
if i look back, i am lost
Claire Keane
Xuebing Du
🩵 avery cochrane 🩵
Noah Kahan
Cosimo Galluzzi
NASA

★

titsay
The Bowery Presents
noise dept.
art blog(derogatory)
$LAYYYTER
Show & Tell
PUT YOUR BEARD IN MY MOUTH

Product Placement
Jules of Nature
ojovivo

tannertan36
𓃗
seen from United Kingdom
seen from Türkiye
seen from United States

seen from Morocco
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from Philippines

seen from United Kingdom
seen from United States

seen from United States
seen from United States

seen from Canada

seen from Venezuela

seen from United States
seen from United States
seen from United States
seen from United States
@k9-laboratorium
sometimes it's such a conquest to start.. a real problem very often. it doesn’t seem to matter to what detail i pre-composed it or how clear the ‘vision’ of the subject-matter is. the white is a stranger that screams, making me feel anxious & pressured to no end. (so… white emptiness is my enemy?) i think i started manipulating myself into ignoring ‘the enemy’. i don't protect the white while i paint other stuff, i don’t cover it up while i work on something else. i let paint drip on it, i use it to test colours or note sthg quickly,… in time it gets ' marked', acquainted, it becomes something that goes along with me, a byproduct that i befriend, start a ‘conversation’ with… and then suddenly it’s kinda like we are creating together. the abused white and me. i guess that means improving/reviving/fixing seems more natural to me than 'giving birth’? i always admired people going in with that confidence, walking a straight line and taking over solely relying on their ‘principles’. i just question too much.
... it's time..
#wip
..directions?
...hate uncertainty
02_Riemann from Studio Superplus on Vimeo.
MAPPING NOTHINGNESS
SE 15/ density of nothingness
59,2cm x 59,2cm
ink, pigment, chalk, graphite, letraset on paper
-during the course of working for The Minus, researching matter & nothingness beneath other topics, these works served as a stepping stone for a bigger mapping of the black nothingness-
MAPPING NOTHINGNESS
SE 17/ density of nothingness
59,2cm x 59,2cm
ink, pigment, chalk, graphite, letraset on paper
-during the course of working for The Minus, researching matter & nothingness beneath other topics, these works served as a stepping stone for a bigger mapping of the black nothingness-
MAPPING NOTHINGNESS
SE 35/ density of nothingness
59,2cm x 59,2cm
ink, pigment, chalk, graphite, letraset on paper
-during the course of working for The Minus, researching matter & nothingness beneath other topics, these works served as a stepping stone for a bigger mapping of the black nothingness-
Wooohooo…we are going online!
The doors to a new dimension will open on the 3rd of May
the-minus.com
...Rrrreally looking forward to finally have it online.. and really excited about the feedback,...and really proud of 'what we've (Le Renard Kennedy LovesMonroe Robert Sammelin & many others!) put together' so far... and even more looking forward to what's coming..