Stranger Things
todays bird
One Nice Bug Per Day

祝日 / Permanent Vacation
dirt enthusiast
No title available
"I'm Dorothy Gale from Kansas"

No title available

Andulka
Cosimo Galluzzi
Alisa U Zemlji Chuda

roma★

tannertan36
cherry valley forever
TVSTRANGERTHINGS

Origami Around

izzy's playlists!

★
NASA
YOU ARE THE REASON

seen from Netherlands

seen from Belgium
seen from United States
seen from Sweden

seen from United States
seen from United States

seen from United States
seen from Bangladesh
seen from Argentina

seen from Türkiye
seen from United States

seen from Poland
seen from Indonesia

seen from China

seen from Malaysia

seen from United States

seen from Estonia
seen from India
seen from United States
seen from Germany
@kelpbass
Source: instagram.com/tanya
About:
If you mention your job to a stranger, how likely are they to get interested and ask questions? 1 would be like a grocery store cashier and 10 would be like a stunt double
1
2
3
4
5
6
7
8
9
10
unemployed
nuance
Fall Out Boy: What if we had a figure of speech... but changed it slightly
Me: Oh yeah that's the good shit
reblog if you would give cheeses to these meeces
I still have so many emotions about Azula, specifically 11 year old Azula, who gets left behind by her brother and her uncle and is then, for the next three years, entirely alone in the palace with her father.
Like sure, the servants are there and she has Ty Lee and mai (though both of them must have left at some point in those three years, we don't know when), but that's not what I'm talking about. She is entirely, entirely without any protection from her father - not that she ever had all that much.
Here's the thing: Imagine you are Azula. You grow up and you know your mother loves your brother more than you (''my own mother thought I was a monster''). You know she cares about Zuko, she will comfort Zuko, she might even protect Zuko. You are certain she will not protect you (is Azula right about this assessment? It doesn't matter. Ursa's actual intentions aren't relevant in the face of what Azula perceives as true).
Your uncle isn't there and in his letters and gifts he shows that he too, does not care about or understand you. He sends Zuko a knife and a thoughtful message. He sends you a doll, that you burn.
Your father is ambitious and cruel and will not accept less than perfection. Luckily, you are a prodigy. Luckily, your brother is not. In contrast to him you can shine, you can burn so bright, you are safe as long as Zuko falls behind you. You are two years younger but you have to be better, you can never allow yourself to make a mistake where your father can see. It's okay though. Zuko is really bad at bending and even worse at lying. He should hide his mistakes if he can't stop making them. He's an idiot,, so he doesn't. You convince yourself you are happy about this.
Your father miscalculates and your grandfather orders your brother killed. You could let this happen. But if you do, you'll lose your shield against your father plus you like seeing him mess up. You pretend that's the only reason you warn him. It's not like you actually care about him.
Your mother does Something and the next day she is gone, your grandfather is dead and your father is on the throne. It's fine. She was useless anyway. She killed Azulon to protect your brother. You try not to wonder if she would have done the same thing for you. You are 9 years old.
Iroh comes back and does nothing. You continue to be perfect and Zuko continues not to be. It's going great. You are a prodigy and your father loves you. As long as you don't mess up.
Zuko is an idiot. Iroh is a worse idiot. Your uncle let's your brother into a war meeting and of course Zuko can't keep his mouth shut.
When your father burns your brother's face, your uncle looks away. Your brother, who is kind and thoughtful and liked by the servants and loved by his uncle gets half his face burned off and no one steps in.
Your uncle looks away, but you can't afford that kind of weakness. You look and you smile. This is good. You want the throne. With your brother disgraced, no one will stand in your way.
Your brother gets banished and with him goes your only protection against your father. Your uncle leaves too, but it hardly matters. He didn't care enough to protect Zuko, he wouldn't have protected you anyway. You'll just have to be even more perfect to make your father proud of you.
You are 11 years old and you are alone.
I love this so much. <3
I lied.
Have one more!
I haven't seen this one done yet.
Please follow for more art and animations!
Also, check out my Youtube: https://www.youtube.com/@mechanicalpengi/videos
this is exactly how that episode went, right? [id in alt]
the barbie mugshot meme with adult/post-canon zukka because zuko did not realize the fire lord could be arrested (even if he will probably be let off with an apology) meanwhile sokka KNOWS he's got diplomatic immunity, babayyyyyyy
having anxiety is like being given permanent unwanted custody of a halter arabian. like okay buddy is it panic time again. cool you probably need more exercise and an apple and then maybe you'll calm down.
taking my stupid walks for my stupid mental health with my stupid hypervigilant brain horse
thoroughly enjoying the notes on this post because it's equal parts people with anxiety going "yeah that's what it's like" and people with arabians going "yeah that's what they're like"
Working all week long (because I'm an artist).
Reblogs > Likes
Brokeback Mountain Zukka on my mind
i just can't get over zuko and aang's dynamic. these two tragic foils, these boys who both wear their history on their faces, who both lost their homes to the fire, these born enemies, both bound by big, grand, lonely destinies, the prince and the avatar,,,,,,,, and who, the moment they're able to interact with each other for more than two seconds, both immediately devolve into the pettiest assholes alive
firebending masters was truly EVERYTHING. aang not seeing zuko as a threat AT ALL to the point where he's almost insultingly comfortable going off somewhere w him alone. zuko grumbling about how fast appa is going like an asshole older brother on a road trip. the smug little "where's that upbeat attitude you were talking about :)" aang telling zuko to his FACE that people think he's dumb. aang flipping zuko like a pancake and then bitching that zuko's not helping him. "you just haaaad to go touch the giant egg, didn't you :/" the entire concept of two of the most skilled young benders in the world sitting in goo together for hours in absolute silence until aang opens his mouth to complain. "what do we do now?" "idk think about our place in the universe?" zuko telling aang he's a talented kid. aang trying to steal fire from the hands of a guy who has actively tried to flambe him before. zuko whining about aang trying to cheat off of him. "you still think we can take them?" "shut up i never said that."
honestly what is a foil but a best friend just waiting for you to annoy the shit out of them forever
reblog and assign the last person a semi-useless wizard power
can summon 17 bees at will
can make all candles smell like popcorn
can turn off microwaves by blinking
always remembers birthdays
can speak to 1 (one) animal
makes all soups slightly spicy
can levitate two centimeters off the ground
boils water by watching it
negates all wifi signal for a five foot radius
can always get a senior discount at the local diner
– New environments in The Last of Us Part II (2020)
I think there’s something so deeply and intimately and morbidly true about The Last of Us’s primary thesis which is that humanity’s fatal flaw, in that very Shakespearian way, is that we are destined to care too much about one another so much so that we discard the collective entirely. like we have such a capacity to love the human race and humanity as a whole, to grow our communities and govern cities how we know best and foster such connection with the masses which we are part of, but it’s overtaken by our capacity to love even just a single other person. like one human can come into your life that creates such an intrinsic and passionate love in you— or maybe two people or a family’s worth or any small number— and you suddenly would burn entire villages down just to keep them safe.
joel doesn’t blink twice murdering to find ellie. he doesn’t look back when he decides to do what he does at the hospital later on. he has no remorse about any of it it, because this one girl has grown to mean more to him than any possible greater good could ever mean. and it’s reciprocal. ellie would— and does— do anything she can to help him, save him, protect him, and, eventually, to avenge him. because that’s what you do when you love someone. not when you love people. when you love someone.
and it’s selfish, in a way??? because we love these people and would do so much for them because they mean more to us than other strangers do. it’s exactly like an iteration of the trolley problem, actually. one track has your daughter on it and one track has fifty people. don’t even try telling me you wouldn’t go onto track B if it meant saving your daughter and her puppy dog eyes from the whimpering and pain and fear. The Last of Us says yes, you would. I would. we all would. and like yeah that is our greatest weakness, that we have such a unique ability to love a handful of people so deeply that our compassion towards community and strangers and the bigger collective starts to slip from view. but goddamn what a fucking great fatal flaw it is to have. we are all going to die and the world will burn because we loved another person too much.