TCM COVENT GARDEN BOOK EVENT
(notes i jotted down after the fact, so take it all w a pinch of salt — this isn't Everything either, just things i remembered! may edit/add onto this later)
- central themes of TCM - knowledge, evil, obsession and possession — the twins are both obsessed w gwen, astrid straightforwardly and openly, and jonas more pragmatic/annoyed about it; the twins are also very enmeshed (?) and obsessed with each other (they only have one another, scared to be separated), the older characters (names escape me) are obsessed with knowledge
- world building wise connie went from/considered a more typical horrific monsters approach/idea to observing and learning about things we don't quite understand, (gothic) pursuit of knowledge
- (on what motivates connie to keep writing) what keeps connie going is the feeling in the third act when all the pieces begin to come together and things start to click in place in that wonderful way they do
- WANTS TO WRITE AN ADULT VAMPIRE ROMANCE NEXT (potentially)
- lola/mickey-astrid/jonas have been characters connie has had in their head since they were about 12, will probably appear in everything they write in some form
- og name for faymor manor was rotting manor, but it didn't translate well to other languages
- jonas is in parasocial gay love with prince teddy the way one would be with a kpop idol (he doesn't want anyone to know that)
- connie enjoys varying settings partially for the novelty/gets bored setting things in one place for too long; wants the manor to feel alive/like a home
- ALL THE MYSTERIES/SECRETS will be revealed in book 2 (including who the twins' parents are), so start theory crafting Now — book 2 will be incredibly traumatic, no one is safe - connie cried while writing bk2, something that didn't happen often while connie wrote rwch
- listened to 'Celtic woman' among other songs while writing, but when in the flow can listen to anything really; often writes on the sofa with gilmore girls on
- intergenerational queer dynamics + more focus on the adults of the cast and their mysteries also
- the musical aspect of the magic system didn't 'happen' until Connie was 40k words into the first draft and a character hummed something to summon a power and they were like fuckkkkkk so That's it
- connie said originally TCM was a Victorian era period piece,, penguin said maybeee you should do contemporary? (she agrees is was a better choice)
- there May be a maradova mention in book 3 — perhaps the maravish royal family really are descended from wolves, who knows?
- relates most to jonas, who is a bit of a little bitch and a gremlin (affectionate)