Katherine Orozco

Katherine Orozco

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I am Home...

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Final work

Title: I am home

by Katherine Orozco

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Internet Culture work in progress

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Layers

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Stay with meX

Class: Drawing Category: Illustration Media: Digital  Size: 16 x 13 in Year: 2018

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Detailed GIF converted into Mp4 Katherine Orozco Self Portrait

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Pixel Art Bear  Katherine Orozco Adobe Photoshop

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Katherine Orozco Self Portrait Adobe Photoshop  Clip Studio Paint 30 FPS 2018 

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Smile Clip Studio Paint 25 FPS

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PAM Visit

Perez Art Museum Analysis

In the perez Art Museum current exhibition, it caught my attention to perceive perhaps subjectively an artwork by a hispanic artist called Julio Galan and his oil on canvas about 30 x 24 inches piece made in 1987 called “La China Poblana” (The Chinese Pueblan) which basically means the mexican women from the late 17th early 18th century whose heritage was of mixed blood and used to dress in an elegant manner and with colorful costumes, however, its relationship with the asian culture is subjectively unknown. The second axis will be the artist's approach to Mexican culture, since his work integrates folkloric elements and popular culture from Mexico, such as traditional crafts and clothing. However, I gained curiosity by some more of his works and finalized liking many of his paintings. After investigating information about Julio Galan through the web I realized that he makes a kind of personal representations, in a thousand ways, looking for who he is. All his work seem like a self-portrait with many different versions of himself. And is that the artist is constantly transformed through the appearance, and the disguise is a vehicle to embody another person, or his other personality.

The second piece that caught my attention was from the artist Lynette Yiadom-Boakye, the piece titles as King for an Hour, made in 2011 with Oil on canvas and measuring 98 3/8 x 78 3/4 inches. However, I seemed to not feel profoundly attached to this piece due to the monochromatic tones on the painting, this is of course, a subjective critique, I seem to feel more interested into expressionistic paintings from artists such as Edvard Munch or Cuno Amiet; use of vibrant and dynamic brushworks. This painting seemed to lack these properties and composition wised looked improvised, like a quick do sketch style, in comparison to Julio Galan’s piece The Chinese Pueblan, this painting, even though I must emphasize; belongs to an artists whose cultural backgrounds are completely different from Julian’s, it still looked like an effortless work. I must not deny that the facial expression of the subject is very charismatic and appealing. Additionally, both paintings are contemporary artworks, therefore,  criticism of art is abandoned and the focus is on social issues is more relevant as well.

Julio Galan, La China Poblana 1987 Oil On Canvas 30 x 24 inches

Lynette Yiadom-Boakye, King for an Hour, 2011.Oil on canvas, 98 3/8 x 78 3/4 inches.

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Index

Artist Presentation - Artist #1 Yayoi Kusama (selected artist),  Artist #2 Karla Black,  Artist #3 Willie Cole , Artist #4 Takashi Myurakami, Artist #5 Ai Weiwei

Immaterial Processes and Elements Research - Artist #1 (selected artist), Artist #2, Artist #3, Artist #4, Artist #5

QCQ #1: Creativity 

QCQ #2: 13 Ways

QCQ #3: Against Interpretation

QCQ #4: How to See the World 

Practical Exercise #1: Mirror Displacement Part I

Practical Exercise #2: Mirror Displacement Part II

 Practical Exercise #3: Basel Dump

Directed Practice #1: Introduce Yourself 

Directed Practice #2: Context Alters Meaning  Part I Part II Synopsis

Directed Practice #3: Under the Influence - 

Directed Practice #4: Immaterial Processes and Elements - 

Directed Practice #5: Redo/Undo

Redo/Undo: Side-by-Side

PAM Essay Paper

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Basel Dump

Subject is my friend:  Jose, me, behind reflection

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Redo / Undo Side By Side

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Redo/Undo

Redo/Undo

Katherine Orozco “Untitled”  32 x 22 in Acrylic on canvas

Katherine Orozco’s fascination to portraiture creations are driven by a reverence for Italian and classical Renaissance period paintings as well as a motive to  challenge classical constraints merged into the modern art world.

Watch her painting process here

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Karla Black

b. 1972, Alexandria, United Kingdom

What to Ask Of Others, 2011 Polythene, chalk dust, thread .

Installation view kestnergesellschaft 2013, 2013

Imagine Living, 2013Aluminium tooling foil, nail varnish, petroleum jelly

Karla Black Doesn’t Care In Words 2011 (detail), Cellophane, paint, Sellotape, sugar paper, chalk, powder paint, plaster powder, wood, polystyrene, polythene, thread, bath bombs, petroleum jelly, moisturising cream, Dimensions Variable. Photo: Colin Davison, Courtesy the artist and Galerie Gisela Capitain, Cologne

Karla Black Story Of A Sensible Length 2014, Polythene, plaster powder, powder paint, thread, 300 x 300 x 300 cm, Installation view