✖ ◦ || * this is heaven in hiding.

shika. twenty-four. she/her."That’s because you’re not fragile," Kenji says. "If anything, everyone needs to protect themselves from you. You’re like a freaking beast," he says. Then adds, “I mean, you know—like, a cute beast. A little beast that tears shit up and breaks the earth and sucks the life out of people. sc_online_t(1506197,"","94918c"); Free Online Counter code &&. juliette to my kenji.

[wound-bound]

UNDERRATED SOUTH ASIAN FCS

parce qu’il existe d’autres célébrités indiennes que priyanka chopra et deepika padukone (les deux étant d’ailleurs assez problématiques), voici une selection de visages plus ou moins méconnus pour incarner vos persos. 

pooja hedge (indienne maharashtrian) ; kajol ( indienne - bengali et maharashtrian) ; aditi rao hydari ( indienne - bohri, chitrapur saraswat, telugu) 

naomi janumala (indienne telugu) ; urvashi umrao (indienne gujarati) ; simone ashley (indienne tamoul) 

jhanvi kapoor (indienne maharashtrian) ; banitha sandhu (indienne punjabi) ; diana penty (indienne parsi et maharashtrian)

[youngfcs]

↳ 𝑨𝒍𝒊𝒔𝒉𝒂 𝑩𝒐𝒆 gif pack | POMS

➤ Here you’ll find a total of #78 gifs ( 268 x 150 ) of Alisha Boe in the movie POMS (2019). Alisha is a Norwegian actress of Somali descent & was born in 1997. All made by me from scratch, so please, don’t repost or claim them as your own! You can use them in editions, or crackships, but please credit me (@youngfcs). Don’t include these in any gif hunt or crop into gif icons without my permission. If using, like or reblog ❗

➤ Contains: Crying, sadness, dancing, exercises.

[ CLICK HERE ]

[draumas]

[luntfontanne]

using a multiverse as a narrative framework to tell an immigrant story really is THE best possible implementation of this concept. like the idea that every time you make a decision in your life a different branching universe splits off where you chose differently, while obviously broadly universal because of course everyone wonders what if (what if i had chosen differently, what would my life look like then), really does hit such a specific core question that is imo fundamental to the immigrant experience

all the time my parents talk about imagining what lives they might have lived if they had chosen differently, if they had never left home, if they had never come here, if they had not raised their daughter in a world and a culture so utterly foreign to their own where she might make her own choices that are painfully incomprehensible to them. it’s all tied up with a sense of grief and loss and regret and almost existential melancholy, not necessarily because they think they chose wrong specifically, not because they think they’d actually choose differently if they had a chance to do it over again, but merely because that choice is such a monumental one and the enormity of it and the ripples it would end up causing are only obvious in retrospect. you make the choice to uproot your life and move to a different world, a different universe, and once you cross that bridge you can never go back. you can never truly go home again. and when we do go back to visit, we see in their old friends and classmates and relatives funhouse versions of ourselves, people we might have been but never were and never will be.

every immigrant story is a ghost story and the ghosts that haunt you are all the people you left behind including yourself—versions of yourself, of your family, of your children, of the people that are you but that you are not, lives that you recognize but are not yours. immigrant stories are ghost stories are multiverse stories and in multiverse stories all of your ghosts inhabit your body simultaneously, everyone who came before you and after you and everyone you left behind, everything that is and everything that never was… it really is everything everywhere all at once i am going to scream

[wahgifs]

YANDEH SALLAH as AMIE | EAGLES 1.02

[sanguinacciodolce]

I.B. Vyache, Excerpt 03.01.20

[mothprincess]

Edna St. Vincent Millay, from “Afternoon on a Hill,” Collected Poems

[sunkissedpages]

[femalestunning]

Alisha Boe in 'California Dream' by Hugh Lippe for Vogue Scandinavia, January 2022

[heartlessqueen]

do you ever think about this quote by mary lambert because i think about it all the time

[wiremothers-deactivated20230129]

Chuck Palahniuk, Invisible Monsters

[sykesarchive1]

natalie wee, our bodies & other fine machines

[sweatermuppet]

sam sax, hydrophobia

[petticoat]

“Luminous, gemlike, ghostlike, deathlike,”

— Alfred Tennyson, from Maud: Part I, 1855. (via megairea)

[jellybeanbeing]

Normal People by Sally Rooney // The Worst Person in the World (2021) // The Edge of Seventeen (2016)

[firstfullmoon]

I am thinking now of grief, and of getting past it; I feel my boots trying to leave the ground, I feel my heart pumping hard. I want to think again of dangerous and noble things. I want to be light and frolicsome. I want to be improbable beautiful and afraid of nothing, as though I had wings.

— Mary Oliver, from “Starlings in Winter”

[emmanuelleriva]

Conte d’été (A Summer’s Tale, 1996) dir. Éric Rohmer

[tvandfilm]

The Sex Lives of College Girls (2021 - )

[hqroleplaygifs]

alexandra shipp in tick, tick…boom // In the source link, you’ll find #138 gifs. All GIFs were made by me and are inteded for roleplaying purposes only. Please don’t claim them as your own. Reposting these GIFs or using them in your own graphics is strictly forbidden. Please, like or reblog this post if you plan on saving these GIFs, of if you found this helpful in any way, shape, or form. Thank you, and enjoy.

[slightlyunofficial]

cemeteries aren't creepy they're actually devoted to memory and rest and love and humanity