My July playlist is here, just in time for September! Four hours of hits from Lana Del Rey, Iannis Xenakis, KISS, Cameo and everyone in between. Please enjoy.
This Is What Makes Us Girls - Lana Del Rey: This is a really underrated Lana song I think. It’s such a beautiful song and it’s so heartbreaking the way she sings “they were the only friends I ever had”. It’s like an origin story for her whole thing detailing how she got bitten by a radioactive pabst, I love it.
Walking Into Sunshine (Larry Levan 12" Mix) - Central Line: A powerful good mood song that quickly takes on a vibe shift near the end when he says I’ve got to do it now, I’ve got to walk into the sun’ which carries a different meaning than ‘walk into the sunshine’ to me. Embracing positivity versus self immolation in a nuclear furnace.
Fine di Cobb - Stelvio Cipriani: This is the most jamming harpsichord I think I have ever heard. This is from the soundtrack to an italian cop film called Mark il Poliziotto (Mark The Narc) that I found in a spotify playlist called Best Of Eurocrime that I cannot recommend enough. https://open.spotify.com/user/cinevox/playlist/1o3c0Con0ormlKc9r1gqxgSince
Last Wednesday - Highasakite: Highasakite might be the worst band name I’ve ever heard and they’re so lucky this song is as good as it is that it cancels that out.
Hilary $wank - Joey Bada$$: I was originally just going to post the instrumental of this because the beat it just so, so good. So busy without being cluttered and nicely melodic without clouding the space for the vocals. I also like this song a lot because just by virtue of being so upbeat it escapes the worst parts of a lot of other Joey Bada$$ 'real hip hop’ type songs that are going for a throwback vibe but end up just sounding dated.
Girls - Royal Headache: Girls! Think they’re too fine for me! Oh Girls! And I’m inclined to agree!
Something To Tell You - Haim: I’m slowly coming around to Haim’s second album and I’ve finally decided it’s good actually. I just hope they do a live album or something soon because their songs are so tightly structured that I think it’s almost to their detriment, and every live video I’ve seen of them they really pull them apart and expand them in a nice organic way that just doesn’t come through on the album.
Lavender - BadBadNotGood & Kaytranada: I can’t tell whether I like this orginal version or the Nightfall remix with Snoop Dogg better, the verses are just regular Snoop but the vocals they put on the chorus are so good I sort of wish there was a third version that was just them with some other rapper.
New Seeds - Boards Of Canada: Realising that the sound at the start of this is extrapolated from mobile phone interference was a shocking moment for me.
Alligator Engine - Hunters & Collectors: Hunters And Collectors early albums where they sounded like the Talking Heads of the Mad Max universe don’t get enough respect because of their huge regular sounding hits a few albums later and it’s areal shame because this song is pure primal funk.
Fly Like An Eagle - Seal: This is the song that plays on the little muzak speakers in the cryogenic chamber for the four minutes you’re still conscious while your body cools to absolute zero. Then you wake up in 400 years still humming it.
Come To Dust - Boards Of Canada: I was having such a huge moment with this album this month and lamenting the imminent end of our favourite earth The Earth, and this is really such a peaceful sort of resolute song right near the end of the album before the real ending of Semena Mertvykh makes you feel like a body dumped in the desert for scientific research into the nature of decomposition.
Kiss You All Over - Millie Jackson: I’m still not sure how I feel about this new Millie Jackson album that’s old multitracks re-mixed by Steve Levine. The whole thing sounds kind of whack. What’s good however, is when she adlibs “I wanna bite you on the ankles baby” out of nowhere near the end, and then says “on the ankles.. on the kneecaps..” as the song’s fading out.
The Sorcerer - Twain: My girlfriend sent me this song and I have no idea where she found it but I love it. As soon as I heard the opening line I was completely hooked. It’s such a beautiful and foreboding song that I really can’t get a proper read on, I love it.
Men Today - Health: I’m looking for a chrome extension that makes this song play at maximum volume whenever anyone makes a post containing the phrase 'men today’. Huge wall of noise. Bloodthirsty drums. All the dirt owns us now, what we were ends in the ground.
Where Love Lives - Frankie Knuckles: I’m eagerly awaiting the day coming soon that 90s piano house goes from naff to revered and rockets back up the charts.
Nein König Nein - DJ Koze: This is the B side to Seeing Aliens off of DJ Koze’s new album and I really love it, mostly for the groove it get into about halfway through, it reminds me of High Fidelity by Daft Punk where it’s just chopped to hell and builds these sort of disparate rhythmic cuts into a really melodic frankenstein.
Blush - Leon Vynehall: I think I found this song and the next one by Spotify Radio off of the DJ Koze song above. I got into a real groove at work one day and these two were the best two to come out of it. The bassline/strings melody that centres this whole song is so good and so circular it could feasibly play for two hours and I wouldn’t notice.
Last Land - John Talabot: The way the vocal sample just keeps bleeding into itself is hypnotising here, and it’s also maybe the best and most unique kick sound I’ve heard in a long time.
Suzinak - Ross From Friends: I almost feel bad for Ross From Friends because he’s making some really amazing music but he’s stuck with this dogshit soundcloud name. The Durutti Column sample that forms the basis of this song is really nicely placed without just feeling like a rip-off, but where this song really shines is in the last minute or so where it magically transitions into a crunching guitar driven thing that sounds like it’s playing next door.
Canary Yellow - Deafheaven: The most incredible thing about this album is the sense of optimism that pervades it. This isn’t a genre that really lends itself to hope or beauty but somehow Deafheaven have captured it in a way I didn’t really think possible. It feels like they’ve expanded the emotional palette of the whole genre with this album, without sacrificing any of what makes it great.
Strutter - Kiss: I had this song stuck in my head the other day, but I’d remembered it wrong and had it mixed up with the chorus of Lovers And Sinners by Dallas Crane. In my version he’s saying 'strutter’ the way they say 'lovers’. There’s an incredible song in there somewhere, but the original is pretty good too.
Lovers And Sinners - Dallas Crane: See above I guess. It’s interesting listening to Dallas Crane now as a new generation is reappraising and being inspired by pub rock all over again and somehow the difference between Dallas Crane and Jet versus Bad//Dreems and Peep Tempel couldn’t be more pronounced despite their shared roots. Where the former idolises the glamour of a bygone age of rock and roll the latter are reapprorating it in a more directly emotional, less flashy way.
Evryali - Iannis Xenakis: From what I understand from reading the wiki article on this piece this was generated by doing about five different kinds of extreme nerd graph maths and then turning that into music via more maths and when he finally turned up with the completed score it was so fucking stupid it had notes that don’t physically exist on a standard piano in it. Now that’s rock and roll. It’s hard to make sense of this without the context of its composition because it feels incredibly random, but this performance by Stephnos Thomopoulos really brings meaning to the total chaos of it. I think solo piano is such a good medium for generative-type works like this because it feels like the simplest way to see everything happening without the tonal clutter of synthesised or orchestral sounds muddying the already extremely muddy waters.
Easy Way Out - Money For Rope: I love bands with two drummers and Money For Rope really know how to use two drummers, which is simply use them exactly like you would one drummer but pan them left and right so I can hear when they do different fills at the same time and get a thrill. A really good song about killing yourself when you’re old(?)
Sophisticated Lady - Art Tatum: I’ve been having a big Art Tatum phase recently and it’s hard to overstate just how much I believe Art Tatum came from another planet to teach us about the piano. He is really and truly from another dimension. So off the charts insanely good at making a whole universe from a simple tune. It’s like every single note gets its own full trip around the block before he moves on.
Stay As Sweet As You Are - Art Tatum: This is an absolute odyssey in five minutes. Without ever losing focus, or losing track of the central theme, it’s like he takes it apart piece by piece and reassembles it anew every single bar right before your eyes.
No Line On The Horizon - U2: 2000s U2 gets a bad rap, and it’s mostly deserved but there’s still some very good stuff in there. This song is so good, and so nicely produced it’s a real shame that it opens the album that eventually contains Get On Your Boots.
Tools Down - The Presets: Not only is this song great, but they use the exact same synth sound as the one they used for Madeline’s voice in Celeste, which has the nice side effect of making it seem like Madeline is singing along to this great song.
Open Sesame (12" Version) - Kool & The Gang: I’ve definitely put this on my list before but this is probably the best song ever recorded. It’s incredible top to bottom for all 9 minutes and never fails to put me in a great mood.
Peril - Martin O'Donnell: I was thinking about the Halo 2 soundtrack and was shocked to remember correctly that this strange Enya knock-off made it into the highest selling game of 2004.
Drumgasm - Weiss/Cameron/Hill: I cannot belive I haven’t heard of this album before now. It’s Janet Weiss from Sleater-Kinney, Matt Cameron from Pearl Jam and Zach Hill all playing drums for 40 minutes and it’s incredible. I would never have expected Weiss and Cameron to be the sort of drummers to do something like this, but they absolutely nail it. The different styles of the three really meld well and they all seem to lead at different times. This album is the sort of thing that seems like it would be extremely exhausting, and probably would be in most circumstances but somehow they pulled it off. It’s engaging and for the most part, driven, purposeful music with direction; which is saying a lot for an album of three drummers just going absolutely hard as motherfuckers for most of an hour.
Apollo - St Paul & The Broken Bones: I love this song but the way he sings the first line makes me laugh because it sounds almost exactly like Drew Tarver’s Donny Gary character. https://www.youtube.com/watch?v=U9ArjvUUptw and I’m blessed to have this song about reusing mcdonalds cups play in my head every single time I’m in a mcdonalds.
Million Times Alone - Bad//Dreems: This is maybe the best song about working night shift and having depression I’ve ever heard. The part about sleeping in the day in the bright sun in a boiling hot house is an especially vicious sense memory for me.
Slow Mover - Angie McMahon: My girlfriend showed me this and I absolutely love it. I also feel extremely old because I just googled it and apparently it’s an Unearthed song that made the Hottest 100 this year and I didn’t even notice. The best approximation I can make of how I feel about this song is the google autocomplete when you google it that goes 'angie mcmagon slow mover meaning?’ and the top comment on the Genius page for it that says 'I cried my eyes out when I first heard this song.’
Drop The Bomb (feat. MF DOOM) - YOTA: Youth Of The Apocalypse: This is the new band from the non-Clash guitarist and bassist from Gorillaz, as well as Jamie Reynolds from Klaxons and I’m so glad it exists because the new Gorillaz album was such a snore and this really feels like what it should have been. Somehow it seems Damon Albarn is not the thing that makes Gorillaz great, it’s the other guys which is very very strange.
Word Up - Cameo: Mostly thinking about this song because of Carl Tart’s extremely good episode of Comedy Bang Bang where he spoke in the cadence of this and the other Cameo song for the whole episode https://www.earwolf.com/episode/word-down/
Lee - Tenacious D: I don’t know what’s going on but I got into a real Tenacious D thing this month. Thinking deeply about comedy music for some reason. Anyway this song is so much fun and it reminds me of Tony’s Theme by Pixies.
Tony’s Theme - Pixies: I love the idea of writing a nonsense song about your friend Tony, who you love, to put right in the middle of your otherwise pretty serious alt rock album. If you know any other songs in the genre of Lee and Tony’s Theme please reply and tell me them because I think it’s really funny genre.
Burning Down The House - Tom Jones & The Cardigans: I woke up one morning with the sound of Tom Jones singing 'strange but not a stranger’ in my head and it took me so much googling to find out it was this version of Burning Down The House that I was thinking of, without having heard it in probably ten years. I like that this song is ostensibly a duet but Nina Persson has such a thin voice and Tom Jones is the most powerful man to have ever lived that she’s sort of just automatically relegated to backing vocals by default.
Horseshoe Crabs - Hop Along: I heard about this from the Jason Mantzoukas What’s In My Bag video https://www.youtube.com/watch?v=ecfWVhz-wyc. I cannot believe how her voice sounds, it’s just incredible. The way she sings “baby’s heading home” at the start shocked me, it sounds like recordings of three different people cut together. It’s just amazing. I already loved this song a lot and then when I looked into it I found out it’s about Jackson C. Frank and it made me cry.
Long Wat - Khun Narin: This is another one I got from the Jason Mantzoukas What’s In My Bag video, it’s a Thai pschedelic street band and it’s quite simply the jam of a lifetime.
2087
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