DRB mixed media on wall size variable 2022
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The Bowery Presents
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Noah Kahan
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@jonascamposagrado
DRB mixed media on wall size variable 2022
Counterplay Movement found object casted in resin 2021
Rise and Fall: Decay of the Ruling Class
Fascism is a system of government indicated by far-right politics, absolute leadership, and forceful and violent suppression of criticism. It is often attributed to dictatorial regimes in their final stages of clinging to power. However, the truth behind fascism is the ever-going existence of class contradiction and private property.
It does not simply arise from nowhere, but from the sharpening struggle between the ruling elite who seek to maintain the status quo from which they amass wealth and power, and the masses who seek freedom from a system rife with inequalities and abuse. Fascism is a “need” perceived by those who own in order to defend what they have from those seeking the just distribution of those ownerships.
In the Philippine context, fascism came to be during the period of Spanish colonization. Spanish inquisitors and the friars and local landlords who connived with them used the “sword” – violence perpetrated by the guwardiya sibil – when the common peasant folk rose against land-grabbing and the harsh working conditions in the haciendas, and eventually formed the Kataastaasan Kagalang-galangang Katipunan ng mga Anak ng Bayan or the KKK.
American and Japanese colonizers also used fascism to crush the swelling nationalist movements which strived for national independence and freedom from colonial rule. They mobilized their troops and conspirators to destroy the democratic struggle of the Filipino people, and crush the Hukbo Laban sa Hapon (HUKBALAHAP), respectively.
Then, Ferdinand Marcos showed the most brazen display of fascism which made the Filipino people acutely aware of the concept of fascism. Thousands fell victim to forced disappearances, torture, intimidation, and harassment among other more gruesome things for fighting against anti-people policies and the worsening economic crisis brought by his term.
Presidents who succeeded his overthrow fared no better. Though they used a more roundabout approach, fascism continued through different faces. From Cory Aquino’s policy of “low intensity conflict” to Rodrigo Duterte’s EO70 which birth the NTF-ELCAC, thousands of workers, peasants, youth, women, national minorities, church folk, artists, and even lawyers who struggled for pro-people policies, democratic rights, economic benefits, government services, and ultimately foreign independence remined at the brunt end of fascism.
The pattern of using the armed machinery of the state against the critical masses, is a trend present in all stages of our country’s development. From colonization to Marcos’ dictatorship to the re-election of Marcos Jr. to office, fascism remains the policy of the ruling class. But the same can be said of revolution for the critical masses.
This show is the collaborative work of three artists which aims to show said pattern: a walk through the historical development of fascism by Tamer Karam, an exposition into the inner workings of fascism by Ian Marinda, and look into the solution to uproot the core of fascism by Jonas Camposagrado. The Philippine Labor Archive will also show how workers were at the forefront of the fight against fascism throughout history.
Self portraits 2015-2018
P@kyu, 2022
ARTISTS FOR ANAKPAWIS ART EXHIBITION Liwasang Diokno, Commission on Human Rights the exhibit opens on the Day of the Landless March 29, 2022, 4 PM Everyone is invited to attend the ARTISTS FOR ANAKPAWIS art exhibition. Featured are visual artists from diverse backgrounds — all supporting the advocacy for democratic rights of the toiling masses: land for the tillers, regular jobs, decent wages, shelter, and aid for the disenfranchised.
ArtistsForAnakpawis is a network of youth and cultural organizations that amplify the call for genuine agrarian reform, industrial development, national sovereignty, and social justice through our respective creative practices. We believe that a genuine representation of the Filipino toiling masses is needed in the legislative process. One, whose interests are for the rights welfare of farmers, workers, and the poor.
Resin Coaster, 2022
Sa Pagitan ng Gutom at Dahas clear cast resin size variable 2021
Sampaguita Gun, 2021
Estacion St. Makati, 2021
Sampaguita Gun, 2021
Pre-evil-edge Spray paint on decorative picture frame 3x4 2021
Pointless mixed media 15x15in 2021