Yutaka Murakami's "Foreign Books and a Kitten"
村上ゆたか「洋書と子猫」
Three Goblin Art

Janaina Medeiros
Xuebing Du
No title available
trying on a metaphor
let's talk about Bridgerton tea, my ask is open
h
No title available
he wasn't even looking at me and he found me

if i look back, i am lost
ojovivo
Sade Olutola

blake kathryn
Stranger Things
d e v o n
occasionally subtle
we're not kids anymore.
Acquired Stardust
Cosmic Funnies

⁂

seen from Netherlands
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seen from Chile
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seen from United Kingdom

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seen from Singapore

seen from France
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seen from France

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seen from Malaysia
@kokirane
Yutaka Murakami's "Foreign Books and a Kitten"
村上ゆたか「洋書と子猫」
this is their dynamic you can't convince me otherwise
Kusuriuri with kitteh
was thinking of him. regular occurence. kon here
kon counterpart to ri
Medicine Seller in Mononoke the Movie: Phantom in the Rain
a nagi/nagireo lockoff drabble
Choki's gotten bigger. So have you. But he'll keep growing, probably, while you'll — well — does it matter? It doesn't, does it? Not anymore. You don't have to try anymore.
You prod one of Choki's spines. Your fingers are callused, now. You thought about holding Reo's hand, that time, but he had gloves on, and he was crying, so — you couldn't, but you can't remember what the calluses on his fingers look like anymore. You never got to touch them, or kiss them. You never got to kiss Reo at all. You know you don't deserve to even think about him like that, but there some things you really can't help.
Guess it can't be helped, Reo used to say, laughing and ruffling your hair.
Guess it can't be helped, you echo to yourself now, because it can't be helped that he became more important than soccer, it can't be helped that you've always been a half-formed, unfinished creature, it can't be helped that your dream is over because you couldn't stand on your own, because you couldn't be the Nagi that Reo needed, and it can't be helped that one day, your calluses will fade and there will be no more proof that Blue Lock was real, and that you were —
Blood blooms on your fingertip.
You pull back quickly. Sorry, you tell Choki, the word sticking thick and heavy on your tongue. You wipe off Choki's spine carefully. He doesn't respond, but you find yourself staring, unfocused and vacant, and wondering what he would sound like if he could, but you can't really imagine any kind of voice besides Reo's.
It's a bit of a pain to try to remember your parents' voices these days. It's just been so long, but you at least know what they would say. That as long as you're alive, it's okay.
But you know, now, that there's a difference between being alive and living. You know so much more, now, after just months of being with Reo and everyone else, than you did from seventeen years of — well — you can't really call that living anymore.
Just like you can't really call this room home anymore. Can't call yourself a genius, or Reo's treasure anymore.
Can't do anything except close your eyes until the world fades away.
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A Nagireo Tarot Deck
PREORDERS NOW OPEN LETS GOOOOOOOOO
ooooh nagireo tumblr nation oooooh you wanna check out chains of destiny a nagireo tarot deck/zine so bad oooooohhhhhhh oOOOOOHHH preorders for a physical deck open on april 26!!!!!!!!!!!! BUT BEHOLD THE FREE DIGITAL ARTBOOK!!!!
A Nagireo Tarot Deck
!!!!!!!!!!! 🌀🌀🌀🌀 you want to check out nare tarot so bad. you do. you're going to check it out NOW. 🌀🌀🌀
ooooh nagireo tumblr nation oooooh you wanna check out chains of destiny a nagireo tarot deck/zine so bad oooooohhhhhhh oOOOOOHHH preorders for a physical deck open on april 26!!!!!!!!!!!! BUT BEHOLD THE FREE DIGITAL ARTBOOK!!!!
A Nagireo Tarot Deck
An Archive of Our Own, a project of the Organization for Transformative Works
a small mikage reo character study (with implied/v light pre-relationship nagireo) written for @mikagereozine 🦎💕
Any tips for beginner writer who never wrote anything of substance in their entire life but wants to write fanfic for the first time?
pick the scene you want to write the most and run with it
detailed outlining is a trap
read something good right before you write to juice yourself up. or read something really bad.
the first draft can be disgustingly messy. imagine the scene and words in your head, put them down as fast and dirty as possible, clean up on the second go.
all you need to be a writer is to write
all you need to be a good writer is the ability to self edit. closely read other people's stuff and apply the lessons you learn there to your own work on the second draft
it's okay if it's short!
show don't tell is real and it matters. "he felt betrayed" is telling. it tells your reader how to feel. you want to show them how it feels instead. what are the signs someone displays when they feel betrayal, what are they remembering, how does the room feel to them in that moment.
be nice to your reader. if you put anything in there stylistically, vocabulary wise, language wise, that they don't have a chance to work out on their own, it's not gonna work.
balance introspection and action but lean towards action.
mix up sentence length and structure.
mix up paragraph length and structure. it's hard to read something where every paragraph is the same size and shape.
keep the tension up! that's what keeps people reading and keeps me interested as a writer.
and you're probably going to be a lot better at it than you think and have a lot more fun with it. let me know if you need help posting later!
The Tale of The Princess Kaguya (2013) dir. Isao Takahata
a hero nagi x villain reo drabble, re: the three sentence ficathon prompt: "it's not my blood"
“It’s not my blood,” Nagi says, soft and petulant, as if that would stop Reo’s hands from trembling with barely restrained anger, or stop Reo’s teeth from cutting into his own lips until they too bleed in ferocious sympathy — blood is blood, on his treasure where it has no right to be, so all that Nagi’s words can really stop him from doing is immediately checking Nagi for open wounds.
He still checks, of course, after he pulls Nagi inside and slams the door, after he hoists him onto his back and silently carries him to the only room in the entirety of his hideout that’s comfortable, lived in. Theirs.
“Reo,” Nagi repeats, softer, as Reo sits him down, anger still taut in all the lines of his body except for his hands. He keeps those gentle, light, as they cradle Nagi’s bruised face. “Reo, your lip...”
“Who cares about that, idiot? Look at your face.” Reo snorts, but Nagi ignores him to lean up, chastely kiss the corner of his mouth. There’s a slight sting as Nagi licks at his split lip; Reo chases it, pressing into soft warmth until it’s a harsh burn.
nagireo fluff drabble 🤍💜
Oop smth soft after that agnst
some jjk i made after watching s3