AnasAbdin
I'd rather be in outer space šø
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shark vs the universe
Lint Roller? I Barely Know Her
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Acquired Stardust
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izzy's playlists!
styofa doing anything
@theartofmadeline
YOU ARE THE REASON
he wasn't even looking at me and he found me
Kaledo Art
cherry valley forever
Love Begins
todays bird
oozey mess
hello vonnie
Misplaced Lens Cap
seen from TĆ¼rkiye
seen from India
seen from Germany
seen from United States
seen from TĆ¼rkiye
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Malaysia
seen from United States
seen from United States
seen from United States
@kyraleaf
The distinct advantage, as well as the disadvantage, of being the director is that you have nobody to blame but yourself. Almost everyone else has something or someone to blame. Not so with directors. They possess the unfathomable possibility of forging their own realities or fates or lives or whatever you want to call it. I have often found solace in that thought, bitter solace, and some vexation.
Ingmar Bergman, 1918
(Images, My Life in Film)
I think the folks in New York were fascinated by her so early on because she represented an antidote to the kind of processed, manufactured idea of beauty that was easy and slick and soulless. Chloƫ became the face of something real, something innate and strong and unreproducible.
Natasha Lyonne on Chloƫ Sevigny, 2015
Kate Beckinsale and Chloƫ Sevigny
Photo by Barry Wetcher, 1998.
Kids script cover
photo by Larry Clark, 1993
Chloƫ Sevigny for Sassy magazine
photo by Cathrine Wessel, 1992
Chloƫ Sevigny for Purple magazine
photo by Terry Richardson, 2010
Chloƫ Sevigny with Harmony Korine, 23rd Street station, NYC.
photo by Mary Frey, 1997
Chloƫ Sevigny
Italian Vogue; photo by Inez and Vinoodh, 2003
Chloƫ Sevigny
With her sideways glance and impenetrable stare, Chloƫ was the reason for the reinvention of the horrible term "it girl" (as she was labeled after the movie Kids came out), her beguiling charisma refusing to be reduced to "sexy" or "pretty" or "cute" or any of the other tags the world uses to tell girls what they are.
Whatever Chloƫ was doing i her Darien, Connecticut, bedroom . . . listening to music, putting together clothes, dreaming about life in New York City . . . her zest for freely roaming around space with an attitude and outfit to match evolved well ahead of what is now the homogenized look of the Internet. Her dark-side style is like a breath of fresh air compared to the bland, candy-coated, Hollywood-ized proposal for female sexuality and the democratization of "cool". This book allows us a peek into her teenage bedroom and evokes the visceral thrill of getting dressed. Not everything has to be spelled out. She dresses in subtext.
Kim Gordon
From the forward of Chloƫ Sevigny, 2015
Chloƫ Sevigny's bedroom in Darien, CT, 1995.
Photos by Chloƫ Sevigny