sometimes it's hard to wrap your head around the thought that others might be thinking differently and that, maybe, the way your own mind ticks is not that normal after all.
(the null corporation, 2010)

@theartofmadeline
Aqua Utopia|海の底で記憶を紡ぐ
will byers stan first human second
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Stranger Things
Alisa U Zemlji Chuda

if i look back, i am lost
Jules of Nature

Discoholic 🪩
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Today's Document

tannertan36
Sade Olutola
YOU ARE THE REASON
Not today Justin
dirt enthusiast
Monterey Bay Aquarium
Peter Solarz

JVL

Andulka

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@jsbg
sometimes it's hard to wrap your head around the thought that others might be thinking differently and that, maybe, the way your own mind ticks is not that normal after all.
(the null corporation, 2010)
almost forgot about what makes me happy.
(melody as truth, 2019)
definitely a proper start to the first release of a series from uzuri, touching on jazz and ambient, and includes a perky bassline.
(uzuri, 2015)
seems i’m getting sentimental lately...
(geffen, 1995)
i’ve probably heard the sea (or some remix) a dozen times before i even knew who the artist was. i didn’t pay attention to morcheeba’s latest album being released, but now that i listened to this remix, i’m unsure if i don’t prefer the original, although i feel like the song carries a different vibe - mainly due to the extended length.
(skye & ross, 2019)
having been part of emeralds, hauschildt has been releasing solo music since 2011. taking the emphasis off of rhythm, he allows the listener to instead focus on the texture of the sounds themselves.
(kranky, 2016)
after being signed by flying lotus, the duo released their first mixtape indigoism. the album is druggy, but aesthetically so - beneath the surface lies a work of art-damaged mysticism and ingenious wordplay.
(brainfeeder, 2013)
renegade soundwave’s debut album was recorded over several years, and displays the band's unique style of dance music, taking influences from hip hop, rock, and dub. many rave or trance production from the 90s borrows some elements of the album. the album was quite influential on big beat, with the chemical brothers and fatboy slim naming renegade soundwave as their main influence and borrowing from the album.
(mute, 1989)
absolute banger out of nowhere from two of uganda’s finest mc’s.
(hakuna kulala, 2018)
had jay dilla not greatly increased his profile through works with the likes of busta rhymes, following the obsoletion of a&m records, this album might not have been released. at the same time, tremendous acclaim from notables such as questlove of the the roots and q-tip built up anticipation for the long-delayed album. although sales were slow, the group nevertheless had a huge impact on the underground circuit and were proclaimed torch-bearers for the departing a tripe called quest.
(goodvibe, 2000)
while avant-garde saxophonist and bassist sam wilkes build around the classic jazz structure its title suggests, the misspelling speaks to its warped approach. the sax is processed and tweaked for maximum wooziness, with a steady bass line to return to, making the album a breezy bit of avant-garde blowing.
(leaving records, 2018)
drawing on conventional folk forms alongside post-punk, traditional irish motifs, starry eyed pop and hypnotic drones, the irish newcomer’s first lp, set to be release on march 1st, will be packed with atmospheric sounds.
(maria somerville, 2019)
much of this album features yokota's dreamy, processed guitar as a distinctive sound tool. kodomotachi loops an acoustic guitar pattern to create an almost hypnotic effect. the song also features a sample from joni mitchell’s song songs to aging children come from clouds. what an outstanding producer. rip.
(skintone, 1999)
so many of today’s hits sampled bobby caldwell’s songs, it’s unfortunate he is so underrated.
(polydor records, 1982)
returning to an old alias, nicolas jaar released a sample-heavy album packed with some of his most reined club tracks to date.
(other people, 2018)
almost 20 years old, yet as relevant as ever.
(loud records, 2000)
probably one of the best albums of the group and an industrial classic of the eighties. these spanish titans of industrial music captivate with their brutal synths and metallic sounds - i hope to be able to catch a concert of them some time.
(geometrik records, 1988)