MY PERSONAL AI WEDDED BLISS
"I'm Dorothy Gale from Kansas"
Doug Jones
YOU ARE THE REASON
Fai_Ryy
Color Me Curious
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@theartofmadeline

Discoholic 🪩
Monterey Bay Aquarium
KIROKAZE

bliss lane
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#extradirty
todays bird

if i look back, i am lost

Product Placement
hello vonnie
Misplaced Lens Cap
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@juliemotherofthebride
MY PERSONAL AI WEDDED BLISS
“Forget the Cookies…” 🍪🫦
Sunlight streamed through the big kitchen window, catching on the chrome details of the new Frigidaire and the flour-dusted countertop. The scent of warm vanilla, melted chocolate, and fresh-baked cookies filled the air. It was supposed to be an innocent afternoon of baking between two neighborhood housewives.
But Francine “Frankie” Harlow had other plans.
She came up behind Eleanor "Ellie" Beaumont at the mixing bowl, pressing her body flush against the blonde’s back. While Ellie stirred the thick cookie dough with a wooden spoon, Frankie’s lips found the sensitive spot just below her ear.
“Forget the cookies,” Frankie purred, voice low and velvet-smooth. “I’d rather be eating you…”
Ellie’s breath hitched sharply. Her eyes darted nervously toward the window as she tried (and failed) to suppress her growing desire. “F-Frankie… someone might see,” she whispered, even as she tilted her head to give her more access.
Frankie smiled against her neck, one hand boldly sliding down to squeeze Ellie’s ass possessively through the thin floral dress. “Let them,” she murmured, gently biting and licking up to Ellie’s earlobe. “One little taste was never going to be enough… I want the whole damn bakery.”
Ellie let out a soft, needy whimper as Frankie’s fingers kneaded and squeezed, hiking the hem of her dress higher. The mixing bowl was quickly forgotten. Frankie turned her around, pressing her back against the counter as their lips met in a deep, hungry kiss — flour-dusted fingers tangling in fiery red curls while the cookies on the baking sheet sat abandoned in the golden afternoon light.
In that bright, sunny kitchen, two women gave in to a desire far sweeter — and far more dangerous — than anything they could pull from the oven.
You May Kiss the Bride đź’”
1956. A small California town.
Helen Vance and Margaret Ellison have loved each other in secret since they were teenagers. What began as childhood closeness slowly became something neither of them could name out loud. Stolen afternoons, late-night drives, and careful silences filled the years between them. Helen learned to love in fragments. Margaret kept believing there might still be a way to keep both her family’s approval and the only person who had ever truly seen her.
There wasn’t.
On the night of Margaret’s wedding to a man her father chose, Helen — serving as maid of honor — pulls her into the shadows behind the stone church wall. Away from the string lights, the guests, and the waiting car, they finally stop pretending.
The kiss is desperate and restrained at once. Tears slip free without either of them fully crying. Hands hold on too tightly. Between broken breaths, the words they have never spoken are finally said — quiet, almost lost under the distant music:
“I love you.”
“I love you, too."
It is the first time, and the last.
When they step back into the light, the moment is already gone. Margaret returns to the life waiting for her. Helen remains in the dark, carrying the only honest thing either of them was ever allowed to give.
Garden party