Rue des Tilleuls, Les Thilliers-en-Vexin (Eure). Juillet 2015.

Origami Around

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I'd rather be in outer space 🛸

JBB: An Artblog!
Sweet Seals For You, Always

Discoholic 🪩
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Monterey Bay Aquarium
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Kaledo Art
Lint Roller? I Barely Know Her

shark vs the universe

❣ Chile in a Photography ❣
RMH

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2025 on Tumblr: Trends That Defined the Year

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@joshuabusick2
Rue des Tilleuls, Les Thilliers-en-Vexin (Eure). Juillet 2015.
@isuggesteatingtherich
Emily Kraus, Each in the other what each has to give, 2026
The meaning of life is just to be alive. It is so plain and so obvious and so simple. And yet, everybody rushes around in a great panic as if it were necessary to achieve something beyond themselves.
-Alan Watts
Title: Death: A Graveside Companion | Author: Joanna Ebenstein | Publisher: Thames Hudson (2017)
G. MacKenzie Bacon, On the writing of the insane, 1870
source
Haverst on Instagram
Salinas #3, Cádiz, Spain, 2013
Edward Burtynsky
Morgandale neighborhood of Milwaukee, WI
August 2025
Leicaflex SL2
Kodak Color Plus 200 [unedited]
1943 This is Harlem by Jacob Lawrence
Alexander Chee, quoting David Wojnarowicz, from Best American Essays 2022; “Foreward”
A quote from David Wojnarowicz, an artist and essayist who shaped me as much as any other, kept me company in 2021 as I made my choices. His friend the artist Zoe Leonard told him she feared her photographs of clouds were not up to the cultural moment of the AIDS crisis. He said to her, “Zoe, these are so beautiful, and that’s what we’re fighting for. We’re being angry and complaining because we have to, but where we want to go is back to beauty. If you let go of that, we don’t have anywhere to go.”
“Untitled (Face In Dirt)” (1990) by David Wojnarowicz ⦿ His final self-portrait, made while dying of AIDS-related illness.
Alice Neel, James Hunter Black Draftee, 1965
The palette of Hilma af Klint's Svanen (1915), extracted color by color (from the archive of Meditations in Color)
Hilma af Klint (Swedish, 1862-1944), The Parsifal Series, Group I, No 1. 2 October 1916. Watercolour and graphite on paper, 25 x 26cm.
Jasper Johns (vía Flags II | The Art Institute of Chicago)