UNTITLED
Nigerian-American visual artist Adebunmi Gbadebo creates her work using donated, natural, afro hair as the primary medium.
Instagram: https://www.instagram.com/ade_booms/
Portfolio: https://adebunmi.carbonmade.com/
KIROKAZE

Kiana Khansmith

titsay

Jar Jar Binks Fan Club
The Stonewall Inn
Noah Kahan

izzy's playlists!
No title available

Andulka
Xuebing Du

oozey mess

Love Begins
No title available
sheepfilms
Show & Tell
🩵 avery cochrane 🩵

Origami Around
untitled
Misplaced Lens Cap
cherry valley forever
seen from Indonesia
seen from Saudi Arabia
seen from Portugal
seen from Malaysia
seen from Portugal

seen from Netherlands
seen from South Africa
seen from Netherlands

seen from Venezuela

seen from Russia
seen from United States

seen from Australia
seen from United States

seen from Netherlands

seen from Brazil

seen from Malaysia

seen from Côte d’Ivoire
seen from United Arab Emirates
seen from France
seen from United States
@kelseyjewel
UNTITLED
Nigerian-American visual artist Adebunmi Gbadebo creates her work using donated, natural, afro hair as the primary medium.
Instagram: https://www.instagram.com/ade_booms/
Portfolio: https://adebunmi.carbonmade.com/
DADA
Nigerian-American visual artist Adebunmi Gbadebo creates her work using donated, natural, afro hair as the primary medium.
“About the title: Babies born with locked hair are considered sacred and are automatically given the name Dàda. Partly because they are thought to be special gifts from the Orisa, and partly because their knots of hair are likened to cowrie shells (money), these children are thought to attract wealth to their parents.
A Dàda’s head is not shaved during the naming ceremonies because it is believed that the knotted hair has special powers. The hair may be washed but must not be combed.”
Type human hair and wire
Dimension 20 feet (height)
Instagram: https://www.instagram.com/ade_booms/
Portfolio: https://adebunmi.carbonmade.com/
Am I Still Dreadful?
Nigerian-American visual artist Adebunmi Gbadebo creates her work using donated, natural, afro hair as the primary medium.
“This hair belonged to Andrea Johnson who kept her hair in locs for 20 plus years. One day she combed out her locs which took her weeeeks, and gave me two huge bags of loose salt and pepper hair. I wanted to create something that honored what the hair use to be, “dread” locs, while also acknowledging what the hair is now, loose strands of natural hair. So I felted the hair back together to form a single loc.
The title of the piece is called, Am I Still Dreadful? The piece poses the question, now that I am back into this locked form do you still see me as dreadful?”
Date 2015
Type human hair felted
Dimensions 16 x 20 inches
Instagram: https://www.instagram.com/ade_booms/
Portfolio: https://adebunmi.carbonmade.com/
BLACK GOLD
Nigerian-American visual artist Adebunmi Gbadebo creates her work using donated, natural, afro hair as the primary medium.
“In this piece I collected hair from barbershop floors and garbage cans. The hair that I sweep from shop floors or dig out of garbage cans, is seen to its previous owners as discarded trash or scraps, which is ironic when looking at the value placed on Black hair before the Western world began to interact with Africa through slavery. Pre-Slavery, many African cultures believed that their spirit and power resided in their hair, so when their hair was cut the owner would keep their tresses in fear that someone could get hold of their spirit and strength. I aim to reclaim and reempower the disposed hair by sculpting the hair into this vast geometric form. The hair is glued and sewn onto various scraps of canvas and then sewn together to create one massive image of ‘Blackness.’”
Date 2015
Type human hair, thread, matte medium on canvas
Dimensions 60 x 52 inches
Instagram: https://www.instagram.com/ade_booms/
Portfolio: https://adebunmi.carbonmade.com/
The pictures that usually won’t make it to tumblr. It is really hard to photograph kids lol they can’t sit still, or can’t do the same thing. My sisters (Left to right) Halima 4, Selma 2, and Alina 4.
Big thank you to Refinery 29 for including me in their story “5 Stories of Women Taking Risks –& Winning.” I’m humbled to be alongside some amazing women blazing their own paths. Read the story HERE
Redbirds of Debbie Allen Dance Academy
Bitch, me too.
Reblogging for that laugh 😅😂
Ms. Jay knows lmao
Development of African American music.
Photo by heplightofanonlychild
don’t confuse accents and language barriers with lack of intelligence
The Wiz Backstage
wuuut yas
im the guy in the back watching
From the serie Tress, 2009, by Mequitta Ahuja
back2skl by s o p h i e ☪ Via Flickr: these photos make me sad i ned to learn to use the camera properly
Them Jackson girls...
@whitneyjjackson
Photo Credit: kelseyjewel
my little one helped me take photos of the journals.
they are now up for pre-order on anote2self.com.
at first i tought it was cappuccino
a catpuccino