They won’t stop wearing the scarves… 😅
"I'm Dorothy Gale from Kansas"
dirt enthusiast
PUT YOUR BEARD IN MY MOUTH
Xuebing Du
Monterey Bay Aquarium
No title available

❣ Chile in a Photography ❣
DEAR READER
🪼

JBB: An Artblog!
Cosmic Funnies
wallacepolsom
almost home

PR's Tumblrdome

Discoholic 🪩
Sade Olutola

No title available
Keni

No title available
Lint Roller? I Barely Know Her
seen from United States

seen from Poland

seen from United States

seen from Singapore
seen from Germany

seen from Malaysia

seen from Brunei

seen from Malaysia
seen from United States
seen from United States

seen from Netherlands

seen from Poland
seen from Malaysia
seen from United States
seen from South Korea

seen from United States

seen from United States

seen from Türkiye
seen from United States

seen from Indonesia
@karararak
They won’t stop wearing the scarves… 😅
I forgot I had this account… <__<;
XD Belldandy in the attempted style of Ross Draws. I don't know how to use the color dodge tool... :I Anyone like that series? Why did they re-do the anime? The first one was great! I didn't really like the drawing style of the newer version. :/
Photoshop painting portrait practice from reference. PPPP!!!! \o/ And Wonder Woman chibis... LOL I heart Chris Pine.
Animation Tips!
Pay attention 2 negative space-the space AROUND your characters. Without it, U can’t build silhouettes & clarity.
Spend 75% planning and 25% animating.“ - advice passed to Mark Henn from Eric Larson from Ham Luske
Planning: ask yourself “What does this scene have to do? What is important? What is entertaining about this scene?”
Poses should reflect power and energy. There is LIFE and electricity inside these characters!
The negative shapes are like a contract between characters. Are you designing your negative shapes?
Two characters onscreen CAN’T think the same thing, so they CAN’T react the same way.
Frank Thomas would refine ONE pose that defined a scene until it was right. Then he would add more poses as needed.
The smaller the character (a little mouse, for example), the less detail you want to show. More detail implies more size.
Do your characters always stand straight up? Throw them off vertical-lean & flex the spine for attitude/interest.
To build the line of action through your characters use a bend or twist - ALWAYS better than a straight, stiff body.
“You never let ANYTHING interfere with the main thought.” - Milt Kahl
Three frames down, and four frames up, with brows leading the action by a frame = a nice, standard blink @ 24 fps.
“You’re not supposed to animate drawings. You’re supposed to animate feelings.” – Ollie Johnston
“have fun with the push/ revision calls and the evolution of your shot"
“I know where the weight is coming from, and where the weight is just traveling, and where the weight is transferring to.”Milt Kahl
The foundations of good weight? Balanced poses, solid arcs, controlled spacing and believable drag/overlap. Get ‘em right & win.
Understand the dynamics of your character’s relationships. Any given still frame should clearly show who is driving the moment.
Analyze a character in a specific pose for the best areas to show stretch and squash. Keep these areas simple. -Ollie Johnston
People usually blink if they understand what is being said by another person. "know what I mean?” *blink* “yeah!"
Try to communicate your scene in 5 drawings–if you can then you’ve efficiently communicated!
Don’t animate every word of dialog, or every phrase; animate the mental "gear shifts” of your character. They’re more meaningful.
don’t be timid with your posing OR your acting! It’s often better to push too far and then pull back on the keys …
Clean your anim by deleting unnecessary keyes. It will unclutter your timeline and your anim will look better.
Animation Process in <140: Start with storytelling poses; guess timing by spacing them out on XSheet; do breakdowns; adjust timing
Keys=What yer doing; Breakdowns=How yer doing it (E. Goldberg)
FLIP! Constantly flip your drawings whether you’re doing hand-drawn, 3D, Flash, whatever. Flip to check for spacing & volumes
I know it’s not easy, but train your mind to “see” what you want to draw before you put it on paper. Learn to see in your mind.
Steve!! :D :D and his bat....Lucille’s cousin...Betty. :)
“And representing Atlantica....” XD :D :D :D
Everyone enjoying the Olympics?
“You always think there's one more Peanut Butter...” :D Michonne vs Morgan
A humble peddler sells his wares. :)
Happee Birthdae to the Boy who Lived...! <3
Potter Week Prompts Day 8
These kids are sooooo adorable! <3! Love how Dustin’s optimism played against Lucas’ skepticism. Great cast.
Potter Week Prompts Day 5: House Pride
Go Go Gryffindor!
Potter Week Prompts by @taryndraws
Potter Week Prompts Day 4: Animagus
^___^ Good ‘ole Snuffles.
Potter Week Prompts Day 3: Ickle Firsties Harry getting his first fitting at Madam Malkin’s. :D
Jumping on the bandwagon! Wheeeeee!!! \o/ I don’t know what Lucius’ patronus is. It could be a pug. Who knows. :P
This is an original concept painting from the Walt Disney feature film, Peter Pan. This stunning painting was created by Disney Legend, Mary Blair, and was used during the development of the film. The overall piece measures 8" x 9" and the image takes up the majority of the illustration board. Mary Blair has continues to be one of the most respected and sought after artists from the Disney Studios, and every piece of art created by her is a stunning example of color use and design.
WOWOWOWOW!! Original Mary Blair Peter Pan Concept art!! Only $10,000!! *__*
More Zootopia fanart. :3 A day off.