The Birth of the World via Joan Miro
Size: 200x251 cm Medium: oil, canvas

if i look back, i am lost
untitled
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@kubelkobondy
The Birth of the World via Joan Miro
Size: 200x251 cm Medium: oil, canvas
Today is a day like any other: twenty-four hours, a little sunshine, a little rain. Listen, says ambition, nervously shifting her weight from one boot to another―why don’t you get going? For there I am, in the mossy shadows, under the trees. And to tell the truth I don’t want to let go of the wrists of idleness, I don’t want to sell my life for money, I don’t even want to come in out of the rain.
– Mary Oliver, from “Black Oaks”
a dear comrade passed in the night, and i’m very sad today. he’s been a staunch communist, trade unionist, gay rights activist, and labour organiser, for decades more than i’ve been on this earth. his passing is a threefold loss: of his person; his wealth of knowledge and experience; and the many vital roles he held within our movement locally and nationally. many knew him as strict old man, a determined force meticulously chairing meetings, able to quote rule books by rote. but i remember his tenderness too. he took in rescue animals, and spoke of them at length and with joy whenever asked. he and i would frequently stop in the middle of campaigning to pet cats. he loved long walks, and radio plays. he checked in with new comrades often, making sure we were okay with the pressures, encouraging us when inevitably we faced bullies or attacks. i remember with fondness gossiping and plotting to and from meetings, marching around estates with armfuls of leaflets, and driving the long way home through the nature reserve so he could finish one last story, or listen to an extra bronski beat song. he’ll be very much missed.
Pina Bausch, german dancer, choreographer (1940-2009)
“Dance, dance, otherwise we are lost”
Alexander Rodchenko’s White Circle, 1918 (via here)
Alexandre Roche’s coastal scene, Marseille (via here)
Alexander Calder - Le Demoiselle, 1939, sheet metal, wire and paint
To Those Born Later
I
Truly, I live in dark times! The guileless word is folly. A smooth forehead Suggests insensitivity. The man who laughs Has simply not yet had The terrible news.
What kind of times are they, when A talk about trees is almost a crime Because it implies silence about so many horrors? That man there calmly crossing the street Is already perhaps beyond the reach of his friends Who are in need?
It is true I still earn my keep But, believe me, that is only an accident. Nothing I do gives me the right to eat my fill. By chance I’ve been spared. (If my luck breaks, I am lost.)
They say to me: Eat and drink! Be glad you have it! But how can I eat and drink if I snatch what I eat From the starving, and My glass of water belongs to one dying of thirst? And yet I eat and drink.
I would also like to be wise. In the old books it says what wisdom is: To shun the strife of the world and to live out Your brief time without fear Also to get along without violence To return good for evil Not to fulfill your desires but to forget them Is accounted wise. All this I cannot do: Truly, I live in dark times.
II
I came to the cities in a time of disorder When hunger reigned there. I came among men in a time of revolt And I rebelled with them. So passed my time Which had been given to me on earth.
My food I ate between battles To sleep I lay down among murderers Love I practised carelessly And nature I looked at without patience. So passed my time Which had been given to me on earth.
All roads led into the mire in my time. My tongue betrayed me to the butchers. There was little I could do. But those in power Sat safer without me: that was my hope. So passed my time Which had been given to me on earth.
Our forces were slight. Our goal Lay far in the distance It was clearly visible, though I myself Was unlikely to reach it. So passed my time Which had been given to me on earth.
III
You who will emerge from the flood In which we have gone under Remember When you speak of our failings The dark time too Which you have escaped.
For we went forth, changing our country more frequently than our shoes Through the class warfare, despairing That there was only injustice and no outrage. And yet we knew: Even the hatred of squalor Distorts one’s features. Even anger against injustice Makes the voice grow hoarse. We Who wished to lay the foundation for gentleness Could not ourselves be gentle. But you, when at last the time comes That man can aid his fellow man, Should think upon us With leniency.
- Bertolt Brecht (trans. John Willett, Ralph Manheim & Erich Fried)
Wedding Telegram, C. 1973.
The Inner Vision: The Egg via Max Ernst
Size: 79.4x98.5 cm Medium: oil, canvas
Kaitags are a rare form of embroidery from Kaitag, a Dargin inhabited region of Dagestan. There are only 600 known Kaitag pieces in the world. They were made for ceremonies such as births and weddings as a form of protection from the ‘evil eye’.
Photos credited to Metropolitan carpet
Plymouth, saturday
Weronika Dudka
The Nightingale’s Song at Midnight and the Morning Rain via Joan Miro
Size: 46x38 cm Medium: gouache, paper