taylor price
Not today Justin
will byers stan first human second
tumblr dot com
One Nice Bug Per Day

pixel skylines

bliss lane
wallacepolsom
Keni
Misplaced Lens Cap
cherry valley forever
The Bowery Presents
$LAYYYTER

JVL
Jules of Nature
noise dept.
KIROKAZE
occasionally subtle
Cosimo Galluzzi

Origami Around

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@kitsch-i-might-be
Crane Makes Friends with a Fox, 1979, Maria Prymachenko
Medium: gouache,fluorescentpaint,paper
Baby chameleons help eliminate fruit flies
(via)
Baby flamingo
Textile art by Alice Kozlowska, an artist from Warsaw, Poland
She creates 3D embroidered felt sculptures of everyday objects drawing inspiration from the reality that surrounds us, consumerism and everyday objects.
website
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me laying in bed at night thinking about how ugly i am
The Nightingale’s Song at Midnight and the Morning Rain, 1940, Joan Miro
Medium: gouache,paper
Fluffy kitty
im sorry I can’t be her
Supper Time by Horace Pippin, The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 12, East Wall\n
Pippin, who received no formal art training, developed a technique of “carving” into his panels with a hot poker. Here, burnt-wood lines (incised over pencil) construct the chair, windowpanes, door panels, and contours of the figures.
Martha Lucy, The Barnes Foundation: Masterworks
Medium: Oil on burnt-wood panel
https://collection.barnesfoundation.org/objects/5154/
Unos á otros, Francisco José de Goya y Lucientes, 1797-1798, Minneapolis Institute of Art: Prints and Drawings
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers Francisco Goya’s series Los Caprichos contains layers of meaning that even today challenge the modern viewer. Mia’s copy is a rare presentation proof containing early printings of all eighty images. In the first half, Goya explored themes of superstition, sensuality, greed, and violence with scenes set in Spanish brothels, salons, and prisons. The second half is given over to fantastic images from the artist’s dreams and nightmares. Even though Goya tried to disguise his attacks on Spanish society, he withdrew the set from sale because he had been reported to the Inquisition, a tribunal that ruled with lethal authority. Size: 8 ½ x 6 in. (21.59 x 15.24 cm) (plate) Medium: Etching and aquatint
https://collections.artsmia.org/art/80387/
WHILE YOU WERE OUT PARTYING
I STUDIED THE BLADE
AND NOW THAT THE BARBARIANS ARE AT THE GATE, YOU HAVE THE AUDACITY TO COME TO ME FOR HELP?
“I rescued a pregnant street dog and her babies really enjoy hiding.”
(Source)
Horror Movie Motion Posters (insp)
Wouldst thou like to live deliciously?
THE VVITCH (2015) dir. Robert Eggers