetic tale of love among urban Malayalee youth. Even when the survivor in Mathan fades the fighter in Appu remains fighting and hoping. The viewers are left with melancholy, ever haunted by the fates of characters from this world which is surreal and hyper-real at the same time.
A solid crime thriller which compromises a little for commercialization yet manages to be an impressive account of a brutal true story.
Theeran is a fictional character that has been inspired by real life Police officers. Karthi does an impressive job as the glorified hero Theeran and most of the film is carried by his character. Although at times the heroism is a bit too stretched that one may think that it would have been better if the sole focus of the narrative wasn't through the single character.
"Theeran Adhigaram Ondru" is a solid crime thriller which compromises a little for commercialization yet manages to be an impressive account of a brutal true story. As the title refers the film as Adhigaaram Ondru meaning Chapter One, there are chances of a sequel. But the Operation Bawariya story is finished here and since the character is fictional they can go on with a fictional story. Although, let us hope that it won't turn out like the atrocious "Singam" trilogy starring Surya, elder brother of Karthi.
The extraordinary performance of all the debutant actors and the local flavour of Angamaly makes "Angamaly Diaries" a very entertaining ride.
Although the plot isn't particularly new in any way, the approach in the script and direction makes it look fresh. Actor turned screenwriter Chemban Vinod Jose's first-time script has a clear understanding of how life in Angamaly should be portrayed and is perfect for the style of Pellissery. The approach akin to kitchen sink realism gave a grounded sense, nevertheless, the elements, giving the adrenaline rush worked well too. The extraordinary performance of all the debutant actors and the local flavour of Angamaly makes "Angamaly Diaries" a very entertaining ride.
“2046” portrays the chaos of lost souls who are looking for love from all the wrong places and their suffering when they can’t let go of the love they found which they neither get hold of.
“In the Mood for Love” showcased a hopeless love story, that which is lost even before its inception. “2046” portrays the hopeless attempts to overcome the repression of emotions by the repression of identity. Chow’s idealized love for Su, which he lost, lead him into a state in which he can’t stay true to his emotions. So he moves on without looking back only to look back at those who remind him of his lost love, which ultimately leads to the realization that he needs to let go of the past. Chow’s thoughts are further explored in the sci-fi world of his novel "2046". As each of the characters in his life is portrayed as a character in the novel, his real emotions towards them are exposed, as the writing progresses, even to him.
Yearning for love is a basic human emotion that has always been a consistent theme in Wong films. Even when doing action/biography films like "The Grandmaster", the film ends up more or less about love. “2046” portrays the chaos of lost souls who are looking for love from all the wrong places and their suffering when they can’t let go of the love they found or get hold of. Like every Wong film, “2046” is also at its best when the visual and musical motifs lead the viewers to feel what the characters are going through.
One day the apolitical intellectuals of my country will be interrogated by the simplest of our people
One day the apolitical intellectuals of my country will be interrogated by the simplest of our people. They will be asked what they did when their nation died out slowly, like a sweet fire small and alone…
A political satire that provides a realistic disillusionment on the government proceedings in India.
"Newton" shows that following rules exactly as they are, is almost impossible in India and most people already accept that idea. The show off in front of the media, especially the foreign ones is staged exactly targeting them. Through so many subtle commentaries and some straight questions, Masurkar has created a political satire that provides a realistic disillusionment on the government proceedings in India.
Dileesh Pothan continues to break the usual norms of Malayalam films.
Dileesh Pothan continues to break the usual norms of Malayalam films. He names his films in a way that makes people expect something and gives something else which is simpler yet wonderfully different.
A world of violent people whose lives are all interconnected with each other.
Yang Ik-June does a spectacular job writing, directing and starring as Sang-hoon in "Breathless". The almost pessimistic approach of the film is more complimented by its original Korean title "Ddongpari", which literally means "Shitfly".The film is said to be semi-autobiographical with inspirations for the story coming from the abusive childhood of the director. He even had to sell his house for the completion of this film, which shows how important this film was for him. The portrayal of raw violence in the film is so authentic and shocking that even while showing glimmers of hope the viewers are left with a pessimistic outlook towards the film. Almost in every single scene, there is some kind of use of cursing. The obscene language along with the violent and bloody nature of the film makes it a film that won't be suitable for every kind of audience.
A political satire in the disguise of a heist comedy.
The title "Varnyathil Aashanka" is an excerpt from the definition of metaphors in Malayalam. The film itself is a political satire in the disguise of a heist comedy, thus justifying the title. Sidharth Bharathan son of the late director Bharathan proves that he is a worthy successor to continue his father's legacy by making his best film yet.