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luv bugs
Slug, from the series grass, peonie, bum. © Maisie Cousins.
"Shimmering night" by Inaslind.
Jenny Holzer, Black Book Posters, 1979
Fish-shaped interlocking paving stones.
saw this abomination on the road a few weeks ago
Elsie Driggs was inspired to make this painting by a childhood memory of Pittsburgh’s steel mills. Returning twenty years later to capture the scene, she initially tried to paint it from inside the mill. The owners thought the factory floor was no place for a woman, though, and management worried that she might be a labor agitator or industrial spy. Today the painting may seem to warn of the dangers of industrial pollution, but Driggs did not have an oppositional agenda. She ended up basing the work on drawings she made from a hill above her boardinghouse, later writing that she stared at the mills and told herself: “‘This shouldn’t be beautiful. But it is.’ And it was all I had, so I drew it.” See the work now in Where We Are: Selections from the Whitney’s Collection, 1900–1960.
[Elsie Driggs (1895–1992), Pittsburgh, 1927. Oil on canvas, 34 ¼ × 40 ¼ in. (87 × 102.2 cm). Whitney Museum of American Art, New York; Gift of Gertrude Vanderbilt Whitney Accession number 31.177]
three unbound
The power of light and shadow.
Emanuel A. Petersen (Danish 1894-1948), View of Greenland Fjord Lit Up by the Midsummer Sun, 1936, Oil on canvas
Daily Weeding, Kuba Ryniewicz
Nishimoto Ryota
a piece of wood carved to fit perfectly into a zippered plastic bag
Robert Moore (American b. 1957), The Meadow, 2023, Oil on canvas
“The Nail in the Wall” (2020) ✦ Paul Rouphail
The Sink - Wilma Aldén , 2022.
Swedish , b. 1998 -
Oil , 26.5 x 35.5 cm
Ducks on the lakeshore (Lake Constance, Hard) - Alexander Max Koester.
German , 1864-1932
Oil on canvas , 63 x 87.5 cm. 24.8 x 34.4 in.
Elegy to the time it takes to realize the futility of elegies by Bob Hicok