Three Goblin Art
noise dept.
let's talk about Bridgerton tea, my ask is open
祝日 / Permanent Vacation
JVL
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Today's Document
RMH
Kaledo Art
shark vs the universe
One Nice Bug Per Day
oozey mess
titsay
Monterey Bay Aquarium
izzy's playlists!
Product Placement
PUT YOUR BEARD IN MY MOUTH
taylor price
No title available
❣ Chile in a Photography ❣
seen from Spain
seen from Singapore
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Brazil
seen from United States
seen from United States
seen from Palestinian Territories
seen from United States
seen from Türkiye
seen from Saudi Arabia
seen from Australia
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seen from United States
@disneyanimators
Scott Watanabe - http://scottwatanabe.tumblr.com - http://www.imdb.com/name/nm4078406 - http://www.gallerynucleus.com/artist/scott_watanabe - http://www.cartoonbrew.com/artist-of-the-day/scott-watanabe-89025.html - https://www.linkedin.com/in/scott-watanabe-6b3b2715
Ken Duncan’s exploratory sketches for Meg from Disney’s Hercules (1997).
Sleeping beauty animation cells
Rapunzel model sheets by Glen Keane from The Art of Tangled
Milt Kahl’s production art and pencil animation for Nero and Brutus from Walt Disney’s The Rescuers.
Mais esboços de Milt Kahl: os crocodilos Nero e Brutus!
How TV Cartoons Are Made - A (Mostly) Simplified Guide
When I was in school and wanted to work in animation, there was very little information about how cartoons are actually made. Even my professors at college knew very little about the industry as it is today. I’m sure it would’ve been better to study somewhere in California (like CalArts) to be better informed about this stuff, but I didn’t have that opportunity.
Nowadays, many kids in school have a dream career that they don’t really know much about. There’s a lot of missing bits of information and a lot of straight up lies that get circulated as fact as people try to scramble to put the pieces together on how cartoons for television are actually made.
I’ve been storyboarding for television for a while now, and there still aren’t clear resources for those wanting to get into the industry. I wanted to make the basics available to everyone, so here’s a quick rundown through the TV pipeline. Please note: all studios and productions are different. Even cartoons made within the same studio could have wildly different production guidelines. This is not a concrete explanation of how every cartoon is made; this is simply a generalized look at the “typical” television pipeline.
**DISCLAIMER** All images in this post have been sourced from blogs, twitters, scribd and flickr pages are publicly available, and no internal studio materials have been used that have not been already published publicly online. This post is influenced heavily by my own individual experience, as well as friends’.
With that said, this might be a lengthy read, so let’s go!
Keep reading
Model Sheet Monday
Model sheets from Kingdom of the Sun before it became Emperors New Groove.
Ryan Lang appreciation post ➔ Moana (2016)
Preview of “Spider-Man: Into the Spider-Verse - The Art of the Movie” artbook. Available this December. Pre-order on Amazon >> USA | France | Canada | UK | Japan
The Lion King story sketches from The Art of The Lion King
Monsters Inc. concept art by Dominique Louis
Milt Kahl’s production art and pencil animation for Nero and Brutus from Walt Disney’s The Rescuers.
Shiyoon Kim’s designs for Mochi from Big Hero 6 (x)
Ernesto De La Cruz and Hector concept art by Travis Ruiz (x)
Marvel Rising - Mingjue Helen Chen
Jin Kim’s concept art + character designs for Disney’s Moana.
Coco visual development by Shelly Wan (x)
