Sade Olutola
No title available
roma★
h
untitled
noise dept.
Product Placement
Not today Justin
if i look back, i am lost
No title available
hello vonnie
todays bird
macklin celebrini has autism
Interview Vampire Daily
#extradirty
YOU ARE THE REASON
cherry valley forever
ojovivo
taylor price
Keni
seen from Singapore
seen from Bangladesh
seen from Germany
seen from Saudi Arabia
seen from Germany
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seen from Brazil
seen from United States
seen from Brazil
seen from Thailand
seen from Malaysia
seen from Peru
seen from T1
seen from South Africa
seen from Netherlands
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seen from T1
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seen from United States
@laluzdejesusofficial
DO YOU WANT YOUR ART SEEN IN THE COOLEST GALLERY IN LOS ANGELES?
Submit to our annual juried EVERYTHING BUT THE KITCHEN SINK!
We are one of the OG galleries within the lowbrow scene. Look! Our name is in blue in Wikipedia.
Please submit using the portal above. DM us or email [email protected] with EBTKS 2024 in the subject line with questions only!
Jesse Zuo New York artist Jesse Zuo embraces an attractive, yet raw side of femininity. Jesse Zuo exhibits women experiencing fluctuating states of body image and loneliness. Zuo utilizes sensual and archetypal high-chromatic color palettes that allows us to understand these experiences as if we are reading her own journal entries. Zuo paints the duality of bodily anxiety against self love through this series of melancholic paintings.
Jesse Zuo's Instagram
MATTHEW T. PERRY Local Los Angeles Artist Matthew T. Perry creates a body of work that re-contextualizes Cold War fear into a more vague anxious sentiment by illustrating figures from the atomic age being “vaporized” into the abyss. Perry illustrates many of his figures against either infamous Southern California landscapes or mid century color palettes further emulating our future of extreme consequences.
Although his figures are being destroyed, their emotions and awareness of their doom is intentionally left ambiguous. Perry tells a story of a vague apocalypse where the interpretation is contingent on the viewer’s current anxieties.
Matthew T. Perry's Instagram
MATTHEW T. PERRY Local Los Angeles Artist Matthew T. Perry creates a body of work that re-contextualizes Cold War fear into a more vague anxious sentiment by illustrating figures from the atomic age being “vaporized” into the abyss. Perry illustrates many of his figures against either infamous Southern California landscapes or mid century color palettes further emulating our future of extreme consequences.
Although his figures are being destroyed, their emotions and awareness of their doom is intentionally left ambiguous. Perry tells a story of a vague apocalypse where the interpretation is contingent on the viewer’s current anxieties.
Matthew T. Perry's Instagram
MATTHEW T. PERRY Local Los Angeles Artist Matthew T. Perry creates a body of work that re-contextualizes Cold War fear into a more vague anxious sentiment by illustrating figures from the atomic age being “vaporized” into the abyss. Perry illustrates many of his figures against either infamous Southern California landscapes or mid century color palettes further emulating our future of extreme consequences.
Although his figures are being destroyed, their emotions and awareness of their doom is intentionally left ambiguous. Perry tells a story of a vague apocalypse where the interpretation is contingent on the viewer’s current anxieties.
Matthew T. Perry's Instagram
MATTHEW T. PERRY Local Los Angeles Artist Matthew T. Perry creates a body of work that re-contextualizes Cold War fear into a more vague anxious sentiment by illustrating figures from the atomic age being “vaporized” into the abyss. Perry illustrates many of his figures against either infamous Southern California landscapes or mid century color palettes further emulating our future of extreme consequences.
Although his figures are being destroyed, their emotions and awareness of their doom is intentionally left ambiguous. Perry tells a story of a vague apocalypse where the interpretation is contingent on the viewer’s current anxieties.
Matthew T. Perry's Instagram
MATTHEW T. PERRY Local Los Angeles Artist Matthew T. Perry creates a body of work that re-contextualizes Cold War fear into a more vague anxious sentiment by illustrating figures from the atomic age being “vaporized” into the abyss. Perry illustrates many of his figures against either infamous Southern California landscapes or mid century color palettes further emulating our future of extreme consequences.
Although his figures are being destroyed, their emotions and awareness of their doom is intentionally left ambiguous. Perry tells a story of a vague apocalypse where the interpretation is contingent on the viewer’s current anxieties.
Matthew T. Perry's Instagram
MATTHEW T. PERRY Local Los Angeles Artist Matthew T. Perry creates a body of work that re-contextualizes Cold War fear into a more vague anxious sentiment by illustrating figures from the atomic age being “vaporized” into the abyss. Perry illustrates many of his figures against either infamous Southern California landscapes or mid century color palettes further emulating our future of extreme consequences.
Although his figures are being destroyed, their emotions and awareness of their doom is intentionally left ambiguous. Perry tells a story of a vague apocalypse where the interpretation is contingent on the viewer’s current anxieties.
Matthew T. Perry's Instagram
MATTHEW T. PERRY Local Los Angeles Artist Matthew T. Perry creates a body of work that re-contextualizes Cold War fear into a more vague anxious sentiment by illustrating figures from the atomic age being “vaporized” into the abyss. Perry illustrates many of his figures against either infamous Southern California landscapes or mid century color palettes further emulating our future of extreme consequences.
Although his figures are being destroyed, their emotions and awareness of their doom is intentionally left ambiguous. Perry tells a story of a vague apocalypse where the interpretation is contingent on the viewer’s current anxieties.
Matthew T. Perry's Instagram
Ruby Roth’s work is defined by the female form. After over a decade of focus on her best-selling children’s books, Roth has explored the deep end of the feminine spectrum and its archetypes. Her personal work often features solitary women navigating inner and outer wildernesses. In vast emptiness, surrounded by hints of nature, or in quiet communion with the moon, her wild women and “girl gods” find their way through physical and spiritual dimensions of darkness and light, bondage and freedom, apocalypse and utopia, life and death—transmuting either nourishing or toxic forces into usable means. Roth’s signature style of distortion combines both sharp edges and soft voluminous shapes, reflecting the dualities that both she and her subjects embody. Her new book, Boss Inside: A Reclamation of the Feminine is an illustrated memoir available now. Roth lives and works in Los Angeles, California.
Instagram:
@ruby_roth
Amanda Banker paints scenes of feminist narratives using satire, sexuality and visual polarities. As a self-taught artist, Banker looks to “re-animate” characters directed at feminist concepts. These nudes explore brazen female sexuality, and the limitations western culture places on it. These characters are nestled among realistic surroundings reminiscent of Dutch still life paintings, resulting in a stark dichotomy between nude and environment. Within this dichotomy, she includes sketchy animated characters. These imps embody chaos, vice and inherent hedonism, which are akin to various aspects of the human psyche. They exert an implicit force on the main character and, in a sense, liberate them from sexual taboos.
Instagram: @amanda_banker_artist
Destruction is a key part of Matthew Perry’s practice as both a narrative tool and freeing personal mechanism. To him, it keeps the paint alive, moving and never too precious. The paint is built up into an image, disintegrating into its base elements, molecules intermingling again, creating a new abstract form.
Using an amalgam of oil painting techniques, Perry creates mysteries through a distorted lens of mid-century America. A collision of nostalgic past and theoretical future, creating artifacts and snapshots of a hypothetical apocalypse.
“Things fall apart. At any moment we could fade away and disappear; strike a pose and look cool at the brink of ruin. That apocalypse which we are always at the brink of; that never comes? The end is nigh.” Matthew Perry
Instagram:
@matthewtperry
Ruby Roth’s work is defined by the female form. After over a decade of focus on her best-selling children’s books, Roth has explored the deep end of the feminine spectrum and its archetypes. Her personal work often features solitary women navigating inner and outer wildernesses. In vast emptiness, surrounded by hints of nature, or in quiet communion with the moon, her wild women and “girl gods” find their way through physical and spiritual dimensions of darkness and light, bondage and freedom, apocalypse and utopia, life and death—transmuting either nourishing or toxic forces into usable means. Roth’s signature style of distortion combines both sharp edges and soft voluminous shapes, reflecting the dualities that both she and her subjects embody. Her new book, Boss Inside: A Reclamation of the Feminine is an illustrated memoir available now. Roth lives and works in Los Angeles, California.
Instagram:
@ruby_roth
Jesse Zuo New York artist Jesse Zuo embraces an attractive, yet raw side of femininity. Jesse Zuo exhibits women experiencing fluctuating states of body image and loneliness. Zuo utilizes sensual and archetypal high-chromatic color palettes that allows us to understand these experiences as if we are reading her own journal entries. Zuo paints the duality of bodily anxiety against self love through this series of melancholic paintings.
Jesse Zuo's Instagram
Ruby Roth’s work is defined by the female form. After over a decade of focus on her best-selling children’s books, Roth has explored the deep end of the feminine spectrum and its archetypes. Her personal work often features solitary women navigating inner and outer wildernesses. In vast emptiness, surrounded by hints of nature, or in quiet communion with the moon, her wild women and “girl gods” find their way through physical and spiritual dimensions of darkness and light, bondage and freedom, apocalypse and utopia, life and death—transmuting either nourishing or toxic forces into usable means. Roth’s signature style of distortion combines both sharp edges and soft voluminous shapes, reflecting the dualities that both she and her subjects embody. Her new book, Boss Inside: A Reclamation of the Feminine is an illustrated memoir available now. Roth lives and works in Los Angeles, California.
Instagram:
@ruby_roth
Amanda Banker paints scenes of feminist narratives using satire, sexuality and visual polarities. As a self-taught artist, Banker looks to “re-animate” characters directed at feminist concepts. These nudes explore brazen female sexuality, and the limitations western culture places on it. These characters are nestled among realistic surroundings reminiscent of Dutch still life paintings, resulting in a stark dichotomy between nude and environment. Within this dichotomy, she includes sketchy animated characters. These imps embody chaos, vice and inherent hedonism, which are akin to various aspects of the human psyche. They exert an implicit force on the main character and, in a sense, liberate them from sexual taboos.
Instagram: @amanda_banker_artist
Jesse Zuo New York artist Jesse Zuo embraces an attractive, yet raw side of femininity. Jesse Zuo exhibits women experiencing fluctuating states of body image and loneliness. Zuo utilizes sensual and archetypal high-chromatic color palettes that allows us to understand these experiences as if we are reading her own journal entries. Zuo paints the duality of bodily anxiety against self love through this series of melancholic paintings.
Jesse Zuo's Instagram