Zhang Hongtu ‘Mai Dang Lao’
Alisa U Zemlji Chuda
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@lady-silver-ice
Zhang Hongtu ‘Mai Dang Lao’
This man took so much longer to crack than I would have what a PROFESSIONAL
Plotting, scheming, etc.
This was filmed at the Sheldrick Wildlife Trust, which rescues, rehabilitates, and releases orphaned elephants in Kenya (among other conservation efforts). Charity Navigator has given it a 4/4 star rating, and you can make donations here or “adopt” a baby elephant here.
nearly had a medical emergency today because - and i cannot stress enough how little i am making this up - a helicopter landed in front of an open grain silo while i was getting off my ship and i am deathly allergic to the wheat that said helicopters rotor blades proceeded to blast in my face at full force. the cosmic forces are plotting against me ass situation to be in
[ID: anonymous question reading: helicopter deadass said gluten tag ///end ID]
:(
I cannot let this languish in tags, thank you for your service @beemovieerotica
✨🌸Uppies! 🌸✨
🌸The rosy maple moth kitten plushie launches today, April 21st, at 10am pst 🌸
Help reach the goal and get your very own moth kitten plushie here! As with all makeship campaigns we have 21 days to reach the purchase goal for the plushie to be made. So let’s get that moth kitten! Share with anyone you think would be interested!
🌸✨💖WE ARE LIVE! 💖✨🌸
🌸✨💖20% FUNDED!💖✨🌸 Help reach the funding goal within the 21 days here:
ROSY MAPLE MOTH KITTEN PLUSH ON MAKESHIP
not using AI genuinely feels like the rest of the world is experiencing some kind of mass amnesia. if someone says they never use it, the immediate response is that can't be true because "everyone" uses it to write their emails or answer their questions. saw a comment suggesting that not using chatgpt to write an essay is "like the 90s". girl I graduated in 2021 and we weren't doing that! how is it that everyone has suddenly forgotten that they were entirely capable of doing these things all by themselves for their entire lives up until the past few years!! am I going crazy!!!
Here's to observing today's Bird Day with colourful textures and shiny metallic markers🌈🥳
Tutorial: Sew a Keyhole Neckline with a Facing
Since I keep trying to explain facings to friends (and keep feeling like I’m failing miserably), I decided to do a longer tutorial, after all, about how to I use a facing to sew keyhole necklines on simple medieval-style tunics. This is an attractive and sturdy neckline for LARP/Dagorhir/SCA garb. I’ve used it on literally hundreds of tunics.
This tutorial ended up getting pretty long and scary, but don’t worry: this is not a complicated process. It’s just hard to explain over the internet. So– let’s go!
What is a facing, anyway?
A facing is just an extra bit of fabric that you sew to the edge of your garment and fold down to conceal a raw edge. I use them on necklines, instead of folding the edge down in a traditional hem. If you don’t get the concept, @vintage-aerith has a great tutorial here. Facings produce very sturdy, flat, and non-bulky edges.
For example, this tunic has a keyhole neckline finished with a self-colored green facing. The edge of the neckline is NOT folded over and hemmed: the facing is an extra piece of fabric that was stitched on to the edge and then folded to the inside. You can see the ‘lower’ edge of the facing– it’s the darker green line about 1.5″ in from the edge. I then tacked the facing down with embroidery. It’s a very clean, unobtrusive finish.
This tunic has a very fancy external orange facing, combined with a collar! The process is very similar to above, but the facing is flipped to the outside. This is an easy way to add color to a garment. (Forgive my dork-face and overlarge tunic– this was for a customer who’s about a foot taller than me!)
You should use facings because:
Hemming necklines is a pain. The curve will not want to fold down flat. Facings, on the other hand, are exactly the same size and shape as the neckline, so they automatically lay flat.
The point at the bottom of a keyhole is a nightmare to hem, and if you hem it badly, it will fray and rip, fast.
When you fold down a neckline to hem it, your neck-hole gets bigger. When we’re talking LARP/SCA/Dagorhir garb, a bigger neck-hole always means more sunburn. If you use a facing, you’ll get a neckhole exactly the size you planned.
Hemming stretches your neckline out. The more you handle a cut piece of fabric, the more it will stretch. A stretched out neckline = more sunburn, again. This facing method minimizes handling of cut edges, so the neckline stays nice and tight.
Facings are fast and easy once you understand what you’re doing and why. I can knock one out, start to finish, in about ten minutes. No lie.
Now that I’ve convinced you that facings rock, onward!
1. Make Your Facing Pattern
You’ll first need a pattern for your facing, and to make that, you need to know what size you’d like your finished neckline to be. I recommend a neckline that’s made of a circle that’s about 5.5″ in diameter and a 3″ slit, like this. This is juuust big enough that it will pull over most heads.
Draw your 5.5″ circle on a bit of scrap fabric. (I traced a saucer onto a sheet from a charity shop. Pure class, me.) This will be the hole your head goes through.
But, you protest, a 5.5″ circle only has a 17.25″ circumference! That’s way too small for anyone’s head! Well spotted: we’ll add a 3″ long slash down the center line so you can fit your head through.
Now we’ll mark the center and shoulder line. Since your tunic has a front half and a back half, you’ll be sorely tempted to put half your neck-circle on the front and half on the back.
But if you do this, your tunic will be really uncomfortable! Your neckline will constantly creep forward around your shoulders. This is because most of your neck is actually in front of the shoulder seam, so 2/3rds of your circle– about 3.66″ on a 5.5″ circle– should go in front of your shoulder.
Add 1.5″ around the edge of the hole and and around the slash.
Cut the fabric out along the outer line.
Cut out the center hole, and cut down the slash. Note that you’re just cutting the slash open with one pass of your scissors– you’re not trimming anything away.
Now you have a mock-up for your facing. It should look something like this. (Mine is super ugly because I’m traveling and only have terrible blunt scissors with me.)
Pull it on. Can you fit this over your head? Does it lie comfortably? If you can’t get this over your head, cut the slash a tiny bit longer and try again. If that doesn’t work, make the hole a tiiiiny bit larger. Remember that a smaller neckhole is better (sunburn!).
Don’t be fooled by my weird face– I am happy, because mine fits okay! I’ll now trace my mock-up onto a bit of sturdy poster board, making sure to mark the center front, back, length of the slit, and shoulder seams with notches.
The front white piece is my facing pattern, which I use to trace out the facing piece on fabric, ie, the background piece in olive green. Note that the fabric facing does NOT have the hole cut out. This is important!
Next, we’ll…
2. Cut Out Your Facing
Lay your new pattern on a bit of your fabric. Using chalk or a fabric-marking pencil, trace it all the edges and mark all the notches. Cut along the outer line until your facing piece looks like the dark shape in the photo above.
Here’s where it gets tricky, though: you won’t cut the interior circle, yet. This is because that inner edge isn’t really an edge at all: it’s your stitching line. When you’re stitching your facing onto your tunic, your needle will follow that inner line that you’ve chalked onto your fabric. See how in the photo above there’s a line marked in yellow chalk on the dark olive green facing? That’s the stitching line, so DO NOT CUT THE CENTER HOLE OUT IN YOUR FACING.
Similarly, DO NOT CUT A HOLE IN YOUR TUNIC YET. We won’t cut either hole until the facing is stitched to the tunic. That’s right– it will look and feel really weird, but trust me, there’s a good reason for it.
3. Finish the Edge of Your Facing
The outer edge of your facing will fray if you don’t do something to prevent that, so take a moment to serge or zigzag around the edge of your facing piece. It’s way easier to do this before you stitch the facing onto your tunic.
4. Stitch Your Facing Onto Your Tunic
Okay, so. I like to start by sew the neckline on my tunic before I do anything else. That way, if I screw it up, I haven’t wasted time (or fabric) by adding sleeves and gores and stuff.
Note how, in the picture above, no holes have been cut in the facing or the torso panel. This is not a mistake. Why aren’t you cutting the holes, you might ask? Well, fabric cut along curves stretches. Badly. This is bad news if you’re trying to match the hole you cut in your tunic to the hole you cut in your facing. Getting them to match requires a ton of pinning and fussying and delicate handling. I hate pinning and fussing, so I sew my facing to my tunic before I cut any holes. This way, everything is stabilized nothing can stretch out. Cool? Cool. Now, my torso panel is one long rectangle, which makes up the main front and back of my tunic– there’s no shoulder seam. Fold your tunic in half both ways and use your iron to crease these folds. These creases now mark your shoulder line and center lines. You’ll use them to line up your facing.
Lay your facing onto your tunic, right sides (ie, outsides) together. Make sure to match facing to the tunic’s center front, back, and shoulder seams. Remember how 2/3rds of your neckline will be on the front of your tunic? Check that, now. When your facing lays straight and flat and properly positioned on your tunic, pin it in place. You’ll now slowly stitch through both layers along the line you marked. The slash is a little different, though, so see the picture below for an explanation of how to stitch around it.
The stitching travels around the slash, with about 1/4″ to 1/8″ between the lines. The bottom of the slash should be crossed by just 1 stitch. If you use more stitches, this point will pucker when you try to flip it to the inside.
Once you’ve stitched along the entire stitching line, you’ll finally cut the neckline open.
Be extra careful cutting the slash open. You’ll cut through the gap between the two rows of stitching, stopping just shy of the stitch at the very bottom of the slash.
Okay. So, you’ve got your facing sewn to your tunic, but all the raw/cut edges are still exposed. To fix that, you’ll now fold the facing to the wrong side (ie, the inside), so the raw edge will be hidden inside the fold. This can be a little tricky, so be patient and use plenty of steam with your iron. To turn the points out, use something pointy but blunt, like a big bamboo knitting needle, to poke them right-side-out.
Once you’ve got your facing turned to the inside of your tunic, iron it well so the edge of the neckline is flat and crisp.
Hooray! All that’s left, now, is topstitching through the tunic and the facing in matching thread so your facing won’t creep back out to the right side. I like to use two lines of topstitching– one 1/8″ from the edge of the neckline, and another 1″ from the edge of the neckline. Make sure you’re catching the edge of your facing!
Hooray, you did it! That wasn’t so bad, was it? And look how sturdy and clean your tunic’s neckline now looks. That keyhole is never going to rip, I tell you that.
Huge thanks to Stellaria for writing the original tutorial that taught me how to do facings, and for putting up with my hare-brained innovations on her methods. Stell is the best.
Tip for cutting the slash without hitting the single stitch:
Put a pin horizontally right before the stitch as a shield.
This way, if you overshoot, your scissors or seam ripper will hit the pin and stop before accidentally cutting through the important stitch.
We do this on either end of buttonholes, since they’re hard enough to get right in the first place, and usually have to be done close to the end or added to an otherwise finished garment.
Taking pictures of a black cat is like.. here’s my nothing… petting my nothing… my nothing looks so cute today
#mynothing
The things I do for these spoiled babies...
Update: 24 hours after first install, and Vice has figured out how to use the cat flap by himself!
Malice has not. Malice is following me around the house yelling and trying to jump onto my shoulder any time I lean down so she can pilot me ratatouille-style out the front door. This is to be expected, because Malice's problem solving method is to let Vice solve the problem and then copy his answer.
She'll get there eventually.
She figured it out eventually!
I think about British Airways Flight 5390 a lot
OKAY STRAP IN because this is one of the WILDEST stories in aviation history.
In 1990, a British Airways BAC One-Eleven, captained by Tim Lancaster and co-piloted by Alastair Atchison, was cruising at 17,000 feet.
Around 15 minutes after take-off, flight attendant Nigel Ogden entered the cockpit to bring the pilots something to drink. One second everything was fine. The next second, the pilot's side window blew out from the force of the pressurized cockpit. Even though he was strapped in, the force of the explosive decompression ripped the captain out of his chair and pulled him though the window.
The flight attendant immediately leapt forward and grasped the captain's belt. The force was so strong - due to the plane's speed - the captain slipped and was pulled almost entirely out of the plane, but the flight attendant caught his leg. The captain laid on the roof, then the side of the fuselage (the above image is an inaccurate recreation - the side window was smashed) and the flight attendant's entire arm was soon outside of the plane, gripping him.
(Recreation from the show Mayday at the point of decompression)
At the same time, the event caused the autopilot to disengage, and the captain's body hitting the flight controls caused the plane to enter into a deep dive. The throttle was set to full power and could not be accessed due to debris, meaning the plane was descending rapidly. The co-pilot, experiencing hypoxia, fought to control the plane's dive while allowing it to continue descending to a level the passengers/crew could breathe at. He attempted to contact air traffic control, but the wind made communication impossible, so he broadcast a mayday signal. Finally, he was able to re-engage the autopilot and level the plane out at a breathable altitude.
Soon, the flight attendant's entire arm was burned from wind shear and frostbite, and his grip began to slip. The other attendants entered the cabin to see what was wrong and took over holding the captain's body. Seeing the blood covering the windows from the captain's severe wind sheer burns and frostbite, the attendants and co-pilot knew he was dead. However, they could not let his body go because it could smash into the wing, horz stabilizer, or engine, and bring the plane down.
For 30+ minutes the co-pilot flew a jet plane with an OPEN WINDOW and his co-worker's body hanging along the side of the plane. Finally, clearance to land from ATC came across over the sound of the wind and the flight attendants were able to dislodge the captain's ankles from the flight controls without letting him go. The co-pilot successfully landed the plane.
(tw below for blood)
(Taken same day as the incident)
BUT HERE'S THE KICKER: when they reached the ground and evacuated, they realized THE CAPTAIN WAS NOT DEAD.
He SURVIVED being outside the fuselage of a jet airplane traveling 550mph at 17,000 feet. His only injuries were extensive - but mostly superficial - frostbite and windshear burns, bruising, fractures in his hand, and shock. He has since stated that he remembers the event and was conscious for much of the time he was outside of the fuselage. The only other injury was the flight attendant's frostbitten/windshorn arm. Captain Tim Lancaster returned to flying five months later.
(Captain Tim Lancaster in bed several weeks after the incident, with flight attendant Ogden (+ Ogden's wife) above him and co-pilot Alastair Atchison to the far left, along with the two other flight attendants)
Why did this occur? Because the plane had received maintenance the day before, and the maintenance supervisor did not check he was using the correct screws in re-installing the windscreen.
(Recreation)
So yeah: you can apparently survive clinging to the side of a jet airliner traveling 500+mph at 17,000 feet.
Wow! Didn't expect this many likes for an aviation post.
Just a note that I was wrong - it was the front pilot's windscreen, not the side-window! I'm used to looking at Boeing windows with different positions :)
If y'all want the full story & more analysis of what exactly went wrong, Mayday: Air Investigations did a pretty decent special on the incident. It's free on YouTube here (and here on dailymotion if you're outside the US).
Adding some stuff:
The ‘maintenance supervisor did not check the bolts’ is technically correct but ignores the amount of stuff that had to go wrong for that to happen.
1: the supervisor was the one doing the bolts (I think there was a staffing issue) and so did not have to check the work that he did
2: the window was not on the list of vital components that need to be checked by someone else even if the supervisor does it.
3: the parts store where he had to go to get the bolts was badly lit and had bolts in the wrong drawers.
4: the wrong bolts and the right bolts are almost indistinguishable by sight.
5: the correct tool to put the screws in was not available so they had to do some lite bodging to get the screws in. By this I mean it was still a torque wrench and they checked it released at the right point but the correct socket did not stay in place or something like that.
6: any slight differences between the right bolts and the wrong bolts were hidden because of the tool they were using (which would have worked perfectly if they were using the right bolts).
If one of those things had not happened then the plane would have had the right bolts when it took off.
^ absolutely critical edition and a great example of what’s known in risk analysis as the Swiss Cheese Model.
From Wikipedia:
“The Swiss cheese model of accident causation illustrates that, although many layers of defense lie between hazards and accidents, there are flaws in each layer that, if aligned, can allow the accident to occur. In this diagram, three hazard vectors are stopped by the defenses, but one passes through where the "holes" are lined up.”
Accidents in complex systems are very rarely one person’s fault and my original post indeed oversimplified the incident for the sake of telling a straightforward story. This was not the case of one bad maintenance worker; this was a systematic failure. The holes lined up and a tragedy nearly occurred because profit (short staffing, poor maintenance facilities, poor training and tools) was prioritized over safety at several layers. Any additional degree of safety would have prevented this from occurring.
“Tulip Road” — Acrylic on canvas, 50×60 cm (2025)
Sometimes the path appears only when you start walking —
a soft curve of light, a little fog, a breath of colour guiding you forward.
I painted this piece with heavy impasto and very fine graphic lines, letting the tulips glow as if the morning dew is still holding onto them.
A quiet road of spring, where everything is waking up at once.
Thank you for wandering here with me. 💗🌸
— A.Trusova
(reblogs appreciated — they really help artists)
Every day I get a little closer to saying fuck it and becoming an apprentice in some at risk heritage craft or profession.
"let's have AI-"
I'm gonna go learn the art of hand engraving or thatched roofing. Maybe hand make clogs.
i’ve warmed up significantly towards the concept of small talk ever since i learned that its sole purpose is to make friendly noises.
as long as you smile and nod, people are satisfied. it’s just to show that you are nice and there with good intentions. we’re small in a big world and have to rely on other people to be decent to us. so we do our little human dance to each other to say, “i’m not here to hurt you. here’s something we have in common, like the weather or sports or itchy sweaters, so we both know we’re on the same team. we both agree on a basic fact, like that it is rainy or that being itchy is uncomfortable, and this proves we can get along. i’m being light-hearted and non-threatening right now.”
small talk isn’t to get to know a person. it’s just a greeting to affirm you’re buddies in the universe.
i am motivated by wanting the other person to know i am friendly, so i have gotten pretty decent at small talk when i used to hate it.
“everyone is mad at me and they just won’t tell me” —> “no one has said anything about being mad at me and i haven’t done anything to warrant being mad at so if someone is silently fuming about me and not saying anything that’s their problem and actually quite weird of them and i can effortlessly move on with my life”
this took SUCH a huge deal of unlearning because, like so many of you, i came out of a home where being quietly in trouble WAS the default state, and i DID grow up not just with the assumption but borderline religious conviction that Everyone Is Mad At Me, I Am Bad, I Must Exist In A Constant State of Attempting to Pacify The Natural Rage I Inspire In Everyone. and no it actually turns out that my family are the freaks . and yours are too
“this isn’t true because i DEFINITELY silently fume at people in the hopes they’ll figure out what they did and apologize” that’s not good. you shouldn’t do that
“this isn’t true because the ex-friendship that traumatized me ended explosively after they were mad at me and never told me why” that’s not good. they shouldn’t be doing that
“i don’t think this is true because my current friend group is constantly icing me out until i figure out what ive done to upset them and properly apologized without being told” hey thats not good. they should not be doing that
if the peacefulness of your relationship with someone (familial, romantic, friendly, anything) can be destroyed by effective communication/asking them for effective communication, you have got to get out of there. if you can’t get out of there, you’ve got to throw away any ideas about what that person thinks of you because they have their own shit to figure out before they can accurately read anyone else
A wee message of encouragement for all of my fellow creators 💜 I almost didn’t want to post this, this 2006 is kind of embarrassing! But the journey is the point….I seem to gravitate toward costumes involving women with horns, I did that silly Charizard Gijinka 20 years ago (!!), and this is my latest: my original Dragon Empress design!
I wanted to share this for 2 reasons: First, to remind every new cosplayer, or even any experienced cosplayer who’s just struggling, IT’S OKAY TO NOT BE PERFECT. It’s ok to buy costumes if there’s something you can’t make, don’t want to make, or don’t have the time to make (just be honest about it!). It’s ok if you make something and you’re not happy with the final result—I have made SO, SO MANY costumes, put them on, didn’t feel like the suited me and sold them without ever using them. I’ve made things and realized I wasn’t skilled enough in a certain area, and just thrown it out or repurposed parts of it. And it’s ok to step back and take a break if you need it, for any reason at all. I have been sewing for 20 years, and running a business sewing full time for 13 years, and I still make mistakes. It’s all learning, improving, and most importantly understanding perfection isn’t the goal—it’s just 𝙝𝙖𝙫𝙞𝙣𝙜 𝙛𝙪𝙣 𝙖𝙣𝙙 𝙚𝙭𝙥𝙧𝙚𝙨𝙨𝙞𝙣𝙜 𝙮𝙤𝙪𝙧𝙨𝙚𝙡𝙛!
Be good to yourself and others, commit random acts of kindness, create more.