NGC 3576, Liberty

Love Begins
RMH
noise dept.
untitled
No title available
No title available

@theartofmadeline
Mike Driver
YOU ARE THE REASON

gracie abrams
Jules of Nature
ojovivo
EXPECTATIONS
he wasn't even looking at me and he found me
Not today Justin

shark vs the universe

tannertan36
hello vonnie
let's talk about Bridgerton tea, my ask is open

#extradirty

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@krumpus
NGC 3576, Liberty
Samuel Araya
La Vérité (The Truth) (1870) by Jules Joseph Lefebvre (French, 1836 – 1911), oil on canvas, 264 cm × 112 cm (104 in × 44 in), Musée d’Orsay, Paris
Noble Knight Helmet by Yndeavour
Now, unlike Michael Newton’s book of hope, I appreciate the clarity of this book’s title: Encyclopedia of Things that Never Where (1985). Stating that definitively really gets all that belief malarkey out of the way and lets us appreciate these things on their own imaginary terms (as Georgess McHargue encouraged us to do on Monday).
This book is more like a collection of several small topical encyclopedias, each discrete from the others and in their own alphabetical order. Nor do they necessarily make a perfect or intuitive sense all the way through. Things of the Cosmos is mostly gods of major mythologies, but also King Arthur and his knights. Things of the Ground and Underground collects faeries and tree spirits, but also the manticore, Minotaur and Sphinx. Things of Wonderland seems to imply things from literature, but really it collects all manner of fantastical places, from fiction, but also from legend. Things of Magic, Science and Invention could just as well have been called Things and left it at that; it collects notable items, from Thor’s hammer to Jekyll’s potion to the many unusual uses for nails. Things of Water, Sky and Air covers all the creatures not detailed in Earth chapter — Grendel is here, griffins, too, and all the sea serpents. Finally, Things of the Night details the undead and other creatures who hide from the sun, whether they go bump or not.
Robert Ingpen’s art throughout is a pure joy. There are so many illustrations, the book is awash in them, and they’re all amazing, often subverting expectation but also remaining recognizable. There’s a warmth to it, like sitting by a fire, and he has a real talent for collaging together different elements that feels less museum-like and more evokes the crowded study of an eccentric scholar. I can’t imagine the amount of time it took to put together this portfolio, but it was well worth it. It’s a treasure.
Robert Ingpen's illustration of that Aztec god felt very familar to me, so I looked it up - it seems likely he swiped the mask from this 1976 Dean Ellis cover for To Live Forever by Jack Vance. But perhaps they were both using the same reference material?
February 2026 Portland, OR
Camera: Pentax LX Film: Portra 400
Zeus’ s Dog (Study) - Mia Bergeron
Despair, 1905 by Marcel Roux (French, 1878–1922)
Moebius
Hiro Kimura, ''Howling Mad'' by Peter David, 1989 Premise: Wolf is bitten by a werewolf and turns into a man on full moon nights. That's the gist of it.
The Western Veil Nebula, NGC 6960 // Wai Wong