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Keni

JVL
"I'm Dorothy Gale from Kansas"
Three Goblin Art

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art blog(derogatory)
noise dept.
styofa doing anything
trying on a metaphor

@theartofmadeline
todays bird

tannertan36

祝日 / Permanent Vacation
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Kiana Khansmith
Misplaced Lens Cap
Show & Tell

★
Stranger Things

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@kingozymandias
The Merchant of Venice Act IV, Scene 1 Portia: The quality of mercy is not strain'd, It droppeth as the gentle rain from heaven Upon the place beneath: it is twice blest; It blesseth him that gives and him that takes: 'Tis mightiest in the mightiest: it becomes The throned monarch better than his crown; His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway; It is enthroned in the hearts of kings, It is an attribute to God himself; And earthly power doth then show likest God's When mercy seasons justice. Therefore, Jew, Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Uncle Gerry’s Family Fun Zone
by reddit user Red_Grin
This is a lengthy story but it is worth it:
I didn’t know Will could draw, I remember thinking as my friend’s hand quickly moved across the page. And then I looked more closely at Will’s impromptu sketch, and I immediately regretted it. I tried to unsee it. I shifted my attention to other things around me, anything at all that wasn’t ink on the page: the blur of Will’s hand, the beads of sweat gathering at his temples, the gentle autumn breeze creeping through the crack of the window.
Don’t look at the page. Just don’t look at it.
But I knew I had to. So I looked. And it was worse than I expected. Much worse.
Keep reading
Horses have an infinite number of legs. They have two legs in back, and forelegs in front. This makes a total of six legs, which is certainly an odd number of legs for a horse to have. Six, however, is an even number, and the only number that is both even and odd is infinity.
Logic & Proofs, chapter 1 cmu.edu
A book without women is often said to be about humanity but a book with women in the foreground is a woman’s book.
Rebecca Solnit’s magnificent response to Esquire’s “manly” reading list. Also see Solnit on what reading does for the human spirit. (via explore-blog)
Pierpont Morgan Library & Museum, NYC
So how about a Romeo and Juliet production, where the death don’t go offstage, but there is a window on the stage, and every death charcter, steps behind this window, where everything is dipped in a cold blue light? None of the living characters is aware of the window, nor of the death behind it, but the death are aware of everything that happens to the living.
So we have Tybalt freaking out and trying to talk to Lord Capulet when he promises Juliet to Paris, getting desperate when her parents threathen her. Mercutio and Romeo’s mother desperately trying to reach Romeo who is buying the poision and then try to stop him from taking it. Eventually, there are a confused and desperate Romeo, an equally upset Paris, a panicking Tybalt, a horror struck Mercutio and Lady Montague, all gesticulating to Juliet, trying to talk to her, trying to stop her from comitting suicide- having to face that they aren’t part of the living world anymore and can do
nothing!
Benvolio hammering soundlessly at the window when he sees Romeo in the tomb.
The fuck is this?
my day is made.
The fuck? The fuck? The fuck is in the air? The fuck? There’s white shit everywhere~ The fuck? I must be fuckin’ baked And this shit’s pro’lly fake The hell, Jack, did we take? The fuck?
the fuck? the fuck?
there’s somethin’ fucking wrong
the fuck?
these bitches singin’ songs
the fuck?
the streets are lined with sketchy creatures laughing
why the fuck is they so happy?
goddamn these things are creepy!
the fuck is this?
the fuck!
jesus h christ.
IT GOT BETTER
I WILL NEVER WATCH THIS MOVIE THE SAME
Happy birthday, Oscar Wilde (b. 16 October 1854)
“The books that the world calls immoral are books that show the world its own shame.” - The Picture of Dorian Gray, Oscar Wilde
omg I was hardly able to believe this but it’s real. fukken white ppl
Oh god, how can you be SO WRONG?
This picture you showed is the Portrait of a Moorish Woman painted by Paolo Veronese, you turd sandwich.
In Shakespearian time describing someone as “dark” meant someone with dark hair or Mediterranean features. Amelia Bassano (also known as Emilia Lanier) got indeed published (check her collection of poetry Hail, God, King of the Jews) . She was born to a Venice musician Baptista Bassano and Margaret Johnson in 1569 and from what we know, was Jewish. No sources describe her as black or African.
Stop spreading bullshit for your racist propaganda.
- Emerald
People seem to forget Shakespeare also died in near poverty as well…
The very instant I saw the picture I knew it was 100% false. Only an SJW or a feminist has the minimum amount of brain cells required to believe this obviously fake stupid shit.
Wtf? She has her own published works. Why would she publish under Shakespeare’s name?
A Guide to Writing Non-Commercial YA Fantasy
By Cindy Pon
Maybe the title of this post is a little tongue-in-cheek, but not entirely.
When I was pitching my debut novel, Silver Phoenix, in 2008, one of the first editors I met at a local conference read twelve pages and said two things that stuck with me. First: This reads like Crouching Tiger crossed with The Joy Luck Club. Why is it fantasy? Second: Asian fantasy doesn’t sell.
My internal thought to the first was: But doesn’t Crouching Tiger have fantastical elements? And why is he saying it like this is a bad thing? My thought to the second was: Oh.
I immigrated to the United States from Taiwan when I was six years old, which means I learned English as a second language. I remember vividly my first grade teacher having to write my name onto the chalkboard because I didn’t know the alphabet. I remember staying home to work on my English while I watched the neighborhood kids play outside. So, when sometime in the third grade I began reading—and reading a lot—it seemed as if magical worlds had been opened to me. I had worked so hard to gain access to these story treasures!
I fell in love with books, and fantasy was one of my favorite genres. It wasn’t until I was an adult that I realized I had never seen a character who looked like me in any of the fantasy novels I had read. That’s why I wrote Silver Phoenix.
It was incredibly disheartening to be told by the first professional editor I’d met as a budding writer: Don’t bother. No one wants this.
Well, Silver Phoenix did sell to Greenwillow Books, and it was published in 2009, a difficult time in publishing, and an even more challenging one for debut authors. That year, my novel was the only Asian-inspired YA fantasy released by a major publisher, and now, six years later, I can still count on one hand the number that are released any given year. There have been strides, but not many.
When I began writing Serpentine, which was published on Sept. 8, I knew it was a risk. I was writing another fantasy set in my fictitious Kingdom of Xia when the sales numbers for my other books had not been strong. But if you know me personally, you know that no one tells me what to or not to do, and I am a stubborn-headed goat. When I do find a story idea, I always write that novel. Serpentine was on submission for two years, with a handful of editors giving very positive feedback, but asking to see something “entirely different” from me instead.
I was ready to self-publish when Serpentine and its sequel were acquired by Month9Books, and it has been a fantastic journey with this amazing small press. But those two years on submission gave me time to realize all the things that made Serpentine “not commercial” by the standards of what is popular in YA fantasy’s current market.
1. “Too many Asians”
My novels feature casts that are almost entirely Asian, which is very rarely seen in YA books. I’ve also come to realize that the setting itself, inspired by ancient China, is severely othered by the average Western reader, even those who are enthusiastic fantasy readers. Ancient China is more foreign and seen as less commercial than Mars or the moon.
2. “Always the handmaid, never the princess”
I’m very familiar with fantasy’s love for royalty, the princes and princesses who must be smart, brave, and persevere to save their kingdoms. I have read and loved many of these fantasy stories, but have never been drawn to writing them myself. My heroines have always been underdogs, and it is no different in Serpentine. Orphaned at birth, the main character Skybright has been a handmaid and companion to her mistress her entire life. She is pragmatic and hardworking, until one night she wakes to find the lower half of her body has morphed into a long serpentine coil. This changes what she thought she knew about herself and her life forever.
3. “Sisters before misters”
I knew from the outset that I wanted a strong female friendship to be the focus of Serpentine. It was something that was lacking in my Phoenix novels, but also, it was a tribute to all the fabulous women friends I have in my own life, who have boosted and encouraged me in my writing career. And although there is a strong romance between Skybright and a boy she meets, I do believe the core of the story is the friendship between Skybright and Zhen Ni.
4. “Different but not that different”
I think the true irony is that I always think I am writing to market. Shapeshifters are a popular staple in fantasy, both urban and traditional, and are part of the mythos and lore of many cultures worldwide. But one of my critique readers found the idea of a serpent demon heroine “gross”, and an editor said that despite my beautiful storytelling, a half serpent with a forked tongue would be a “tough sell” to the YA readership. Well, damn. Why can I never just fit nicely in the YA Fantasy Expectations Box? I blame my fascination with the idea of monstrous beauties, as well as the Greek mythology of Medusa, who was a beautiful woman herself before she was changed into a monster.
As for whether or not Asian fantasy sells, I think that it can, if these titles are given the same strong publicity and marketing push as other Western-inspired YA fantasies. I have yet to see this happen, and when there is strong buzz from the big publishers, it has often been for an Asian-inspired fantasy written by a white author.
So I’m especially grateful that Serpentine has had the chance to enter the world—and that the reception, so far, has been so welcoming. And if you decide to take a chance with a non-commercial YA fantasy, reader, I hope you enjoy Serpentine.
Cindy Pon is the author of Silver Phoenix (Greenwillow, 2009), which was named one of the Top Ten Fantasy and Science Fiction Books for Youth by the American Library Association’s Booklist, and one of 2009′s best Fantasy, Science Fiction and Horror by VOYA. The sequel to Silver Phoenix, titled Fury of the Phoenix, was released in April 2011. Serpentine, the first title in her next Xia duology, is a Junior Library Guild selection for Fall 2015. She is the co-founder of Diversity in YA with Malinda Lo and on the advisory board of We Need Diverse Books. Cindy is also a Chinese brush painting student of over a decade. Visit her website at www.cindypon.com.
Signed/personalized copies of Serpentine may be purchased from Mysterious Galaxy Books, and if you do so by Sept. 12, you will receive a brush art card (with art by Cindy Pon) with the book.
Don’t forget! You can enter to win Serpentine and four other wonderful YA SFF novels at our Fantasy & Science Fiction Month giveaway (deadline Oct. 6).
Who controls the past controls the future; who controls the present controls the past.
George Orwell, 1984
actually terrifying covers for Lolita: Max Temesu & Linn Olofsdotter
“Lolita is not about love, because love is always mutual; Lolita is about obsession, which is never, ever love, and Nabokov himself was so disappointed that people did not understand this and take away the right message… For how could anyone call this feeding frenzy of selfishness, devouring, and destruction ‘love’?“ - Vanity Fair’s Gregor von Rezzori
“Why is it that when we grab for heaven-socialist or capitalist or even religious-we so often produce hell? I’m not sure, but so it is. Maybe it’s the lumpiness of human beings. What do you do with people who somehow just don’t or won’t fit into your grand scheme?”
- Margaret Atwood, “Dire Cartographies: The Roads to Ustopia”
In honor of the thirtieth anniversary of The Handmaid’s Tale: Margaret Atwood describes how she came to write her utopian, dystopian works. The word “utopia” comes from Thomas More’s book of the same name—meaning “no place” or “good place,” or both. In “Dire Cartographies,” Atwood coins the term “ustopia,” which combines utopia and dystopia, the imagined perfect society and its opposite. Each contains latent versions of the other. With great wit and erudition, Atwood reveals the history behind her beloved creations.
http://bit.ly/1MsMhfy
Freelancer is shitty if you're not a foreigner. I'd have to drop my rates to compete on there.
My roommate did all right on there. I forgot she did it for cheap though.. Drat.