Photoplay Magazine, December 1961

❣ Chile in a Photography ❣

titsay

Love Begins
No title available
Show & Tell

if i look back, i am lost
sheepfilms
taylor price
Cosimo Galluzzi

@theartofmadeline
★
No title available
Cosmic Funnies
YOU ARE THE REASON
occasionally subtle

Kiana Khansmith

Product Placement
let's talk about Bridgerton tea, my ask is open
Not today Justin
macklin celebrini has autism

seen from Singapore

seen from United States

seen from Argentina
seen from United States
seen from United States

seen from United States

seen from Saudi Arabia

seen from Colombia

seen from Colombia

seen from Türkiye
seen from France
seen from United States

seen from Bangladesh
seen from Türkiye

seen from Israel

seen from Ukraine

seen from Germany

seen from Australia
seen from United States
seen from Russia
@kampedupkinks
Photoplay Magazine, December 1961
tomodachi life living the dream
Frieren art for a zine!! (I've only watched till eps 4 🥀)
Another screen giant gone.
R.I.P. Robert Duvall
Happy new year :)
Completed this entirely with a free brush from Aaron Blaise 🙏
Some progress photos
Happy new year :)
Completed this entirely with a free brush from Aaron Blaise 🙏
Sometimes you just need some Loki
(Scratch that, you always need some Loki)
Paul Lynde as Frankenstein on The Storybook Squares (1976). He may have been a tad inebriated.
The original "I'm not gay but a million dollars is a million dollars"
The Quick and the Dead (1995)
Gene Hackman (1930-2025) in drag for the 1996 remake of The Birdcage
Title sequence from Send Me No Flowers (1964) designed by Wayne Fitzgerald
“I said to [Kirk Douglas] "You know what we've got to do with Wyatt and Doc? We're playing two pre-Freudian fags. We're in love with each other and we don't know how to express ourselves that way so we just kind of look at each other and grunt and don't say very much, but you know we love each other." I said, "If we can get that idea across we'll have a good film—because there's plenty of action in it."”
— excerpt from the transcript of Judith Crist’s interview with Burt Lancaster during one of her film weekends at the Tarrytown Conference Center, 1975.