How does this happen? And why didn't it happen to me?
wallacepolsom
Peter Solarz
$LAYYYTER
we're not kids anymore.
Fai_Ryy

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Kaledo Art

oozey mess

titsay

Kiana Khansmith

Andulka
Xuebing Du

Product Placement

Janaina Medeiros

izzy's playlists!

@theartofmadeline
No title available

ellievsbear

★
NASA

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@joyology
How does this happen? And why didn't it happen to me?
Three years
Love me like when you first thought you lost me Love me like when we first met Love, we’ve been together for years so love me like we’ve nothing to fear yet.
Monster Issues - An ongoing project :)
You can find more on my Facebook page
I'm afraid of having a daughter. Because right now she's just a bunch of bumps and hiccups. But in 2 months she'll be outside breathing air, drinking milk and getting bundled for Minnesota fall. In 9 months she'll be crawling, laughing and hearing May showers. Five years, the time I spent in college, and she will be off to school, nervous and excited. She'll make her own friends, mistakes and dreams. I know in 16 years she'll be behind the wheel, discovering freedom and responsibilites. And in 18 years from now she'll be creating the life she wants. I am a young woman of 24, not yet completely a mother. I feel the bumps and hiccups of an unborn daughter. So excited to meet this tiny person, but yet afraid. Because I know how it feels to blink and realize that the child I was, has already grown, and is growing a child inside. It happens too fast, so forgive me daughter, if I call you baby, forever.
Secrets of Survivors
He laid the book on the shelf instead of putting it back where he'd found it. Fifteen years later, it wore wine stains and curled corners like a favorite dress, worn in all the best places. He lifted the other books, dusted off their covers and set them on the desk. Deep in the back of the bookshelf laid one small rectangle, a clean punched-out corner, amidst the dust. Stretching to reach, he set the book down gently in the empty space and quickly hoisted the other books in front of it. It was now quarter to noon. The train would be pulling in, as it had so many years ago. The same one that carried Grandfather in. He was wild then, wiry white hair grown long and pulled into a tight ponytail at the nape of his neck, loose curls at his temples. Always smelling of oak and sweet pipe tobacco. Always with a small wooden creature to add to Samuel Parker's hand carved chest. Always met by Samuel's anxious arms swept around his neck. Samuel returned to the chair at his desk. His favorite carving, an Indonesian elephant sat beneath the amber lamp. The carvings he was proud of; it was the book he kept hidden. It had lived most of its life in his Grandfather's suitcase, traveling to Denmark, Pakistan, Ethiopia. It was cradled in leather and twine, tied neatly into a slipped buntline. But it was always secret, tucked away under the slacks and aftershave. Never spoken of, always met with bunched brows when questioned. So on the evening of Grandfather's funeral, as the wind picked up and the rain maliciously pounded against the fresh open ground, Samuel slipped into his Grandfather's study and found the book. Slipping the knot open, he lifted the first page, then the second, then he sat down. Dirty photographs, crumbled newspaper clippings, love letters worn from fingers dragged over them again and again. And the book itself, not much more of a book than a journal, scribbled from corner to corner, no room to breathe. The faces of his mother, but not his mother. Older, stronger, hair just a bit brighter. Photographs taken in rain forests, sail boats and with native people of lost tribes, baking meals in front of mud huts. Then Samuel's fingers reached the news stories, the same face, plastered large and above thick words, "Murdered?" "Death unknown," "Still searching for Adalee Parker." And the words written obsessively along the edges, "Adalee Parker, I will find you, even if it takes me all my life, I will search the world my love."
BitchSlap
let's pull off all of our rings
and say to our faces
what our fingers will sing.
Slaps.
Newest analog-turned-digital from Jeffrey James
haunting and beautiful. "half the sunlight in the world is your face and the other half seems to be erased"
Strange how we decorate pain.
Margaret Atwood, from Oh (via violentwavesofemotion)
Let's drink tea.
When I read students’ attempts at creative writing it is obvious immediately that most of them have not read much or widely. The aspiring writer must read everything he or she can to appreciate the myriad ways words are used and to what effect.
Julius Lester (via writingquotes)
Cheat Sheets for Writing Body Language
We are always told to use body language in our writing. Sometimes, it’s easier said than written. I decided to create these cheat sheets to help you show a character’s state of mind. Obviously, a character may exhibit a number of these behaviours. For example, he may be shocked and angry, or shocked and happy. Use these combinations as needed.
by Amanda Patterson
The Arabian: SS1
Short story challenge today. Message me if you'd like to join!
Gray days were any days without clear skies and sun for Noel. No longer confined to the fluorescent lit hospital room, he spent his days at work, gardening. He didn't take days off anymore as he had experienced too many. The light had blackened his vision as Valerie Mayford came rattling out of her home, glasses of iced tea and lemonade clinked on its tray. She placed them on the glass patio table under the umbrella and beckoned him to the shade, “Mr. Flowers, come have some Arnie Palmers; it’s time you had a break.” She proceeded to let out a crackled laugh and slowly lowered herself into the wicker chair. Valerie had been a loyal customer since Noel started his business almost a year ago. Limited by the age in her bones, but not in her heart—as she put it—she spent each month during the summer coming up with something new for Noel to add to her backyard. This week, it was an elaborate shrub topiary in the center of the garden and Noel was close to finishing. The subject had been his choice: a horse, specifically, an Arabian horse. Valerie’s habit was to suggest an idea and then suggest Noel change her mind. The horse had always been Noel’s intention.
Straitening up, Noel’s solid back ached and he leaned back, swiveled his neck from side to side, each twist giving a slight crack. “I only have a minute, I’m just about finished with his head.” Valerie peered out from under her over-size sunhat. “He looks simply majestic.” She had checked on him throughout the course of the morning from her kitchen window, but out in the sun, she saw the large eyes and rounded muzzle in greater detail. “Is this your first?” Noel was finishing a large gulp from his glass and took a large sigh. “The topiary? Hardly. I finished one last week for a couple.” Valerie was shaking her head, “No dear, the horse. He’s perfect.”
Noel held his glass in both hands, feeling the weight of the ice cubes bump against its sides. “I’m familiar with the Arabian horse. They don’t look like many others.” He set the glass down, nodded in gratitude to Valerie and started back toward the shrub. As the day progressed, so did Noel’s horse. The wedge-shaped head flowed into its large neck and chest. From muzzle to tail, the horse stood ten feet long. Each snip of his sheers seemed to bring the end of the day closer. He snipped faster. He wanted the horse finished by nightfall. He didn’t want to see it another day.
Soon enough, Valerie came out again, this time in a light duster cardigan draped over her shoulders, “Mr. Flowers, dear, it’s almost dark. Why don’t you come back tomorrow and finish him?” Noel’s hands continued to snip. “I’m sorry Valerie. I’m almost done. I really would like to finish tonight.” The snipping continued through the silence. “Noel. He will be fine for the night.”
Fine for the night. The words fell deep into his head and echoed like an intrusive wake up call. The sheers stopped. Noel heard that almost a year ago, in the hospital room, from his wife. He had been at the hospital every day for the last four months. The fluorescent lights had given him piercing migraines and the square couches available in the rooms always left him with a stiff neck. Andy had been moved to the ICU for the night again and his wife was grabbing his hand. “He will be fine for the night Noel. We’ll be back tomorrow.” So they left, as they always had done. When they got home, Noel ventured into Andy’s room. Red bed sheets tucked tight, waiting for Andy’s warm homecoming. Sitting on his bed, Noel noticed the small collection of carved wooden horses waiting on the desk. Picking one up between his thumb and forefinger, he looked it over closely. The pricked ears, large bulging muscles and elegant tail seemed to be dancing. Quietly, he brought its head to his mouth and kissed it.
The Arabian horse had since then become a painful obsession. He had brought the wooden carving to Andy the next day. Within hours, Andy was announced dead and Noel was clutching the tiny horse in his fist. At first, Noel simply drew the creature into his landscaping notebooks, within the margins. Later, he began drawing up designs for flower sculptures and topiaries. The Arabian had found itself the object of every idea, waiting to be perfected, waiting to be brought to life. And as the year was now coming to a close, Noel found himself faced with the Arabian. It climbed, snip by snip, out of the bushes and into the living. It bounded forward and Noel now realized that instead of life and beauty, the creature came with dead eyes, motionless.
“No, I would like to finish him tonight.” The sheers started up again.
The Goldfinch.