Today's Document
if i look back, i am lost
ellievsbear
Origami Around
PUT YOUR BEARD IN MY MOUTH
let's talk about Bridgerton tea, my ask is open
Peter Solarz
No title available
Aqua Utopia｜海の底で記憶を紡ぐ
shark vs the universe
❣ Chile in a Photography ❣
almost home
NASA
EXPECTATIONS
Kiana Khansmith
Jules of Nature
Sade Olutola
occasionally subtle
Claire Keane
blake kathryn
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Australia
seen from United States
seen from Australia
seen from Syria
seen from United States
@krislenerocks
I watch Daphne prepare for these balls with all of those dresses and the many suitors, and I am exhausted. Suppose I want a different life, and I truly believe I am quite capable of something more, even when I am not allowed to have anything else.
“Eloise was her dearest friend. Colin was her passion, and her soul, but it was Eloise, more than anyone, who had shaped Penelope’s adult life… .
Even more than her own family, Eloise had loved her.”
Pen, you have not heard what people are saying. Lady Whistledown has gone too far this time. And I thought you her greatest admirer. Not when she has smeared the name of my greatest friend.
Claudia Jessie as Eloise in BRIDGERTON 2020-, creat. Chris Van Dusen
# life lessons learnt from Grey’s Anatomy [10/∞]
televison meme: [8/15] friendships → Callie and Mark ↳ We’re a family… Sort of. And we’re doctors, and we’re best friends, and we’re good people.
“For the past ten years I have had the rare privilege of not only playing Arizona Robbins but also being madly in love with playing her. Arizona Robbins is kind, intelligent, funny, insightful, bold, playful, fierce and really good at her job. She was one of the first members of the LGBTQ community to be represented in a series regular role on network television. Her impact on the world is permanent and forever. Forever. I am grateful that I have gotten to bring her to life and for the life that she was brought to me. I am sad to see her go but I am consoled by the idea that she will continue to live on and on in all of our consciences and our imaginations. Shonda, thank you for the ride on this incredible rollercoaster.
With a heart full of love, Jessica.“ [x]
televison meme: [8/15] friendships → Callie and Mark ↳ We’re a family… Sort of. And we’re doctors, and we’re best friends, and we’re good people.
# life lessons learnt from Grey’s Anatomy [10/∞]
Fangirl Challenge: [26/40] Friendships » Mark and Callie
“She’s my best friend.”
like or reblog if you use/save xx
don’t repost
televison meme: [8/15] friendships → Callie and Mark ↳ We’re a family… Sort of. And we’re doctors, and we’re best friends, and we’re good people.
i miss s5 greys where all my favs were alive and happy
Endings are tricky because we expect answers. Fifteen years ago, with my first film Saving Face, I got one recurring question: “Is this ending… too happy?” At the time, as much as I saw the truth in it for my characters, I confessed to not knowing if that happy ending could be expected in real life; but as a queer woman, I wanted - needed - to see it in order to believe it could happen for me. Now with The Half Of It I’m regularly peppered with questions over whether certain characters end up together in an ever-pointed crescendo toward “But is the ending happy?” (Ha!) My honest answer is that the point of the film isn’t about who ends up with whom. It’s about three people who collide in a moment-in-time before going their separate ways, each now holding the piece of themselves that allows them to become the person they are meant to be. The end of the film is each of their beginnings. And for my characters, I can think of no happier ending. - Alice Wu
What’s great about this scene is...
...how the gossiping girls stop talking right when Ellie and Aster make eye contact and how there aren’t even any subtitles for these few precious seconds.
The pause in the dialogue takes away the possibility that Aster might just be amused with whatever inane things the girls are saying. It emphasizes that Aster’s smile was directed only at Ellie and not because of anything else.
And the pause in the subtitles prompts the viewers, especially those who might be too consumed reading them, to look up and really notice this little exchange.
This scene practically encourages the viewer to glance at the subtitles to catch whatever the gossiping girls are saying. But when the subtitles suddenly stop, instinct will prompt the viewer to look up and the first thing that’ll be noticed is Aster’s smile.
It’s almost as if this scene is attempting to put the viewer in Ellie’s shoes. One moment, they’re looking down (Ellie at the sink and the viewer at the subtitles), then the next moment they see is this ray of sunshine:
Nothing can convince me this wasn’t intended by Alice Wu.
